9 items found
Page 1 of 1
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Georgian style oak chimneypiece and overmantel,
£6,500 -
A spectacular Victorian gilt pine and composition overmantel mirror
£4,625A spectacular Victorian gilt pine and composition overmantel mirror
the rectangular plate surmounted with pierced carved rocaille work to the eared crestings ornamented with modelled floral tendrils that spiral down the uprights of the frame,£4,625 -
George II style Palladian stained pinewood fire surround and overmantel,
£4,500George II style Palladian stained pinewood fire surround and overmantel,
the breakfront shelf above stiff-leaf carved pulvinated frieze, the dog leg opening flanked by trails of foliage terminating in scrolled volute, on block feet, the pediment with elaborately carved tympanum of flowering cornucopia flanking central basket with further foliage above plain raised and fielded overmantel.£4,500 -
A large French giltwood pier mirror,
£2,800A large French giltwood pier mirror,
the rectangular plate within the frame of beaded, fluted and repeated flowerhead cartouche mouldings,£2,800 -
A large late Victorian gilt pine and composition overmantel mirror
£1,990A large late Victorian gilt pine and composition overmantel mirror
the rectangular plate with shouldered top-edge and stiff-leaf mouldings with flanking moulded pilasters,£1,990 -
A large late Victorian gilt-wood and composition overmantel mirror,
£1,745A large late Victorian gilt-wood and composition overmantel mirror,
the rectangular plate, with a frame, later painted, embellished with fruiting clusters and outset scroll terminii to the bottom corners,£1,745 -
An early nineteenth century giltwood convex wall mirror,
£1,200An early nineteenth century giltwood convex wall mirror,
the convex plate within reeded ebonised sight and cavetto mould gilt-pine frame, ribbon tied to edge, with carved foliate crest; the gilding thin with old wear down to the gesso ground,£1,200 -
A late Victorian Aesthetic Movement ebonised and parcel gilt overmantel mirror
£865A late Victorian Aesthetic Movement ebonised and parcel gilt overmantel mirror
with a central rectangular plate with a pierced frieze of bobbin turnings above and flanked with two pairs of subsidiary plates, the larger of these with blind fret-work and painted floral ornament,£865 -
A small mid Victorian rosewood and mahogany overmantel mirror
£470A small mid Victorian rosewood and mahogany overmantel mirror
the central rectangular plate framed with an architectural frame of plain D-section mouldings cornered with square blocks,£470
Featured Items
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The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800