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  • Picasso, lithographs from 1930

    £195 Stock code: P01263XX F
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    Picasso, lithographs from 1930

    Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.
    Dimensions: 28cm (11") High, 32.5cm (12¾") Wide, 1.6cm (0¾") Deep
    Stock code: P01263XX F
    £195
  • Picasso, lithographs from 1930

    £195 Stock code: P01263XX B
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    Picasso, lithographs from 1930

    Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.
    Dimensions: 28cm (11") High, 32.5cm (12¾") Wide, 1.6cm (0¾") Deep
    Stock code: P01263XX B
    £195
  • Picasso, lithographs from 1930

    £195 Stock code: P01263XX A
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    Picasso, lithographs from 1930

    Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.
    Dimensions: 28cm (11") High, 32.5cm (12¾") Wide, 1.6cm (0¾") Deep
    Stock code: P01263XX A
    £195
  • Popular History of the Palms and their Allies – Hyphaene Thebaica

    £180 each Stock code: P01301 T
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    Popular History of the Palms and their Allies – Hyphaene Thebaica

    Based on the work of Berthold Seemann ,was a botanist who made his name when he was appointed naturalist (on the recommendation of W J Hooker) to HMS Herald for the Kellett voyage of exploration to the American West Coast and Pacific.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2.5cm (1") Deep
    Stock code: P01301 T
    £180 each
  • Popular History of the Palms and their Allies – Mauritia vinifera

    £180 each Stock code: P01301 S
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    Popular History of the Palms and their Allies – Mauritia vinifera

    Based on the work of Berthold Seemann ,was a botanist who made his name when he was appointed naturalist (on the recommendation of W J Hooker) to HMS Herald for the Kellett voyage of exploration to the American West Coast and Pacific.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2.5cm (1") Deep
    Stock code: P01301 S
    £180 each
  • Popular History of the Palms and their Allies – Elaeis melanococca & Iriartea exorrhiza

    £180 each Stock code: P01301 R
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    Popular History of the Palms and their Allies – Elaeis melanococca & Iriartea exorrhiza

    Based on the work of Berthold Seemann ,was a botanist who made his name when he was appointed naturalist (on the recommendation of W J Hooker) to HMS Herald for the Kellett voyage of exploration to the American West Coast and Pacific.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2.5cm (1") Deep
    Stock code: P01301 R
    £180 each
  • Popular History of the Palms and their Allies – Thrinax argentea

    £180 each Stock code: P01301 O
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    Popular History of the Palms and their Allies – Thrinax argentea

    Based on the work of Berthold Seemann ,was a botanist who made his name when he was appointed naturalist (on the recommendation of W J Hooker) to HMS Herald for the Kellett voyage of exploration to the American West Coast and Pacific.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2.5cm (1") Deep
    Stock code: P01301 O
    £180 each
  • Popular History of the Palms and their Allies – Areca catechu

    £180 each Stock code: P01301 N
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    Popular History of the Palms and their Allies – Areca catechu

    Based on the work of Berthold Seemann ,was a botanist who made his name when he was appointed naturalist (on the recommendation of W J Hooker) to HMS Herald for the Kellett voyage of exploration to the American West Coast and Pacific.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2.5cm (1") Deep
    Stock code: P01301 N
    £180 each
  • Popular History of the Palms and their Allies – The Great Palm House at Royal Gardens, Kew,

    £180 each Stock code: P01301 M
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    Popular History of the Palms and their Allies – The Great Palm House at Royal Gardens, Kew,

    Based on the work of Berthold Seemann ,was a botanist who made his name when he was appointed naturalist (on the recommendation of W J Hooker) to HMS Herald for the Kellett voyage of exploration to the American West Coast and Pacific.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2.5cm (1") Deep
    Stock code: P01301 M
    £180 each
  • Popular History of the Palms and their Allies – Lodoicea sechellarum

    £180 each Stock code: P01301 L
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    Popular History of the Palms and their Allies – Lodoicea sechellarum

    Based on the work of Berthold Seemann ,was a botanist who made his name when he was appointed naturalist (on the recommendation of W J Hooker) to HMS Herald for the Kellett voyage of exploration to the American West Coast and Pacific.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2.5cm (1") Deep
    Stock code: P01301 L
    £180 each
  • Popular History of the Palms and their Allies – Iriartea ventricosa

    £180 each Stock code: P01301 K
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    Popular History of the Palms and their Allies – Iriartea ventricosa

    Based on the work of Berthold Seemann ,was a botanist who made his name when he was appointed naturalist (on the recommendation of W J Hooker) to HMS Herald for the Kellett voyage of exploration to the American West Coast and Pacific.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2.5cm (1") Deep
    Stock code: P01301 K
    £180 each
  • Popular History of the Palms and their Allies – Phoenix dactylifera

    £180 each Stock code: P01301 J
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    Popular History of the Palms and their Allies – Phoenix dactylifera

    Based on the work of Berthold Seemann ,was a botanist who made his name when he was appointed naturalist (on the recommendation of W J Hooker) to HMS Herald for the Kellett voyage of exploration to the American West Coast and Pacific.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2.5cm (1") Deep
    Stock code: P01301 J
    £180 each
  • Popular History of the Palms and their Allies – Acrocomia Mexicana & Chamaedorea Schiedeana

    £180 each Stock code: P01301 I
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    Popular History of the Palms and their Allies – Acrocomia Mexicana & Chamaedorea Schiedeana

    Based on the work of Berthold Seemann ,was a botanist who made his name when he was appointed naturalist (on the recommendation of W J Hooker) to HMS Herald for the Kellett voyage of exploration to the American West Coast and Pacific.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2.5cm (1") Deep
    Stock code: P01301 I
    £180 each
  • Popular History of the Palms and their Allies – Borassus flabelliformis & Corypha umbraculifera

    £180 each Stock code: P01301 H
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    Popular History of the Palms and their Allies – Borassus flabelliformis & Corypha umbraculifera

    Based on the work of Berthold Seemann ,was a botanist who made his name when he was appointed naturalist (on the recommendation of W J Hooker) to HMS Herald for the Kellett voyage of exploration to the American West Coast and Pacific.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2.5cm (1") Deep
    Stock code: P01301 H
    £180 each
  • Popular History of the Palms and their Allies – Oreodoxa oleracea

    £180 each Stock code: P01301 G
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    Popular History of the Palms and their Allies – Oreodoxa oleracea

    Based on the work of Berthold Seemann ,was a botanist who made his name when he was appointed naturalist (on the recommendation of W J Hooker) to HMS Herald for the Kellett voyage of exploration to the American West Coast and Pacific.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2.5cm (1") Deep
    Stock code: P01301 G
    £180 each
  • Popular History of the Palms and their Allies – Cocos nucifera

    £180 each Stock code: P01301 F
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    Popular History of the Palms and their Allies – Cocos nucifera

    Based on the work of Berthold Seemann ,was a botanist who made his name when he was appointed naturalist (on the recommendation of W J Hooker) to HMS Herald for the Kellett voyage of exploration to the American West Coast and Pacific.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2.5cm (1") Deep
    Stock code: P01301 F
    £180 each
  • Popular History of the Palms and their Allies – Copernicia cerifera

    £180 each Stock code: P01301 E
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    Popular History of the Palms and their Allies – Copernicia cerifera

    Based on the work of Berthold Seemann ,was a botanist who made his name when he was appointed naturalist (on the recommendation of W J Hooker) to HMS Herald for the Kellett voyage of exploration to the American West Coast and Pacific.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2.5cm (1") Deep
    Stock code: P01301 E
    £180 each
  • Popular History of the Palms and their Allies – Oreodoxa oleracea & Thrinax multiflora

    £180 each Stock code: P01301 D
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    Popular History of the Palms and their Allies – Oreodoxa oleracea & Thrinax multiflora

    Based on the work of Berthold Seemann ,was a botanist who made his name when he was appointed naturalist (on the recommendation of W J Hooker) to HMS Herald for the Kellett voyage of exploration to the American West Coast and Pacific.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2.5cm (1") Deep
    Stock code: P01301 D
    £180 each
  • Popular History of the Palms and their Allies – Phytelephas macrocarpa

    £180 each Stock code: P01301 C
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    Popular History of the Palms and their Allies – Phytelephas macrocarpa

    Based on the work of Berthold Seemann ,was a botanist who made his name when he was appointed naturalist (on the recommendation of W J Hooker) to HMS Herald for the Kellett voyage of exploration to the American West Coast and Pacific.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2.5cm (1") Deep
    Stock code: P01301 C
    £180 each
  • Popular History of the Palms and their Allies – Chamaerops humilis

    £180 each Stock code: P01301 B
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    Popular History of the Palms and their Allies – Chamaerops humilis

    Based on the work of Berthold Seemann ,was a botanist who made his name when he was appointed naturalist (on the recommendation of W J Hooker) to HMS Herald for the Kellett voyage of exploration to the American West Coast and Pacific.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2.5cm (1") Deep
    Stock code: P01301 B
    £180 each
  • Popular History of the Palms and their Allies – Gulielma speciosa,

    £180 each Stock code: P01301 A
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    Popular History of the Palms and their Allies – Gulielma speciosa,

    Based on the work of Berthold Seemann ,was a botanist who made his name when he was appointed naturalist (on the recommendation of W J Hooker) to HMS Herald for the Kellett voyage of exploration to the American West Coast and Pacific.
    Dimensions: 29cm (11½") High, 25cm (9¾") Wide, 2.5cm (1") Deep
    Stock code: P01301 A
    £180 each
  • The Quicksilver

    £180 Stock code: AD1633
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    The Quicksilver

    A Royal Mail coach, The Quicksilver, passes the Star and Garter at the Brentford end of Kew Bridge. The Quicksilver was the London to Falmouth Royal Mail Coach and operated in the years between 1835 and 1859. In 1837 it became the fastest long-distance mail coach in England with an average speed of 10.25 miles an hour with the London to Falmouth journey being accomplished in 16 hours and 34 minutes. The Star and Garter was a venerable old Coaching Inn positioned on the Middlesex shore of the Thames by Kew Bridge. It closed in 1983. Mounted and framed in an angled maple frame.
    Dimensions: 40cm (15¾") High, 40cm (15¾") Wide, 15cm (6") Thick
    Stock code: AD1633
    £180
  • Cricket at Kennington Oval

    £180 Stock code: P01286
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    Cricket at Kennington Oval

    Engraved by Henry Winkles from the original study by William Tombleson. Originally published in the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
    Dimensions: 33cm (13") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01286
    £180
  • Lambeth Bridge, by J. H. Wiley

    £180 Stock code: P01100 C
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    Lambeth Bridge, by J. H. Wiley

    Early 20th century artist.
    Dimensions: 26cm (10¼") High, 38cm (15") Wide, 1.5cm (0½") Deep
    Stock code: P01100 C
    £180
  • St John Gate, Clerkenwell, by J. H. Wiley

    £180 Stock code: P01100 B
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    St John Gate, Clerkenwell, by J. H. Wiley

    Early 20th century artist.
    Dimensions: 38cm (15") High, 26cm (10¼") Wide, 1.5cm (0½") Deep
    Stock code: P01100 B
    £180
  • The Ball,

    £180 Stock code: A086
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    The Ball,

    hand-coloured copper engraving published circa 1800, framed
    Dimensions: 1cm (0½") Wide
    Stock code: A086
    £180
  • A Match for the King’s Plate,

    £180 Stock code: A095
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    A Match for the King’s Plate,

    A hand coloured etching by George Cruikshank commenting on the contest for seat of Westminster. George Lamb and John Cam Hobhouse, 1st Baron Broughton are shown astride a lamb, Sir Francis Burdett, 5th Baronet, on a fine but injured charger and Henry 'Orator' Hunt straggles behind on an old carthorse representing the 'Father of Reform' Major John Cartwright. All five figures are shown racing for the winning post at the gate of His Majesty's Treasury with an implication that the contest is for one for both power and political patronage while the twin devils or radical reform and universal suffrage inadvertently 'steal a ride' on the Baronet's charger. The election of 1818 was the first to be staged after the end of the Napoleonic wars and was to become both a distillation of the latent class-conflicts bubbling over in the United Kingdom, and a fore-warning of the growth of militant radicalism that was to envenom and fracture British politics in the early parts of the 19th Century. Sir Francis Burdett was the Radical incumbent in Westminster and yet was firmly set against the new Radicalism which was beginning to colour the politics of the manufacturing districts of the North. This extreme and confident movement for universal manhood suffrage and political reform was by now associated with Henry Hunt, Major Cartwright and the writer and journalist William Cobbett. Caught in a cleft stick by his need both to mollify the prosperous and respectable Westminster electorate and yet maintain his own character as a tribune of the plebeians and Radical leader, Burdett was in a classic political double-bind. To the eye of the exiled Cobbett the Baronet was a placeman and an establishment 'traitor' but to his Tory opponents and the wavering freeholders and burgesses of Westminster he was beginning to appear a dangerous extremist. The suicide of Sir Samuel Romilly, the second member for Westminster, in November 1818 threw the situation wide open and the resulting by-election became something of a national sensation.      
    Dimensions: 30.48cm (12") High, 38.1cm (15") Wide
    Stock code: A095
    £180
  • Picasso, Vollard Suite, 1956. c. May 1933.

    £175 each Stock code: P01355 12
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    Picasso, Vollard Suite, 1956. c. May 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. May 1933.  Two Catalan Men
    Dimensions: 34cm (13½") High, 40.5cm (16") Wide, 2cm (0¾") Long
    Stock code: P01355 12
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, January 27, 1934.

    £175 each Stock code: P01355 33
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    Picasso, Vollard Suite, 1956. Paris, January 27, 1934.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, January 27, 1934.   Head of Rembrandt and Heads of Three Girls
    Dimensions: 34cm (13½") High, 40.5cm (16") Wide, 2cm (0¾") Long
    Stock code: P01355 33
    £175 each
  • Picasso, Vollard Suite, 1956. Boisgeloup, April 23, 1933.

    £175 each Stock code: P01355 31
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    Picasso, Vollard Suite, 1956. Boisgeloup, April 23, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisgeloup, April 23, 1933.   Embrace
    Dimensions: 34cm (13½") High, 40.5cm (16") Wide, 2cm (0¾") Long
    Stock code: P01355 31
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, November 7, 1933.

    £175 each Stock code: P01355 15
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    Picasso, Vollard Suite, 1956. Paris, November 7, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 7, 1933.   Bullfight I
    Dimensions: 34cm (13½") High, 40.5cm (16") Wide, 2cm (0¾") Long
    Stock code: P01355 15
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, November 2, 1933.

    £175 each Stock code: P01355 32
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    Picasso, Vollard Suite, 1956. Paris, November 2, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 2, 1933.   Embrace
    Dimensions: 34cm (13½") High, 40.5cm (16") Wide, 2cm (0¾") Long
    Stock code: P01355 32
    £175 each
  • Picasso, Vollard Suite, 1956.

    £175 each Stock code: P01355 10
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    Picasso, Vollard Suite, 1956.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. 1931.   Two Nudes Resting.
    Dimensions: 34cm (13½") High, 40.5cm (16") Wide, 2cm (0¾") Long
    Stock code: P01355 10
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, May 5, 1933.

    £175 each Stock code: P01355 76
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    Picasso, Vollard Suite, 1956. Paris, May 5, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 5, 1933.   Sculpture of Seated Nude, Sculptured Head, and Vase of Flowers.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 76
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, March 25, 1933,

    £175 each Stock code: P01355 47
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    Picasso, Vollard Suite, 1956. Paris, March 25, 1933,

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, March 25, 1933.  Sculptor Working from a Model.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 47
    £175 each
  • Picasso, Vollard Suite, 1956. c. May 1933.

    £175 each Stock code: P01355 13
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    Picasso, Vollard Suite, 1956. c. May 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. May 1933.  Four Children Viewing a Monster.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 13
    £175 each
  • Picasso, Vollard Suite, 1956.

    £175 each Stock code: P01355 9
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    Picasso, Vollard Suite, 1956.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. 1931.  The Rape
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 9
    £175 each
  • Picasso, Vollard Suite, 1956. c. 1935.

    £175 each Stock code: P01355 26
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    Picasso, Vollard Suite, 1956. c. 1935.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. 1935.  Boy Watching over Sleeping Woman by Candlelight.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 26
    £175 each
  • Picasso, Vollard Suite, 1956. June 12, 1936.

    £175 each Stock code: P01355 27
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    Picasso, Vollard Suite, 1956. June 12, 1936.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. June 12, 1936.  Satyr and Sleeping Woman.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 27
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, May 26, 1933.

    £175 each Stock code: P01355 88
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    Picasso, Vollard Suite, 1956. Paris, May 26, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 26, 1933.  Dying Minotaur.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 88
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, November 11, 1933.

    £175 each Stock code: P01355 17
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    Picasso, Vollard Suite, 1956. Paris, November 11, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 11, 1933. Acrobats with a Horse.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 17
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, October 23, 1934.

    £175 each Stock code: P01355 96
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    Picasso, Vollard Suite, 1956. Paris, October 23, 1934.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, October 23, 1934. Blind Minotaur Led through the Night by Girl with Dove.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 96
    £175 each
  • Picasso, Vollard Suite, 1956. c. 1935.

    £175 each Stock code: P01355 97
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    Picasso, Vollard Suite, 1956. c. 1935.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c, 1935.  Blind Minotaur Led through the Night by Girl with Fluttering Dove.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 97
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, June 16, 1933

    £175 each Stock code: P01355 91
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    Picasso, Vollard Suite, 1956. Paris, June 16, 1933

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, June 16, 1933.  Minotaur with Girl in His Arms
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 91
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, November 8, 1933.

    £175 each Stock code: P01355 16
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    Picasso, Vollard Suite, 1956. Paris, November 8, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 8, 1933.  Bullfight II
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 16
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, May 18, 1933.

    £175 each Stock code: P01355 85
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    Picasso, Vollard Suite, 1956. Paris, May 18, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 18, 1933. Drinking Minotaur and Sculptor with Two Models
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 85
    £175 each
  • Picasso, Vollard Suite, 1956. c. October 1934.

    £175 each Stock code: P01355 95
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    Picasso, Vollard Suite, 1956. c. October 1934.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. October 1934. Blind Minotaur Led by Girl with Fluttering Dove.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 95
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, May 22, 1933.

    £175 each Stock code: P01355 14
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    Picasso, Vollard Suite, 1956. Paris, May 22, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 22, 1933. Two Nudes Bathing. At left, Sculptured Head and Head of Spectator.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 14
    £175 each
  • Picasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.

    £175 each Stock code: P01355 92
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    Picasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisgeloup, June 18, 1933. Minotaur, Drinking Sculptor, and Three Models.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 92
    £175 each
  • Picasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.

    £175 each Stock code: P01355 93
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    Picasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisgeloup, June 18, 1933. Minotaur over Sleeping Girl.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 93
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, May 23, 1933.

    £175 each Stock code: P01355 87
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    Picasso, Vollard Suite, 1956. Paris, May 23, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 23, 1933. Minotaur Assaulting a Girl.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 87
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, May 18, 1933.

    £175 each Stock code: P01355 86
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    Picasso, Vollard Suite, 1956. Paris, May 18, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 18, 1933. Girl Seated by Sleeping Minotaur.
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 86
    £175 each
  • Picasso, Vollard Suite, 1956. Boisgeloup. September 22, 1934.

    £175 each Stock code: P01355 94
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    Picasso, Vollard Suite, 1956. Boisgeloup. September 22, 1934.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisegeloup. September 22, 1934. Blind Minotaur Led by Girl with Bouquet of  Wild Flowers.  
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 94
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, March 10, 1934

    £175 each Stock code: P01355 82
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    Picasso, Vollard Suite, 1956. Paris, March 10, 1934

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, March 10, 1934. Four Models and a Sculptured Head.  
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 82
    £175 each
  • Picasso, Vollard Suite, 1956. Paris, March 2, 1934

    £175 each Stock code: P01355 81
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    Picasso, Vollard Suite, 1956. Paris, March 2, 1934

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, March 2, 1934. Sculptor and Statue of Three Female Dancers  
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 81
    £175 each
  • Picasso, Vollard Suite, 1956. Boisgeloup, April 22, 1933.

    £175 each Stock code: P01355 30
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    Picasso, Vollard Suite, 1956. Boisgeloup, April 22, 1933.

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisegeloup, April 22, 1933. Embrace.  
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01355 30
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 O
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    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 O
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 N
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    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 N
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 M
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 M
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 E
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 E
    £175 each
  • Picasso, Vollard Suite, 1956,

    £175 each Stock code: P01232 55
    Add to Wishlist

    Picasso, Vollard Suite, 1956,

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.    
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01232 55
    £175 each
  • Picasso, Vollard Suite, 1956,

    £175 each Stock code: P01232 58
    Add to Wishlist

    Picasso, Vollard Suite, 1956,

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.    
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01232 58
    £175 each
  • Picasso, Vollard Suite, 1956,

    £175 each Stock code: P01232 56
    Add to Wishlist

    Picasso, Vollard Suite, 1956,

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.    
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01232 56
    £175 each
  • Picasso, Vollard Suite, 1956,

    £175 each Stock code: P01232 64
    Add to Wishlist

    Picasso, Vollard Suite, 1956,

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.    
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01232 64
    £175 each
  • Picasso, Vollard Suite, 1956,

    £175 each Stock code: P01232 89
    Add to Wishlist

    Picasso, Vollard Suite, 1956,

    Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak.    
    Dimensions: 40.5cm (16") High, 34cm (13½") Wide, 2cm (0¾") Long
    Stock code: P01232 89
    £175 each
  • William Frederick, 2nd Duke of Gloucester (‘A slice of Glo’ster cheese’) by James Gillray

    £160 Stock code: AD1662
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    William Frederick, 2nd Duke of Gloucester (‘A slice of Glo’ster cheese’) by James Gillray

    A whole length hand-coloured  Georgian caricature-portrait of Prince William Frederick of Gloucester. Designed in an oval setting, the Prince is shown in profile, facing rightwards, and bearing a strong and suggestive resemblance to his uncle King George III. He is shown wearing military uniform, having served in Flanders in 1794 during the Revolutionary Wars. The Prince, later the Duke, of Gloucester had become popularly and affectionately known as 'Slice of Gloster' or simply 'Slice' by the early 1700s.
    Dimensions: 45cm (17¾") High, 30.5cm (12") Wide
    Stock code: AD1662
    £160
  • Pont Neuf, Paris, by Herbert Hillier

    £160 Stock code: AD1422 / 3
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    Pont Neuf, Paris, by Herbert Hillier

    Signed in pencil. Framed
    Dimensions: 36cm (14¼") High, 43cm (17") Wide, 1.5cm (0½") Deep
    Stock code: AD1422 / 3
    £160
  • Boats at low tide, watercolour

    £150 Stock code: P01340
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    Boats at low tide, watercolour

    .
    Dimensions: 33cm (13") High, 42cm (16½") Wide, 2cm (0¾") Deep
    Stock code: P01340
    £150
  • The American Lobster 1896

    £150 Stock code: P01267 Pl. 26
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    The American Lobster 1896

    Francis Hobart Herrick (1858-1940) was for many decades Professor of Biology at Western Reserve University, Ohio. His early research focused on the American lobster in New England. His work revealed that over-harvesting egg-producing adult lobsters was threatening the species and risking destruction of the American lobster industry.
    Dimensions: 37.5cm (14¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01267 Pl. 26
    £150
  • The American Lobster 1896

    £150 Stock code: P01267 Pl. 25
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    The American Lobster 1896

    Francis Hobart Herrick (1858-1940) was for many decades Professor of Biology at Western Reserve University, Ohio. His early research focused on the American lobster in New England. His work revealed that over-harvesting egg-producing adult lobsters was threatening the species and risking destruction of the American lobster industry.
    Dimensions: 37.5cm (14¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01267 Pl. 25
    £150
  • The American Lobster 1896

    £150 Stock code: P01267 Pl. 23
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    The American Lobster 1896

    Francis Hobart Herrick (1858-1940) was for many decades Professor of Biology at Western Reserve University, Ohio. His early research focused on the American lobster in New England. His work revealed that over-harvesting egg-producing adult lobsters was threatening the species and risking destruction of the American lobster industry.
    Dimensions: 37.5cm (14¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01267 Pl. 23
    £150
  • The American Lobster 1896

    £150 Stock code: P01267 Pl. 24
    Add to Wishlist

    The American Lobster 1896

    Francis Hobart Herrick (1858-1940) was for many decades Professor of Biology at Western Reserve University, Ohio. His early research focused on the American lobster in New England. His work revealed that over-harvesting egg-producing adult lobsters was threatening the species and risking destruction of the American lobster industry.
    Dimensions: 37.5cm (14¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01267 Pl. 24
    £150
  • Waterloo Bridge,

    £150 Stock code: AD1577
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    Waterloo Bridge,

    Hand colured and engraved, framed and mounted print depicting John Rennie's Waterloo Bridge by the artist and engraver John Shury after a painting by W.G. Moss.
    Dimensions: 1cm (0½") Wide
    Stock code: AD1577
    £150
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 W
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 W
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 Q
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 Q
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 P
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 P
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 O
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 O
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 N
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 N
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 M
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 M
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 J
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 J
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 I
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 I
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 H
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 H
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 E
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 E
    £150 each
  • Woodcuts by Eric Fitch Dalglish

    £150 each Stock code: P01229 D
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 D
    £150 each
  • Woodcuts by Eric Fitch Dalglish

    £150 each Stock code: P01229 A
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 A
    £150 each
  • Nineteenth century arboreal prints,

    £140 each Stock code: P01235 R
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    Nineteenth century arboreal prints,

    European trees published in London c1880. Mounted in cream  framed in pale gold. 'Hawthorn'
    Dimensions: 33.5cm (13¼") High, 27.5cm (10¾") Wide, 2cm (0¾") Deep
    Stock code: P01235 R
    £140 each
  • Nineteenth century arboreal prints,

    £140 each Stock code: P01235 I
    Add to Wishlist

    Nineteenth century arboreal prints,

    European trees published c1880. Mounted in cream  framed in pale gold. 'Mountain Ash'
    Dimensions: 33.5cm (13¼") High, 27.5cm (10¾") Wide, 2cm (0¾") Deep
    Stock code: P01235 I
    £140 each
  • Nineteenth century arboreal prints,

    £140 each Stock code: P01235 B
    Add to Wishlist

    Nineteenth century arboreal prints,

    European trees published c1880. Mounted in cream  framed in pale gold. 'Holly'.  
    Dimensions: 33.5cm (13¼") High, 27.5cm (10¾") Wide, 2cm (0¾") Deep
    Stock code: P01235 B
    £140 each
  • Curtis’s Botanical Lithographs,

    £140 each Stock code: P01207 pl.7266
    Add to Wishlist

    Curtis’s Botanical Lithographs,

    Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.
    Dimensions: 37cm (14½") High, 28cm (11") Wide, 2cm (0¾") Deep, 3
    Stock code: P01207 pl.7266
    £140 each
  • Curtis’s Botanical Lithographs,

    £140 each Stock code: P01207 pl.7414
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    Curtis’s Botanical Lithographs,

    Printed by L. Reeve and Co. of Covent Garden. Framed in natural oak.
    Dimensions: 37cm (14½") High, 28cm (11") Wide, 2cm (0¾") Deep, 3
    Stock code: P01207 pl.7414
    £140 each
  • Londres Secret et Ses Fantomes, lithographs published 1946

    £140 each Stock code: P01219 30
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    Londres Secret et Ses Fantomes, lithographs published 1946

    Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.
    Dimensions: 36cm (14¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01219 30
    £140 each
  • Londres Secret et Ses Fantomes, lithographs published 1946

    £140 each Stock code: P01219 29
    Add to Wishlist

    Londres Secret et Ses Fantomes, lithographs published 1946

    Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.
    Dimensions: 36cm (14¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01219 29
    £140 each
  • Londres Secret et Ses Fantomes, lithographs published 1946

    £140 each Stock code: P01219 28
    Add to Wishlist

    Londres Secret et Ses Fantomes, lithographs published 1946

    Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.
    Dimensions: 36cm (14¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01219 28
    £140 each
  • Londres Secret et Ses Fantomes, lithographs published 1946

    £140 each Stock code: P01219 26
    Add to Wishlist

    Londres Secret et Ses Fantomes, lithographs published 1946

    Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.
    Dimensions: 36cm (14¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01219 26
    £140 each
  • Londres Secret et Ses Fantomes, lithographs published 1946

    £140 each Stock code: P01219 25
    Add to Wishlist

    Londres Secret et Ses Fantomes, lithographs published 1946

    Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.
    Dimensions: 36cm (14¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01219 25
    £140 each
  • Londres Secret et Ses Fantomes, lithographs published 1946

    £140 each Stock code: P01219 24
    Add to Wishlist

    Londres Secret et Ses Fantomes, lithographs published 1946

    Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.
    Dimensions: 36cm (14¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01219 24
    £140 each
  • Londres Secret et Ses Fantomes, lithographs published 1946

    £140 each Stock code: P01219 23
    Add to Wishlist

    Londres Secret et Ses Fantomes, lithographs published 1946

    Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.
    Dimensions: 36cm (14¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01219 23
    £140 each
  • Londres Secret et Ses Fantomes, lithographs published 1946

    £140 each Stock code: P01219 22
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    Londres Secret et Ses Fantomes, lithographs published 1946

    Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.
    Dimensions: 36cm (14¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01219 22
    £140 each
  • Londres Secret et Ses Fantomes, lithographs published 1946

    £140 each Stock code: P01219 21
    Add to Wishlist

    Londres Secret et Ses Fantomes, lithographs published 1946

    Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.
    Dimensions: 36cm (14¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01219 21
    £140 each
  • Londres Secret et Ses Fantomes, lithographs published 1946

    £140 each Stock code: P01219 19
    Add to Wishlist

    Londres Secret et Ses Fantomes, lithographs published 1946

    Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.
    Dimensions: 36cm (14¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01219 19
    £140 each

Featured Items

  • Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.

    £500 Stock code: P01275 E
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    Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 E
    £500
  • Printemps by Marc Chagall, Verve Vol. 1 / No. 3.

    £800 Stock code: P01274 A
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    Printemps by Marc Chagall, Verve Vol. 1 / No. 3.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01274 A
    £800
  • The Dance, by Henri Matisse, Jan – March 1939 / No. 4.

    £1,200 Stock code: P01273 G
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    The Dance, by Henri Matisse, Jan – March 1939 / No. 4.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 50cm (19¾") High, 67cm (26½") Wide, 2cm (0¾") Deep
    Stock code: P01273 G
    £1,200
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 O
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    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 O
    £175 each