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9 items found

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  • Vénus et les Amours

    £6,750 Stock code: AD1622
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    Vénus et les Amours

    Gilt framed, velvet backed oil on board painting showing Venus between her attendants, the spirits of love, and a pair of courting doves. Based on the engraving of 1775 by Rene Gaillard, itself a copy of the painting Venus et Les Amours of 1767 by Francois Boucher.  
    Dimensions: 1cm (0½") Wide
    Stock code: AD1622
    £6,750
  • The Age of Innocence

    £3,800 Stock code: AD1631
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    The Age of Innocence

    A 19th Century genre painting in oils after Sir Joshua Reynolds originally entitled A Little Girl but better known as The Age of Innocence. A barefooted small child in a white dress is shown seated in a sylvan bower. Set in fine, ornate, carved and gilded Maratta frame with scalloped corners.    
    Dimensions: 97cm (38¼") High, 85cm (33½") Wide, 8cm (3¼") Deep
    Stock code: AD1631
    £3,800
  • Portrait of a Lady in White Silk

    £2,600 Stock code: AD1632
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    Portrait of a Lady in White Silk

    Late 18th Century portrait of a lady in white silk in the manner of Sir Thomas Lawrence. Set against a red backdrop within a massy gilt and carved french style frame with scoop sides decorated with flat interlacing husk-and-leaf pattern and heavy applied corners of shell-and-foliage,  
    Dimensions: 100cm (39¼") High, 89cm (35") Wide, 8cm (3¼") Deep
    Stock code: AD1632
    £2,600
  • The Caravan

    £1,400 Stock code: AD1533
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    The Caravan

    The Caravan Signed and dated 'George Charlton 1935' A Gypsy caravan shown shaded by the boughs of two Elm trees on Hampstead Heath. The painter George Charlton was born in London in 1899. He studied at the Slade School of Fine Art from 1914 before joining the staff in 1919. He later taught at the Willesden School of Art from 1949–59 and was an examiner in art for the University of London for many years. Showed widely in London he achieved his first one-man show at Cork Street's Redfern Gallery in 1924 before exhibiting solo at the avant-garde Beaux Arts Gallery on Bruton Place. His work is held by the Tate Gallery in London.
    Dimensions: 76cm (30") High, 91.5cm (36") Wide, 3cm (1¼") Deep
    Stock code: AD1533
    £1,400
  • A Lazy Day in the Farmyard

    £1,200 Stock code: AD1528
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    A Lazy Day in the Farmyard

    A study in pencil, black ink and watercolour of a rustic farmyard scene by the artist and painter George Charlton. George Charlton was born in London in 1899. He studied at the Slade School of Fine Art from 1914 before joining the staff in 1919. He later taught at the Willesden School of Art from 1949–59 and was an examiner in art for the University of London for many years. Showed widely in London he achieved his first one-man show at Cork Street's Redfern Gallery in 1924 before exhibiting solo at the avant-garde Beaux Arts Gallery on Bruton Place. His work is held by the Tate Gallery in London.
    Dimensions: 40cm (15¾") High, 37cm (14½") Wide
    Stock code: AD1528
    £1,200
  • Pair of 19th century genre paintings

    A matched pair of genre paintings,

    £1,200 the pair Stock code: A070
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    A matched pair of genre paintings,

    ‘The Toy Boat’ and 'The Bird Cage'. A pair of mid 19th Century domestic interior scenes showing benevolent fathers bestowing gifts upon their children. Both works are painted oil-on-canvas and signed by the artist. Canvas stamped with the hallmark of George Rowney & Co. print publishers, printers, suppliers of artists' materials, of Rathbone Place, Picadilly and Oxford Street.
    Dimensions: 68cm (26¾") High, 58cm (22¾") Wide, 8cm (3¼") Deep
    Stock code: A070
    £1,200 the pair
  • Set of Indian orthniological paintings on mica

    £660 set of six Stock code: P01299
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    Set of Indian orthniological paintings on mica

    Mica is a transparent mineral composed of  complex mixtures of potassium silicates. The variety of mica used most frequently by these Indian artists is Muscovite (H2KAl3 Si04)3 which is found widely throughout south India. The mica is formed between strata of granite and the transparency of the material is a result of the heat and pressure created between the layers of rock during formation. Mica consists of many interlocking platelets, resulting in a laminar structure which can be split easily  into thin sheets.
    Dimensions: 28cm (11") High, 23cm (9") Wide, 3cm (1¼") Thick
    Stock code: P01299
    £660 set of six
  • Leigh on Sea, Albert Houghton

    £550 Stock code: AD1624
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    Leigh on Sea, Albert Houghton

    Mounted and framed watercolour painting by the English artist and painter, Albert Houghton showing fishing boats at Leigh on Sea, Essex. 1970, signed by the artist.
    Dimensions: 34.3cm (13½") High, 54cm (21¼") Wide
    Stock code: AD1624
    £550
  • Path through a wood. Oil on Canvas

    £160 Stock code: P01158
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    Path through a wood. Oil on Canvas

    Mid 20th century oil-on-canvas. Framed
    Dimensions: 43.5cm (17¼") High, 53.5cm (21") Wide, 2cm (0¾") Deep
    Stock code: P01158
    £160

Featured Items

  • The Moon by André Masson, Verve Vol. 1 / No. 2.

    £600 Stock code: P01272 A
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    The Moon by André Masson, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 A
    £600
  • Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.

    £500 Stock code: P01275 E
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    Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 E
    £500
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 O
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    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 O
    £175 each
  • Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.

    £500 Stock code: P01275 D
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    Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 D
    £500