11 items found
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William IV style patinated bronze and gilt-lacquered brass Colza form three light chandelier,
£4,000William IV style patinated bronze and gilt-lacquered brass Colza form three light chandelier,
with foliate ceiling-rose, the body with central suspended from three chains, each light fitment with bulbous frosted glass shade.£4,000 -
Cut glass hallway pendant light,
£450 -
Early twentieth century cut glass ceiling light
£425Early twentieth century cut glass ceiling light
with pressed copper ceiling gallery, re-wired and PAT tested.£425 -
1920s hallway pendant light
£3501920s hallway pendant light
with chrome plated gallery, the moulded shade acid-etched and with cut decoration. Re-wired.£350 -
Dished perspex pendant light,
£300Dished perspex pendant light,
the four chains suspended from brass rim, the demi spherical shade below.£300 -
Poul Henningsen style pendant light,
£250Poul Henningsen style pendant light,
after the PH 4/3 design for Louis Poulsen originally designed 1966, removed from UCLH, Russell Square. Re-wired and PAT tested.£250 -
Early twentieth century holophane pendant light,
£220Early twentieth century holophane pendant light,
with brass gallery, chain, and ceiling rose. Re-wired.£220 -
Edwardian ‘Holophane’ glass pendant light,
£200 -
Early twentieth century moulded glass pendant light,
£200Early twentieth century moulded glass pendant light,
with brass gallery and ceiling rose, re-wired.£200 -
Military field kitchen pendant lights
£150 eachMilitary field kitchen pendant lights
spun aluminium with army green painted exterior. With pink flex cable£150 each -
Military field kitchen pendant lights
£150 each
Featured Items
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Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500