6 items found
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A set of four English pine and composition decorative overdoors
£2,250 per pair (two pairs available)A set of four English pine and composition decorative overdoors
each with a lambrequin cornice and egg-and-dart mouldings, above an oak-leaf torus frieze centred with a floral swagged tablet,£2,250 per pair (two pairs available) -
An Edwardian decorative painted pine and gesso mirror frame
£765An Edwardian decorative painted pine and gesso mirror frame
the rectangular aperture surmounted by a frieze stylised foliate forms, the aperture framed with alternating foliate lozenges and cabachons£765 -
An Edwardian decorative painted pine and gesso mirror frame
£765An Edwardian decorative painted pine and gesso mirror frame
the rectangular aperture surmounted by a frieze of quivers and musical trophies linked by floral swags, the pilasters with interwoven floral strands,£765 -
An Edwardian decorative painted pine and gesso mirror frame
£745An Edwardian decorative painted pine and gesso mirror frame
the arched aperture with architectural mouldings and flanked by a pair of pilasters£745 -
Palladian pine pediment,
£350 -
An English plaster section of Greek Key frieze,
£60 each plaqueAn English plaster section of Greek Key frieze,
the running geometric moulding cast in relief from a stoneware original,£60 each plaque
Featured Items
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Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600