69 items found
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Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
£795 eachPicasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954
Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.£795 each -
Pablo Picasso, Lithograph based on Edouard Manet’s, Luncheon on the the Grass. c1962
£550Pablo Picasso, Lithograph based on Edouard Manet’s, Luncheon on the the Grass. c1962
From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le Déjeuner sur l’herbe. Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.£550 -
Pablo Picasso, Lithograph of a Study for the Reworking of Edouard Manet’s, Luncheon on the the Grass. c1962
£350Pablo Picasso, Lithograph of a Study for the Reworking of Edouard Manet’s, Luncheon on the the Grass. c1962
From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le Déjeuner sur l’herbe. Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.£350 -
Pablo Picasso, Lithograph of a Bather Study of Edouard Manet’s, Luncheon on the the Grass. c1962
£350Pablo Picasso, Lithograph of a Bather Study of Edouard Manet’s, Luncheon on the the Grass. c1962
From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le Déjeuner sur l’herbe. Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.£350 -
Pablo Picasso, Lithograph of a Head Study of Edouard Manet’s, Luncheon on the the Grass. c1962
£350Pablo Picasso, Lithograph of a Head Study of Edouard Manet’s, Luncheon on the the Grass. c1962
From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le Déjeuner sur l’herbe. Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.£350 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original heliograuvre print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, Verve 1954
£295Picasso, Verve 1954
Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.£295 -
Picasso, lithographs,
£220Picasso, lithographs,
Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.£220 -
Picasso, lithographs,
£220Picasso, lithographs,
Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.£220 -
Picasso, lithographs
£220Picasso, lithographs
Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.£220 -
Picasso, lithographs from 1930
£195Picasso, lithographs from 1930
Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.£195 -
Picasso, lithographs from 1930
£195Picasso, lithographs from 1930
Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.£195 -
Picasso, lithographs from 1930
£195Picasso, lithographs from 1930
Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.£195 -
Picasso, lithographs from 1930
£195Picasso, lithographs from 1930
Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.£195 -
Picasso, lithographs from 1930
£195Picasso, lithographs from 1930
Produced for 'Editions des Chroniques du Jour' an important early work on Picasso.£195 -
Picasso, Vollard Suite, 1956. c. May 1933.
£175 eachPicasso, Vollard Suite, 1956. c. May 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. May 1933. Two Catalan Men£175 each -
Picasso, Vollard Suite, 1956. Paris, January 27, 1934.
£175 eachPicasso, Vollard Suite, 1956. Paris, January 27, 1934.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, January 27, 1934. Head of Rembrandt and Heads of Three Girls£175 each -
Picasso, Vollard Suite, 1956. Boisgeloup, April 23, 1933.
£175 eachPicasso, Vollard Suite, 1956. Boisgeloup, April 23, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisgeloup, April 23, 1933. Embrace£175 each -
Picasso, Vollard Suite, 1956. Paris, November 7, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, November 7, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 7, 1933. Bullfight I£175 each -
Picasso, Vollard Suite, 1956. Paris, November 2, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, November 2, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 2, 1933. Embrace£175 each -
Picasso, Vollard Suite, 1956.
£175 eachPicasso, Vollard Suite, 1956.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. 1931. Two Nudes Resting.£175 each -
Picasso, Vollard Suite, 1956. Paris, May 5, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, May 5, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 5, 1933. Sculpture of Seated Nude, Sculptured Head, and Vase of Flowers.£175 each -
Picasso, Vollard Suite, 1956. Paris, March 25, 1933,
£175 eachPicasso, Vollard Suite, 1956. Paris, March 25, 1933,
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, March 25, 1933. Sculptor Working from a Model.£175 each -
Picasso, Vollard Suite, 1956. c. May 1933.
£175 eachPicasso, Vollard Suite, 1956. c. May 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. May 1933. Four Children Viewing a Monster.£175 each -
Picasso, Vollard Suite, 1956.
£175 eachPicasso, Vollard Suite, 1956.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. 1931. The Rape£175 each -
Picasso, Vollard Suite, 1956. c. 1935.
£175 eachPicasso, Vollard Suite, 1956. c. 1935.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. 1935. Boy Watching over Sleeping Woman by Candlelight.£175 each -
Picasso, Vollard Suite, 1956. June 12, 1936.
£175 eachPicasso, Vollard Suite, 1956. June 12, 1936.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. June 12, 1936. Satyr and Sleeping Woman.£175 each -
Picasso, Vollard Suite, 1956. Paris, May 26, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, May 26, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 26, 1933. Dying Minotaur.£175 each -
Picasso, Vollard Suite, 1956. Paris, November 11, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, November 11, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 11, 1933. Acrobats with a Horse.£175 each -
Picasso, Vollard Suite, 1956. Paris, October 23, 1934.
£175 eachPicasso, Vollard Suite, 1956. Paris, October 23, 1934.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, October 23, 1934. Blind Minotaur Led through the Night by Girl with Dove.£175 each -
Picasso, Vollard Suite, 1956. c. 1935.
£175 eachPicasso, Vollard Suite, 1956. c. 1935.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c, 1935. Blind Minotaur Led through the Night by Girl with Fluttering Dove.£175 each -
Picasso, Vollard Suite, 1956. Paris, June 16, 1933
£175 eachPicasso, Vollard Suite, 1956. Paris, June 16, 1933
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, June 16, 1933. Minotaur with Girl in His Arms£175 each -
Picasso, Vollard Suite, 1956. Paris, November 8, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, November 8, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 8, 1933. Bullfight II£175 each -
Picasso, Vollard Suite, 1956. Paris, May 18, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, May 18, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 18, 1933. Drinking Minotaur and Sculptor with Two Models£175 each -
Picasso, Vollard Suite, 1956. c. October 1934.
£175 eachPicasso, Vollard Suite, 1956. c. October 1934.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. October 1934. Blind Minotaur Led by Girl with Fluttering Dove.£175 each -
Picasso, Vollard Suite, 1956. Paris, May 22, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, May 22, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 22, 1933. Two Nudes Bathing. At left, Sculptured Head and Head of Spectator.£175 each -
Picasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.
£175 eachPicasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisgeloup, June 18, 1933. Minotaur, Drinking Sculptor, and Three Models.£175 each -
Picasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.
£175 eachPicasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisgeloup, June 18, 1933. Minotaur over Sleeping Girl.£175 each -
Picasso, Vollard Suite, 1956. Paris, May 23, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, May 23, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 23, 1933. Minotaur Assaulting a Girl.£175 each -
Picasso, Vollard Suite, 1956. Paris, May 18, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, May 18, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 18, 1933. Girl Seated by Sleeping Minotaur.£175 each -
Picasso, Vollard Suite, 1956. Boisgeloup. September 22, 1934.
£175 eachPicasso, Vollard Suite, 1956. Boisgeloup. September 22, 1934.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisegeloup. September 22, 1934. Blind Minotaur Led by Girl with Bouquet of Wild Flowers.£175 each -
Picasso, Vollard Suite, 1956. Paris, March 10, 1934
£175 eachPicasso, Vollard Suite, 1956. Paris, March 10, 1934
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, March 10, 1934. Four Models and a Sculptured Head.£175 each -
Picasso, Vollard Suite, 1956. Paris, March 2, 1934
£175 eachPicasso, Vollard Suite, 1956. Paris, March 2, 1934
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, March 2, 1934. Sculptor and Statue of Three Female Dancers£175 each -
Picasso, Vollard Suite, 1956. Boisgeloup, April 22, 1933.
£175 eachPicasso, Vollard Suite, 1956. Boisgeloup, April 22, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisegeloup, April 22, 1933. Embrace.£175 each -
Picasso lithographs, published 1959, Women of Algiers,
£120Picasso lithographs, published 1959, Women of Algiers,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120 -
Picasso lithographs, published 1959, Tomato Plant & Decanter,
£120Picasso lithographs, published 1959, Tomato Plant & Decanter,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120 -
Picasso lithographs, published 1959, Daniel-Henry Kahnweiler,
£120Picasso lithographs, published 1959, Daniel-Henry Kahnweiler,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120 -
Picasso lithographs, published 1959, Still Life with Gourd,
£120Picasso lithographs, published 1959, Still Life with Gourd,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120 -
Picasso lithographs, published 1959, Card Player,
£120Picasso lithographs, published 1959, Card Player,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120 -
Picasso lithographs, published 1959, Les Desmoiselles D’Avignon,
£120Picasso lithographs, published 1959, Les Desmoiselles D’Avignon,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120 -
Picasso lithographs, published 1959, Mother & Child,
£120Picasso lithographs, published 1959, Mother & Child,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120 -
Picasso lithographs, published 1959, Maia with Sailor Doll,
£120Picasso lithographs, published 1959, Maia with Sailor Doll,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120 -
Picasso lithographs, published 1959, Three Dancers,
£120Picasso lithographs, published 1959, Three Dancers,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120 -
Picasso lithographs, published 1959, Faun & Goat,
£120Picasso lithographs, published 1959, Faun & Goat,
In 1959 when these prints were published, the 78 year old Picasso was in fashion as a gifted exhibitionist living his art in the public eye.£120
Featured Items
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Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600