6 items found
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“Still-life with Apples and a Ginger Jar” by Gladys Marguerite Baker (1889-1959)
£950“Still-life with Apples and a Ginger Jar” by Gladys Marguerite Baker (1889-1959)
London artist, educated at Queen’s College, St John’s Wood Art School and Royal Academy Schools, winning a silver medal for composition there. Showed at RBA, RI, NPS, in the provinces and America and frequently at RA, finally in 1947.£950 -
A rural scene oil on panel,
£350A rural scene oil on panel,
the depiction of a cottage, with pond in the foreground, the painting surface crackled, presented in a newly made parcel gilt, waxed and painted pine frame,£350 -
Primitive painting of Herstmonceux Castle
£220Primitive painting of Herstmonceux Castle
The brick-built Herstmonceux Castle dates from the 15th century and is situated in East Sussex four miles inland from Eastbourne. The castle was dismantled in 1777 to become a picturesque ruin until restoration in the early 20th century.£220 -
“Sailing barges”, an English oil painting by David Gapper 1933-95
£195“Sailing barges”, an English oil painting by David Gapper 1933-95
the oil sketch capturing barges under sail in a choppy sea, framed£195 -
“Sailing barges”, an English oil painting by David Gapper 1933-95
£195“Sailing barges”, an English oil painting by David Gapper 1933-95
the oil sketch capturing barges under sail in a choppy sea, framed£195 -
“Sailing barges”, an English oil painting by David Gapper 1933-95
£165“Sailing barges”, an English oil painting by David Gapper 1933-95
the oil sketch capturing barges under sail in a choppy sea, framed£165
Featured Items
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Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600