9 items found
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A spectacular Victorian gilt pine and composition overmantel mirror
£4,625A spectacular Victorian gilt pine and composition overmantel mirror
the rectangular plate surmounted with pierced carved rocaille work to the eared crestings ornamented with modelled floral tendrils that spiral down the uprights of the frame,£4,625 -
A large French giltwood pier mirror,
£2,800A large French giltwood pier mirror,
the rectangular plate within the frame of beaded, fluted and repeated flowerhead cartouche mouldings,£2,800 -
A large late Victorian gilt pine and composition overmantel mirror
£1,990A large late Victorian gilt pine and composition overmantel mirror
the rectangular plate with shouldered top-edge and stiff-leaf mouldings with flanking moulded pilasters,£1,990 -
A large late Victorian gilt-wood and composition overmantel mirror,
£1,745A large late Victorian gilt-wood and composition overmantel mirror,
the rectangular plate, with a frame, later painted, embellished with fruiting clusters and outset scroll terminii to the bottom corners,£1,745 -
Giltwood pier mirror
£1,500Giltwood pier mirror
the cushion moulded frame with foliate bosses, the gilding pleasingly worn, with original plate-glass.£1,500 -
Early nineteenth century gilt framed pier mirror,
£1,250Early nineteenth century gilt framed pier mirror,
with coloured engraving after 'Shipwreck' by Peter Monamy (1681 - 1749) set above the original plate.£1,250 -
Regency giltwood pier mirror,
£1,250 -
A late Victorian Aesthetic Movement ebonised and parcel gilt overmantel mirror
£865A late Victorian Aesthetic Movement ebonised and parcel gilt overmantel mirror
with a central rectangular plate with a pierced frieze of bobbin turnings above and flanked with two pairs of subsidiary plates, the larger of these with blind fret-work and painted floral ornament,£865 -
A Moorish reverse painted glass framed mirror
£365A Moorish reverse painted glass framed mirror
the rectangular plate within a glass frame with an arched cresting and painted with flowerheads and scrolling plant forms within a trellis design,£365
Featured Items
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Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800