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  • Pale blonde Coco de Mer nut

    £1,200 Stock code: 79293
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    Pale blonde Coco de Mer nut

    sometimes known as 'Love Nuts', typically collected due to their natural resemblance to a human's buttocks.
    Dimensions: 25cm (9¾") High, 26cm (10¼") Wide, 16cm (6¼") Deep
    Stock code: 79293
    £1,200
  • Set of Indian orthniological paintings on mica

    £660 set of six Stock code: P01299
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    Set of Indian orthniological paintings on mica

    Mica is a transparent mineral composed of  complex mixtures of potassium silicates. The variety of mica used most frequently by these Indian artists is Muscovite (H2KAl3 Si04)3 which is found widely throughout south India. The mica is formed between strata of granite and the transparency of the material is a result of the heat and pressure created between the layers of rock during formation. Mica consists of many interlocking platelets, resulting in a laminar structure which can be split easily  into thin sheets.
    Dimensions: 28cm (11") High, 23cm (9") Wide, 3cm (1¼") Thick
    Stock code: P01299
    £660 set of six
  • Original lithographs of Cattle Breeds published 1862, ‘Vache Parthenaise’,

    £300 each Stock code: P01309 Q
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    Original lithographs of Cattle Breeds published 1862, ‘Vache Parthenaise’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 Q
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache D’Ayr’,

    £300 each Stock code: P01309 P
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    Original lithographs of Cattle Breeds published 1862, ‘Vache D’Ayr’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 P
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache Garonnaise’,

    £300 each Stock code: P01309 O
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    Original lithographs of Cattle Breeds published 1862, ‘Vache Garonnaise’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 O
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Bazadais’,

    £300 each Stock code: P01309 N
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Bazadais’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 N
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache Charolaise’,

    £300 each Stock code: P01309 M
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    Original lithographs of Cattle Breeds published 1862, ‘Vache Charolaise’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 M
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Gascon’,

    £300 each Stock code: P01309 L
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Gascon’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 L
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Parthenais’,

    £300 each Stock code: P01309 K
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Parthenais’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 K
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache Bretonne’,

    £300 each Stock code: P01309 J
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    Original lithographs of Cattle Breeds published 1862, ‘Vache Bretonne’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 J
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Garonnais’,

    £300 each Stock code: P01309 I
    Add to Wishlist

    Original lithographs of Cattle Breeds published 1862, ‘Taureau Garonnais’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 I
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Limousin’,

    £300 each Stock code: P01309 H
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Limousin’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 H
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau D’Aubrac’,

    £300 each Stock code: P01309 G
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau D’Aubrac’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 G
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Breton’,

    £300 each Stock code: P01309 F
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Breton’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 F
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache D’Aubrac’,

    £300 each Stock code: P01309 E
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    Original lithographs of Cattle Breeds published 1862, ‘Vache D’Aubrac’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 E
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache Mancelle’,

    £300 each Stock code: P01309 D
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    Original lithographs of Cattle Breeds published 1862, ‘Vache Mancelle’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 D
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau de Salers’,

    £300 each Stock code: P01309 C
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau de Salers’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 C
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache D’Oberhasli’,

    £300 each Stock code: P01309 B
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    Original lithographs of Cattle Breeds published 1862, ‘Vache D’Oberhasli’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 B
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Landais’,

    £300 each Stock code: P01309 A
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Landais’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 A
    £300 each
  • Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    £225 Stock code: P01226 Tab.150
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    Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church
    Dimensions: 45cm (17¾") High, 35cm (13¾") Wide, 2cm (0¾") Deep
    Stock code: P01226 Tab.150
    £225
  • Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    £225 Stock code: P01226 LXIII
    Add to Wishlist

    Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church
    Dimensions: 45cm (17¾") High, 35cm (13¾") Wide, 2cm (0¾") Deep
    Stock code: P01226 LXIII
    £225
  • Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    £225 Stock code: P01226 Tab.149
    Add to Wishlist

    Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church
    Dimensions: 45cm (17¾") High, 35cm (13¾") Wide, 2cm (0¾") Deep
    Stock code: P01226 Tab.149
    £225
  • Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    £225 Stock code: P01226 LXII
    Add to Wishlist

    Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church
    Dimensions: 45cm (17¾") High, 35cm (13¾") Wide, 2cm (0¾") Deep
    Stock code: P01226 LXII
    £225
  • Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    £225 Stock code: P01226 tab.147
    Add to Wishlist

    Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church
    Dimensions: 45cm (17¾") High, 35cm (13¾") Wide, 2cm (0¾") Deep
    Stock code: P01226 tab.147
    £225
  • Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    £225 Stock code: P01226 tab.146
    Add to Wishlist

    Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church
    Dimensions: 45cm (17¾") High, 35cm (13¾") Wide, 2cm (0¾") Deep
    Stock code: P01226 tab.146
    £225
  • Early British natural history copper engravings – A Roe Buck, The Hart,

    £220 each Stock code: P01283 Z
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    Early British natural history copper engravings – A Roe Buck, The Hart,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 Z
    £220 each
  • Early British natural history copper engravings – A Merlin, The Honey Buzzard,

    £220 each Stock code: P01283 Y
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    Early British natural history copper engravings – A Merlin, The Honey Buzzard,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 Y
    £220 each
  • Early British natural history copper engravings – A Kite, The Mountain Falcon,

    £220 each Stock code: P01283 X
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    Early British natural history copper engravings – A Kite, The Mountain Falcon,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 X
    £220 each
  • Early British natural history copper engravings – An Ape, The Bear Ape, The Fox Ape,

    £220 each Stock code: P01283 W
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    Early British natural history copper engravings – An Ape, The Bear Ape, The Fox Ape,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 W
    £220 each
  • Early British natural history copper engravings – A Porcupine, A Badger, A Hedg Hog,

    £220 each Stock code: P01283 V
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    Early British natural history copper engravings – A Porcupine, A Badger, A Hedg Hog,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 V
    £220 each
  • Early British natural history copper engravings – A Jay, The Toucan, The Roller,

    £220 each Stock code: P01283 U
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    Early British natural history copper engravings – A Jay, The Toucan, The Roller,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 U
    £220 each
  • Early British natural history copper engravings – Robin Red Breast, Sky Lark,

    £220 each Stock code: P01283 T
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    Early British natural history copper engravings – Robin Red Breast, Sky Lark,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 T
    £220 each
  • Early British natural history copper engravings – Turtle Dove, Stock Dove, Runt, Cropper, Broad-Tail’d Shaker,

    £220 each Stock code: P01283 P
    Add to Wishlist

    Early British natural history copper engravings – Turtle Dove, Stock Dove, Runt, Cropper, Broad-Tail’d Shaker,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 P
    £220 each
  • Early British natural history copper engravings – Marsh Titmouse, A Wren, Crested Titmouse, Blue Titmouse, Indian Sparrow, Long-Tailed Titmouse,

    £220 each Stock code: P01283 O
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    Early British natural history copper engravings – Marsh Titmouse, A Wren, Crested Titmouse, Blue Titmouse, Indian Sparrow, Long-Tailed Titmouse,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 O
    £220 each
  • Early British natural history copper engravings – The Ounce, A Rompo, A Buffalo

    £220 each Stock code: P01283 N
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    Early British natural history copper engravings – The Ounce, A Rompo, A Buffalo

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 N
    £220 each
  • Early British natural history copper engravings – The Vulture, The Buzzard,

    £220 each Stock code: P01283 M
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    Early British natural history copper engravings – The Vulture, The Buzzard,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 M
    £220 each
  • Early British natural history copper engravings – Sterling, Ring Ouzel, Black Martin, The Martin,

    £220 each Stock code: P01283 L
    Add to Wishlist

    Early British natural history copper engravings – Sterling, Ring Ouzel, Black Martin, The Martin,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 L
    £220 each
  • Early British natural history copper engravings – Opossum, The Potto, The Coati Mondi, The Tatus,

    £220 each Stock code: P01283 K
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    Early British natural history copper engravings – Opossum, The Potto, The Coati Mondi, The Tatus,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 K
    £220 each
  • Early British natural history copper engravings – A Turkey, A Cock, A Pheasant’,

    £220 each Stock code: P01283 J
    Add to Wishlist

    Early British natural history copper engravings – A Turkey, A Cock, A Pheasant’,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 J
    £220 each
  • Early British natural history copper engravings – A Baboon, Monkeys,

    £220 each Stock code: P01283 I
    Add to Wishlist

    Early British natural history copper engravings – A Baboon, Monkeys,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 I
    £220 each
  • Early British natural history copper engravings – Kingfisher, Hoopoe, Bee-Eater, Water Ouzel,

    £220 each Stock code: P01283 H
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    Early British natural history copper engravings – Kingfisher, Hoopoe, Bee-Eater, Water Ouzel,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 H
    £220 each
  • Early British natural history copper engravings – A Mastiff, A Bull Dog, A Greyhound,

    £220 each Stock code: P01283 G
    Add to Wishlist

    Early British natural history copper engravings – A Mastiff, A Bull Dog, A Greyhound,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 G
    £220 each
  • Early British natural history copper engravings – The Camelopardal, A Rain Deer,

    £220 each Stock code: P01283 F
    Add to Wishlist

    Early British natural history copper engravings – The Camelopardal, A Rain Deer,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 F
    £220 each
  • Early British natural history copper engravings – Ruff, Tamatia, Coot,

    £220 each Stock code: P01283 E
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    Early British natural history copper engravings – Ruff, Tamatia, Coot,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 E
    £220 each
  • Early British natural history copper engravings – A Raven, A Crow,

    £220 each Stock code: P01283 D
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    Early British natural history copper engravings – A Raven, A Crow,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 D
    £220 each
  • Early British natural history copper engravings – A Crocodile,

    £220 each Stock code: P01283 C
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    Early British natural history copper engravings – A Crocodile,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 24cm (9½") High, 30.5cm (12") Wide, 3cm (1¼") Deep
    Stock code: P01283 C
    £220 each
  • Early British natural history copper engravings – Virginian Nightingale,

    £220 each Stock code: P01283 B
    Add to Wishlist

    Early British natural history copper engravings – Virginian Nightingale,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 B
    £220 each
  • Early British natural history copper engravings – A Civet Cat, A Gennet Cat, A Pole Cat, A Common Cat,

    £220 each Stock code: P01283 Q
    Add to Wishlist

    Early British natural history copper engravings – A Civet Cat, A Gennet Cat, A Pole Cat, A Common Cat,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 Q
    £220 each
  • A ceramic Kutani style table lamp,

    £220 Stock code: 46319
    Add to Wishlist

    A ceramic Kutani style table lamp,

    in Japanese taste with foliate decoration, on a wooden base with brass cap, re-wired and PAT tested,
    Dimensions: 25cm (9¾") High, 36cm (14¼") At Highest, 20cm (7¾") Wide
    Stock code: 46319
    £220
  • A ceramic Kutani style table lamp,

    £220 Stock code: 46318
    Add to Wishlist

    A ceramic Kutani style table lamp,

    in Japanese taste, decorated with chrysanthemum and butterflies, on a wooden base with brass cap, re-wired and PAT tested,
    Dimensions: 25cm (9¾") High, 36cm (14¼") At Highest, 20cm (7¾") Wide
    Stock code: 46318
    £220
  • Birds of New Guinea by John Gould,

    £220 Stock code: P01249 Pesquet's Parrot
    Add to Wishlist

    Birds of New Guinea by John Gould,

    John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.
    Dimensions: 74cm (29¼") High, 55.5cm (21¾") Wide, 3cm (1¼") Deep
    Stock code: P01249 Pesquet's Parrot
    £220
  • Birds of New Guinea by John Gould,

    £220 Stock code: P01249 Blue Eyed Cockatoo
    Add to Wishlist

    Birds of New Guinea by John Gould,

    John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.
    Dimensions: 74cm (29¼") High, 55.5cm (21¾") Wide, 3cm (1¼") Deep
    Stock code: P01249 Blue Eyed Cockatoo
    £220
  • Birds of New Guinea by John Gould,

    £220 Stock code: P01249 Triton Cockatoo
    Add to Wishlist

    Birds of New Guinea by John Gould,

    John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.
    Dimensions: 74cm (29¼") High, 55.5cm (21¾") Wide, 3cm (1¼") Deep
    Stock code: P01249 Triton Cockatoo
    £220
  • Birds of New Guinea by John Gould,

    £220 Stock code: P01249 Double Eyed Perroquet
    Add to Wishlist

    Birds of New Guinea by John Gould,

    John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.
    Dimensions: 74cm (29¼") High, 55.5cm (21¾") Wide, 3cm (1¼") Deep
    Stock code: P01249 Double Eyed Perroquet
    £220
  • Birds of New Guinea by John Gould,

    £220 Stock code: P01249 Yellow Headed Parrot
    Add to Wishlist

    Birds of New Guinea by John Gould,

    John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.
    Dimensions: 74cm (29¼") High, 55.5cm (21¾") Wide, 3cm (1¼") Deep
    Stock code: P01249 Yellow Headed Parrot
    £220
  • Birds of New Guinea by John Gould,

    £220 Stock code: P01249 Ducorps's Cockatoo
    Add to Wishlist

    Birds of New Guinea by John Gould,

    John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.
    Dimensions: 74cm (29¼") High, 55.5cm (21¾") Wide, 3cm (1¼") Deep
    Stock code: P01249 Ducorps's Cockatoo
    £220
  • Birds of New Guinea by John Gould,

    £220 Stock code: P01249 Red Fronted Lory
    Add to Wishlist

    Birds of New Guinea by John Gould,

    John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.
    Dimensions: 74cm (29¼") High, 55.5cm (21¾") Wide, 3cm (1¼") Deep
    Stock code: P01249 Red Fronted Lory
    £220
  • Birds of New Guinea by John Gould,

    £220 Stock code: P01249 Aru Perroquet
    Add to Wishlist

    Birds of New Guinea by John Gould,

    John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.
    Dimensions: 74cm (29¼") High, 55.5cm (21¾") Wide, 3cm (1¼") Deep
    Stock code: P01249 Aru Perroquet
    £220
  • Birds of New Guinea by John Gould,

    £220 Stock code: P01249 Blue Streaked Lory
    Add to Wishlist

    Birds of New Guinea by John Gould,

    John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.
    Dimensions: 74cm (29¼") High, 55.5cm (21¾") Wide, 3cm (1¼") Deep
    Stock code: P01249 Blue Streaked Lory
    £220
  • Birds of New Guinea by John Gould,

    £220 Stock code: P01249 Riedel's Parrot
    Add to Wishlist

    Birds of New Guinea by John Gould,

    John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.
    Dimensions: 74cm (29¼") High, 55.5cm (21¾") Wide, 3cm (1¼") Deep
    Stock code: P01249 Riedel's Parrot
    £220
  • Birds of New Guinea by John Gould,

    £220 Stock code: P01249 Yellow Winged King Parrot
    Add to Wishlist

    Birds of New Guinea by John Gould,

    John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.
    Dimensions: 74cm (29¼") High, 55.5cm (21¾") Wide, 3cm (1¼") Deep
    Stock code: P01249 Yellow Winged King Parrot
    £220
  • Birds of New Guinea by John Gould ,

    £220 Stock code: P01249 Westerman's Cassowary
    Add to Wishlist

    Birds of New Guinea by John Gould ,

    John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.
    Dimensions: 74cm (29¼") High, 55.5cm (21¾") Wide, 3cm (1¼") Deep
    Stock code: P01249 Westerman's Cassowary
    £220
  • Birds of New Guinea by John Gould

    £220 Stock code: P01249 Tenimber Parrot
    Add to Wishlist

    Birds of New Guinea by John Gould

    John Gould (1804-1881) was born in Lyme Regis, Dorset, the son of John Gould, a gardener, and his wife Elizabeth Clatworthy. Gould’s training was as a taxidermist rather than an artist, and in 1828 he was appointed animal preserver at the museum of the Zoological Society of London. In 1838-1840, Gould and his family went to the then relatively unknown continent of Australia, with the purpose of collecting and studying specimens. During his time there he discovered hundreds of new bird species and subspecies. As a result of the findings the fascinating works Birds of Australia and Mammals of Australia were published. Subsequently he was considered as the father of bird study in Australia. Gould himself did not execute finished drawings for any of his works, only providing rough pencil or watercolour sketches with notes for his artists to work from. The artists he employed included his wife Elizabeth, Edward Lear, Joseph Wolf, Henry Richter and Joseph Hart.
    Dimensions: 74cm (29¼") High, 55.5cm (21¾") Wide, 3cm (1¼") Deep
    Stock code: P01249 Tenimber Parrot
    £220
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 O
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 O
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 N
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 N
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 M
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 M
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 G
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 G
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 E
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 E
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 D
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 D
    £175 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 W
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 W
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 T
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 T
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 Q
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 Q
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 P
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 P
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 O
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 O
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 N
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 N
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 M
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 M
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 J
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    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 J
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 I
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    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 I
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 H
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    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 H
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 E
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 E
    £150 each
  • Woodcuts by Eric Fitch Dalglish

    £150 each Stock code: P01229 D
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 D
    £150 each
  • Woodcuts by Eric Fitch Dalglish

    £150 each Stock code: P01229 A
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    Woodcuts by Eric Fitch Dalglish

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 A
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 G
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra Genetta Linn'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 G
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 F
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Dasyprocta prymnolopha Wglr.'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 F
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 X
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    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Phalangista Petaurus'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 X
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 D
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Felis Yaguarondi Azar'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 D
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 C
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra caudivolvula Pali'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 C
    £150 each
  • Nineteenth century arboreal prints,

    £140 each Stock code: P01235 R
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    Nineteenth century arboreal prints,

    European trees published in London c1880. Mounted in cream  framed in pale gold. 'Hawthorn'
    Dimensions: 33.5cm (13¼") High, 27.5cm (10¾") Wide, 2cm (0¾") Deep
    Stock code: P01235 R
    £140 each
  • Nineteenth century arboreal prints,

    £140 each Stock code: P01235 I
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    Nineteenth century arboreal prints,

    European trees published c1880. Mounted in cream  framed in pale gold. 'Mountain Ash'
    Dimensions: 33.5cm (13¼") High, 27.5cm (10¾") Wide, 2cm (0¾") Deep
    Stock code: P01235 I
    £140 each
  • Nineteenth century arboreal prints,

    £140 each Stock code: P01235 B
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    Nineteenth century arboreal prints,

    European trees published c1880. Mounted in cream  framed in pale gold. 'Holly'.  
    Dimensions: 33.5cm (13¼") High, 27.5cm (10¾") Wide, 2cm (0¾") Deep
    Stock code: P01235 B
    £140 each
  • Reverend W. Houghton’s British Fresh-Water Fishes, 1879,

    £140 Stock code: P01174 I
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    Reverend W. Houghton’s British Fresh-Water Fishes, 1879,

    The Reverend William Houghton was a well-known amateur naturalist of the 19th century, though aimed his book at the fisherman rather than the naturalist. Windermere Carp, Cole's Charr, Gray's Charr.
    Dimensions: 33cm (13") High, 42cm (16½") Wide, 2cm (0¾") Deep
    Stock code: P01174 I
    £140
  • Reverend W. Houghton’s British Fresh-Water Fishes, 1879,

    £140 Stock code: P01174 H
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    Reverend W. Houghton’s British Fresh-Water Fishes, 1879,

    The Reverend William Houghton was a well-known amateur naturalist of the 19th century, though aimed his book at the fisherman rather than the naturalist. Crucian Carp, Prussian Carp.
    Dimensions: 33cm (13") High, 42cm (16½") Wide, 2cm (0¾") Deep
    Stock code: P01174 H
    £140
  • Reverend W. Houghton’s British Fresh-Water Fishes, 1879,

    £140 Stock code: P01174 G
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    Reverend W. Houghton’s British Fresh-Water Fishes, 1879,

    The Reverend William Houghton was a well-known amateur naturalist of the 19th century, though aimed his book at the fisherman rather than the naturalist. Torgoch, Alpine Charr.
    Dimensions: 33cm (13") High, 42cm (16½") Wide, 2cm (0¾") Deep
    Stock code: P01174 G
    £140
  • Reverend W. Houghton’s British Fresh-Water Fishes, 1879,

    £140 Stock code: P01174 F
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    Reverend W. Houghton’s British Fresh-Water Fishes, 1879,

    The Reverend William Houghton was a well-known amateur naturalist of the 19th century, though aimed his book at the fisherman rather than the naturalist. Lochleven Trout.
    Dimensions: 33cm (13") High, 42cm (16½") Wide, 2cm (0¾") Deep
    Stock code: P01174 F
    £140
  • Reverend W. Houghton’s British Fresh-Water Fishes, 1879,

    £140 Stock code: P01174 E
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    Reverend W. Houghton’s British Fresh-Water Fishes, 1879,

    The Reverend William Houghton was a well-known amateur naturalist of the 19th century, though aimed his book at the fisherman rather than the naturalist. Loch Killin Charr.
    Dimensions: 33cm (13") High, 42cm (16½") Wide, 2cm (0¾") Deep
    Stock code: P01174 E
    £140
  • Reverend W. Houghton’s British Fresh-Water Fishes, 1879,

    £140 Stock code: P01174 D
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    Reverend W. Houghton’s British Fresh-Water Fishes, 1879,

    The Reverend William Houghton was a well-known amateur naturalist of the 19th century, though aimed his book at the fisherman rather than the naturalist. Allis Shad, Twaite Shad.
    Dimensions: 33cm (13") High, 42cm (16½") Wide, 2cm (0¾") Deep
    Stock code: P01174 D
    £140
  • Reverend W. Houghton’s British Fresh-Water Fishes, 1879,

    £140 Stock code: P01174 C
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    Reverend W. Houghton’s British Fresh-Water Fishes, 1879,

    The Reverend William Houghton was a well-known amateur naturalist of the 19th century, though aimed his book at the fisherman rather than the naturalist. Chub.
    Dimensions: 33cm (13") High, 42cm (16½") Wide, 2cm (0¾") Deep
    Stock code: P01174 C
    £140
  • Reverend W. Houghton’s British Fresh-Water Fishes, 1879

    £140 Stock code: P01174 B
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    Reverend W. Houghton’s British Fresh-Water Fishes, 1879

    The Reverend William Houghton was a well-known amateur naturalist of the 19th century, though aimed his book at the fisherman rather than the naturalist. Ruffe and Miller's Thumb.
    Dimensions: 33cm (13") High, 42cm (16½") Wide, 2cm (0¾") Deep
    Stock code: P01174 B
    £140
  • Reverend W. Houghton’s British Fresh-Water Fishes, 1879

    £140 Stock code: P01174 A
    Add to Wishlist

    Reverend W. Houghton’s British Fresh-Water Fishes, 1879

    The Reverend William Houghton was a well-known amateur naturalist of the 19th century, though aimed his book at the fisherman rather than the naturalist. Sticklebacks.
    Dimensions: 33cm (13") High, 42cm (16½") Wide, 2cm (0¾") Deep
    Stock code: P01174 A
    £140
  • Wright’s Poultry, original chromolithograph from 1873

    £130 each Stock code: P01194 K
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    Wright’s Poultry, original chromolithograph from 1873

    Published by Cassells c1873. Framed in natural ash. 'Brown-Breasted Red Game'
    Dimensions: 36.5cm (14¼") High, 32cm (12½") Wide, 2cm (0¾") Deep
    Stock code: P01194 K
    £130 each

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  • The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 B
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    The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 B
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    £600 Stock code: P01272 A
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    The Moon by André Masson, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
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    £800 Stock code: P01275 H
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    Head of a Girl by Paul Klee, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
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    £800 Stock code: P01275 G
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    Portrait by Andre Derain, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
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