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Early nineteenth century Flemish Baroque giltwood marginal mirror,
£12,750Early nineteenth century Flemish Baroque giltwood marginal mirror,
the extravagant foliate and acanthine cresting with subsidiary verre eglomisé mirrors backed with red and gold foils, the bevelled mirror-plate in gilt border and with further marginal plates decorated in a conforming manner.£12,750 -
Large mid-nineteenth century gilt mantel-mirror,
£8,500Large mid-nineteenth century gilt mantel-mirror,
with elaborate feather, cabochon and foliate cresting in the Rococo style, the frame with trails of foliage, flowers and acanthus fronds surrounding original plate-glass mirror.£8,500 -
Large antique Kentian wall mirror
£6,500Large antique Kentian wall mirror
the labrequin frame carved in deep-relief, with square corner blocks and old plate glass. Likely mahogany with remnants of old gilt finish.£6,500 -
Large Antique French parcel-gilt mirror
£5,250Large Antique French parcel-gilt mirror
.with elaborate central cresting issuing foliate swags, original foxed plate.£5,250 -
Regency gilded convex mirror
£3,250Regency gilded convex mirror
surmounted by cresting of an eagle perched and poised on rocks, the circular frame with balls and delicate lambrequin mould, a generous reeded and ebonised slip within and surrounding the original convex mirror-plate.£3,250 -
Nineteenth century overmantel mirror,
£3,000Nineteenth century overmantel mirror,
giltwood and composition, the frame elaborately formed of vines laden with grapes, surmounted by foliate cresting, with some losses to the composition, the plate-glass with heavy foxing.£3,000 -
A large French giltwood pier mirror,
£2,800A large French giltwood pier mirror,
the rectangular plate within the frame of beaded, fluted and repeated flowerhead cartouche mouldings,£2,800 -
Regency giltwood convex mirror,
£2,800Regency giltwood convex mirror,
having a well carved eagle on a rocky outcrop above interlocking leaf and scrolls leading to detailed circular frame including giltwood ball decoration, reeded ebonised slip and foxed mirror plate.£2,800 -
Pair of eighteenth century Italian wall mirrors,
£2,750 the pairPair of eighteenth century Italian wall mirrors,
Walnut, with gilding to the interior moulding surrounding the attractively foxed mercury mirror plates.£2,750 the pair -
Giltwood overmantel mirror,
£2,500Giltwood overmantel mirror,
removed from The Sloane Club, the frame with acanthine fronds, attractively worn throughout with original plate-glass, with label to the reverse, 'W.HALL, Carver, Gilder, Looking Glass & Pictures Frame Maker'.£2,500 -
An English mahogany framed brilliant-cut mirrored vintner’s trade sign
£2,250An English mahogany framed brilliant-cut mirrored vintner’s trade sign
the oval plate with a bevelled edge and bevelled-cut lettering reading "IMPORTERS & BLENDERS - OF - WINES & SPIRITS", the frame carved in relief with foliate ornament and terminating along the bottom edge with opposing out-swept scrolls,£2,250 -
Antique French gilt overmantel mirror,
£2,000Antique French gilt overmantel mirror,
the frame surrounding lightly foxed original plate glass.£2,000 -
A large late Victorian gilt pine and composition overmantel mirror
£1,990A large late Victorian gilt pine and composition overmantel mirror
the rectangular plate with shouldered top-edge and stiff-leaf mouldings with flanking moulded pilasters,£1,990 -
Late nineteenth century gilt wall mirror
£1,800Late nineteenth century gilt wall mirror
the later bevelled plate surrounded by faux-bois and bead reverse moulded frame.£1,800 -
A large late Victorian gilt-wood and composition overmantel mirror,
£1,745A large late Victorian gilt-wood and composition overmantel mirror,
the rectangular plate, with a frame, later painted, embellished with fruiting clusters and outset scroll terminii to the bottom corners,£1,745 -
Giltwood pier mirror
£1,500Giltwood pier mirror
the cushion moulded frame with foliate bosses, the gilding pleasingly worn, with original plate-glass.£1,500 -
Neo-classical overmantel mirror
£1,450Neo-classical overmantel mirror
the gilded composition moulded frame with tazza urns to the cresting.£1,450 -
An Edwardian oak overmantel mirror,
£1,275An Edwardian oak overmantel mirror,
the bevelled rectangular plate, within a frame with curved top corners,£1,275 -
Regency giltwood pier mirror,
£1,250 -
Small Regency gilt convex mirror
£1,200Small Regency gilt convex mirror
surmounted by eagle, with ebonsied slip surrounding the frame£1,200 -
Regency rosewood and gilt mirror,
£1,100Regency rosewood and gilt mirror,
with feathered clasps to the triangular pediment, the bevelled plate surrounded by beaded slip.£1,100 -
A late Victorian Aesthetic Movement ebonised and parcel gilt overmantel mirror
£865A late Victorian Aesthetic Movement ebonised and parcel gilt overmantel mirror
with a central rectangular plate with a pierced frieze of bobbin turnings above and flanked with two pairs of subsidiary plates, the larger of these with blind fret-work and painted floral ornament,£865 -
A pair of Victorian pub etched-glass window panels,
£800 the pair, unframedA pair of Victorian pub etched-glass window panels,
each plate glass rectangle with an arched top - clear not obscured glass - and etched with a pattern of scrolling foliate ornament, a central scallop, and displaying birds (opposed), unframed£800 the pair, unframed -
Pair of black painted mirrors,
£600 -
1950s oak framed mirror
£550 -
A small mid Victorian rosewood and mahogany overmantel mirror
£470A small mid Victorian rosewood and mahogany overmantel mirror
the central rectangular plate framed with an architectural frame of plain D-section mouldings cornered with square blocks,£470 -
Art Deco dressing table mirror
£330Art Deco dressing table mirror
The mirror consists of two tone mirrored sections on wooden back, the mirror being held in place with L shaped brass clips.£330 -
Pair of twentieth century mirrors
£250 the pair
Featured Items
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Head of a Girl by Paul Klee, Verve Vol 2 / No. 5-6.
£800Head of a Girl by Paul Klee, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.
£600The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Sun by André Masson, Verve Vol. 1 / No. 2.
£600The Sun by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600