4 items found
Page 1 of 1
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Aesthetic period Kilkenny marble fireplace inset with Minton tiles
£18,500Aesthetic period Kilkenny marble fireplace inset with Minton tiles
the fossil stone surround with stop-canted moudings, inset with a series of Minton China Works tiles designed by John Moyr Smith illustrating the Waverley Novels by Sir Walter Scott.£18,500 -
French Louis XVI style Carrara marble chimneypiece
£5,750French Louis XVI style Carrara marble chimneypiece
the frieze carved in relief with branches of laurel tied with a ribbon, the curved and stop-fluted jambs surmounted by square paterae blocks.£5,750 -
Late nineteenth century French Rococo chimneypiece,
£4,500Late nineteenth century French Rococo chimneypiece,
with scallop shell to the centre of the shaped frieze, the out-turned volute jambs with further scallop shell clasps to the top. Sold with marble hearth as per the image. Hearth size 134.5 cm x 51 cm x 2 cm£4,500 -
English Regency marble fireplace,
£3,800English Regency marble fireplace,
of understated design, the rectangular shelf above plain frieze and jambs, with convex roundel corner-blocks, all in well figured Carrara marble with attractive dry surface.£3,800
Featured Items
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Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500