5 items found
Page 1 of 1
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Charles II oak chest of drawers,
£1,750Charles II oak chest of drawers,
with four graduated drawers, on turned bun feet. Good dry surface, the handles correct but later replacements.£1,750 -
A pair of early Victorian mahogany hall chairs
£685A pair of early Victorian mahogany hall chairs
each with a cartouche back, centred with an incised shield above a flat seat and ring-turned and lapetted front legs,£685 -
An English ash and elm Windsor chair,
£525An English ash and elm Windsor chair,
the hooped sticked back centred with a pierced spalt, above the splayed arm-rests and dished seat, raised on turned legs linked with a crinolin stretcher,£525 -
An English high-backed ash and elm and beechwood Windsor chair,
£525An English high-backed ash and elm and beechwood Windsor chair,
the hooped back centred with a pierced splat, above the curved arm-rail and dished seat, raised on turned legs linked with an H-stretcher,£525 -
An English high-backed oak, ash and elm Windsor chair,
£470An English high-backed oak, ash and elm Windsor chair,
the hooped back centred with a pierced splat, above the curved arm-rail and dished seat, raised on turned legs linked with an H-stretcher,£470
Featured Items
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The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800