41 items found
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Vénus et les Amours
£6,750Vénus et les Amours
Gilt framed, velvet backed oil on board painting showing Venus between her attendants, the spirits of love, and a pair of courting doves. Based on the engraving of 1775 by Rene Gaillard, itself a copy of the painting Venus et Les Amours of 1767 by Francois Boucher.£6,750 -
The Age of Innocence
£3,800The Age of Innocence
A 19th Century genre painting in oils after Sir Joshua Reynolds originally entitled A Little Girl but better known as The Age of Innocence. A barefooted small child in a white dress is shown seated in a sylvan bower. Set in fine, ornate, carved and gilded Maratta frame with scalloped corners.£3,800 -
The Caravan
£1,400The Caravan
The Caravan Signed and dated 'George Charlton 1935' A Gypsy caravan shown shaded by the boughs of two Elm trees on Hampstead Heath. The painter George Charlton was born in London in 1899. He studied at the Slade School of Fine Art from 1914 before joining the staff in 1919. He later taught at the Willesden School of Art from 1949–59 and was an examiner in art for the University of London for many years. Showed widely in London he achieved his first one-man show at Cork Street's Redfern Gallery in 1924 before exhibiting solo at the avant-garde Beaux Arts Gallery on Bruton Place. His work is held by the Tate Gallery in London.£1,400 -
A Lazy Day in the Farmyard
£1,200A Lazy Day in the Farmyard
A study in pencil, black ink and watercolour of a rustic farmyard scene by the artist and painter George Charlton. George Charlton was born in London in 1899. He studied at the Slade School of Fine Art from 1914 before joining the staff in 1919. He later taught at the Willesden School of Art from 1949–59 and was an examiner in art for the University of London for many years. Showed widely in London he achieved his first one-man show at Cork Street's Redfern Gallery in 1924 before exhibiting solo at the avant-garde Beaux Arts Gallery on Bruton Place. His work is held by the Tate Gallery in London.£1,200 -
A matched pair of genre paintings,
£1,200 the pairA matched pair of genre paintings,
‘The Toy Boat’ and 'The Bird Cage'. A pair of mid 19th Century domestic interior scenes showing benevolent fathers bestowing gifts upon their children. Both works are painted oil-on-canvas and signed by the artist. Canvas stamped with the hallmark of George Rowney & Co. print publishers, printers, suppliers of artists' materials, of Rathbone Place, Picadilly and Oxford Street.£1,200 the pair -
Set of Indian orthniological paintings on mica
£660 set of sixSet of Indian orthniological paintings on mica
Mica is a transparent mineral composed of complex mixtures of potassium silicates. The variety of mica used most frequently by these Indian artists is Muscovite (H2KAl3 Si04)3 which is found widely throughout south India. The mica is formed between strata of granite and the transparency of the material is a result of the heat and pressure created between the layers of rock during formation. Mica consists of many interlocking platelets, resulting in a laminar structure which can be split easily into thin sheets.£660 set of six -
Leigh on Sea, Albert Houghton
£550Leigh on Sea, Albert Houghton
Mounted and framed watercolour painting by the English artist and painter, Albert Houghton showing fishing boats at Leigh on Sea, Essex. 1970, signed by the artist.£550 -
Path through a wood. Oil on Canvas
£160 -
19th Century English School Botanical Studies, Sandwort,
£120 each -
19th Century English School Botanical Studies, Wood Sorrel,
£120 each -
19th Century English School Botanical Studies, Hoary Plantain,
£120 each -
19th Century English School Botanical Studies, Wayfaring Tree,
£120 each -
19th Century English School Botanical Studies, Water Scorpion Grass,
£120 each -
19th Century English School Botanical Studies, Common Primrose,
£120 each -
19th Century English School Botanical Studies,
£120 each -
19th Century English School Botanical Studies, Common Guelder Rose,
£120 each -
19th Century English School Botanical Studies, Blackberry Bramble,
£120 each -
19th Century English School Botanical Studies, Comfrey,
£120 each -
19th Century English School Botanical Studies, Moschatel,
£120 each -
19th Century English School Botanical Studies, Corncockle,
£120 each -
19th Century English School Botanical Studies, Curled Dock,
£120 each -
19th Century English School Botanical Studies,
£120 each -
19th Century English School Botanical Studies, Water Parsnip,
£120 each -
19th Century English School Botanical Studies, Woody Nightshade Bittersweet,
£120 each -
19th Century English School Botanical Studies, Viburnum Opulus,
£120 each -
19th Century English School Botanical Studies, Common Elder,
£120 each -
19th Century English School Botanical Studies, Field Scabious,
£120 each -
19th Century English School Botanical Studies, Yellow Pimpernel,
£120 each -
19th Century English School Botanical Studies,
£120 each -
19th Century English School Botanical Studies, Common Gromwell,
£120 each -
19th Century English School Botanical Studies, Rosa Arvensis,
£120 each -
19th Century English School Botanical Studies, Germander Speedwell,
£120 each -
19th Century English School Botanical Studies, Seaside Goosefoot,
£120 each -
19th Century English School Botanical Studies, Goose Grass,
£120 each -
19th Century English School Botanical Studies, Upright Bedstraw,
£120 each -
19th Century English School Botanical Studies, Knotweed,
£120 each -
19th Century English School Botanical Studies, Meadow Soft Grass,
£120 each -
19th Century English School Botanical Studies, Marsh Valerian,
£120 each -
19th Century English School Botanical Studies, Bladder Catchfly,
£120 each -
19th Century English School Botanical Studies, Woodbine Honeysuckle,
£120 each -
19th Century English School Botanical Studies, Common Holly,
£120 each
Featured Items
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Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600