6 items found
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A Collection of old English clay pipes in a display case
£275A Collection of old English clay pipes in a display case
nineteen hand-made decorative pipes, 18th and 19th Century, most complete and each with either a decorated bowl, or maker's stamp to the stem, or both, the mahogany and glass collector's counter-top cabinet with a fall front and working key,£275 -
A Collection of old English clay pipes in a display frame
£250A Collection of old English clay pipes in a display frame
seventeen hand-made decorative pipes, 17th, 18th, 19th and 20th Century, each with either a decorated bowl, or maker's stamp to the stem, or both; the glazed collector's frame presenting most with a hand-written label: "squirrel", "Crossed keys", "Masonic" etc. and a brief synopsis of the history of the clay pipe,£250 -
Pipes in a Jar: a Collection of old English clay pipes
£120Pipes in a Jar: a Collection of old English clay pipes
56 hand-made decorative pipes, 18th and 19th Century, each with either a decorated bowl, or maker's stamp to the stem, or both, mostly with broken stems; all in an early 20th Century glass Forsters Jar,£120 -
Pipes in a Jar: a Collection of old English clay pipes
£110Pipes in a Jar: a Collection of old English clay pipes
45 hand-made decorative pipes, 18th and 19th Century, each with either a decorated bowl, or maker's stamp to the stem, or both, mostly with broken stems; all in an early 20th Century glass Forsters Jar,£110 -
Pipes in a Jar: a Collection of old English clay pipes
£110Pipes in a Jar: a Collection of old English clay pipes
31 hand-made decorative pipes, 18th and 19th Century, each with either a decorated bowl, or maker's stamp to the stem, or both, mostly with broken stems, together with 47stems - mostly stamped with maker's mark; all in an early 20th Century glass Forsters Jar,£110 -
Pipes in a Jar: a Collection of old English clay pipes
£100Pipes in a Jar: a Collection of old English clay pipes
20 hand-made decorative pipes, 18th and 19th Century, each with either a decorated bowl, or maker's stamp to the stem, or both, mostly with broken stems, plus two bowls and 15stems, many with maker's marks; all in an early 20th Century glass Forsters Jar,£100
Featured Items
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Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800