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  • Head of a Girl by Paul Klee, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 H
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    Head of a Girl by Paul Klee, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 H
    £800
  • Portrait by Andre Derain, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 G
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    Portrait by Andre Derain, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 G
    £800
  • Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 C
    Add to Wishlist

    Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 C
    £800
  • Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 A
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    Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 A
    £800
  • Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    £800 Stock code: P01272 D
    Add to Wishlist

    Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 D
    £800
  • Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    £800 Stock code: P01272 C
    Add to Wishlist

    Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 C
    £800
  • Figure by Georges Braque, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 B
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    Figure by Georges Braque, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 B
    £800
  • Printemps by Marc Chagall, Verve Vol. 1 / No. 3.

    £800 Stock code: P01274 A
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    Printemps by Marc Chagall, Verve Vol. 1 / No. 3.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01274 A
    £800
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X N
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    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X N
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X M
    Add to Wishlist

    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X M
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X L
    Add to Wishlist

    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X L
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X K
    Add to Wishlist

    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X K
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X I
    Add to Wishlist

    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X I
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X G
    Add to Wishlist

    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X G
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X F
    Add to Wishlist

    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X F
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X D
    Add to Wishlist

    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X D
    £795 each
  • Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    £795 each Stock code: P01181X A
    Add to Wishlist

    Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954

    Original lithograph print from Verve Vol. VIII, No 29/30 printed by the Master Printers Mourlot Frères in 1954. Framed in champagne gold with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181X A
    £795 each
  • Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.

    £600 Stock code: P01275 I
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    Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 I
    £600
  • Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 E
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    Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 E
    £600
  • The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 C
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    The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 C
    £600
  • The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 B
    Add to Wishlist

    The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 B
    £600
  • Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.

    £600 Stock code: P01274 C
    Add to Wishlist

    Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01274 C
    £600
  • The Sun by André Masson, Verve Vol. 1 / No. 2.

    £600 Stock code: P01272 B
    Add to Wishlist

    The Sun by André Masson, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 B
    £600
  • The Moon by André Masson, Verve Vol. 1 / No. 2.

    £600 Stock code: P01272 A
    Add to Wishlist

    The Moon by André Masson, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 A
    £600
  • Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.

    £500 Stock code: P01275 E
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    Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 E
    £500
  • Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.

    £500 Stock code: P01275 D
    Add to Wishlist

    Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 D
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 P
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 P
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 O
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 O
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 N
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 N
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 M
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 M
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 K
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 K
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 J
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 J
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 I
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 I
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 H
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 H
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 G
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 G
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 F
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 F
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 E
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 E
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 D
    Add to Wishlist

    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 D
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 C
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    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 C
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 B
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    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 B
    £500
  • Joan Miró, Lithographie originale

    £500 Stock code: P01279 A
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    Joan Miró, Lithographie originale

    Joan Miró produced nearly 1,800 original lithographs and prints at the Maeght studio. He composed his score, invented his alphabet, scattered his symbols across the white page of his writing, close to graffiti. Everything was free, released, aerial, penetrated with interior light. He celebrated marriages between all techniques. Nothing was ever excessive or gratuitous. His creation cut to the essential. Miró created his own language. Dots, lines, scratches, graffiti, writing, mysterious anthropomorphic figures swimming or flying through infinite territory, fed by sparks. The power of black, awestruck colors… And the paper always defended its whiteness. Miró was about drawing above all else. His energy burst on to the sheet.
    Dimensions: 52cm (20½") High, 44cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01279 A
    £500
  • Sir Henry Irving

    £450 Stock code: AD1414
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    Sir Henry Irving

    Originally issued as part of the Twelve Portraits series in 1899. Framed
    Dimensions: 39.5cm (15½") High, 35.5cm (14") Wide, 1.5cm (0½") Deep
    Stock code: AD1414
    £450
  • George Braque lithograph published for Verve, vol. VIII No 31/32

    £450 each Stock code: P01045 J
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    George Braque lithograph published for Verve, vol. VIII No 31/32

    Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.    
    Dimensions: 47cm (18½") High, 37cm (14½") Wide, 1.5cm (0½") Deep
    Stock code: P01045 J
    £450 each
  • George Braque lithograph published for Verve, vol. VIII No 31/32

    £450 each Stock code: P01045 I
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    George Braque lithograph published for Verve, vol. VIII No 31/32

    Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.    
    Dimensions: 47cm (18½") High, 37cm (14½") Wide, 1.5cm (0½") Deep
    Stock code: P01045 I
    £450 each
  • George Braque lithograph published for Verve, vol. VIII No 31/32

    £450 each Stock code: P01045 B
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    George Braque lithograph published for Verve, vol. VIII No 31/32

    Original lithograph, published 1955 for Verve, vol. VIII No 31/32, The Intimate Sketchbooks of G. Braque. Gilt framed.    
    Dimensions: 47cm (18½") High, 37cm (14½") Wide, 1.5cm (0½") Deep
    Stock code: P01045 B
    £450 each
  • Alexander Calder lithograph of Three Card Players

    £380 Stock code: P01161 H
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    Alexander Calder lithograph of Three Card Players

    Published for 'Derrière le Miroir' in 1975. Framed In October 1945, the French art dealer Aimé Maeght opened his art gallery at 13 Rue de Téhéran in Paris. His magazine 'Derrière le Miroir' was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations by the gallery artists were famous at the time. The magazine covered only the artists exhibited by Maeght gallery either through personal or group exhibitions.  
    Dimensions: 49cm (19¼") High, 39cm (15¼") Wide, 2cm (0¾") Deep
    Stock code: P01161 H
    £380
  • Original lithographs of Cattle Breeds published 1862, ‘Vache Parthenaise’,

    £300 each Stock code: P01309 Q
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    Original lithographs of Cattle Breeds published 1862, ‘Vache Parthenaise’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 Q
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache D’Ayr’,

    £300 each Stock code: P01309 P
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    Original lithographs of Cattle Breeds published 1862, ‘Vache D’Ayr’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 P
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache Garonnaise’,

    £300 each Stock code: P01309 O
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    Original lithographs of Cattle Breeds published 1862, ‘Vache Garonnaise’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 O
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Bazadais’,

    £300 each Stock code: P01309 N
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Bazadais’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 N
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache Charolaise’,

    £300 each Stock code: P01309 M
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    Original lithographs of Cattle Breeds published 1862, ‘Vache Charolaise’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 M
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Gascon’,

    £300 each Stock code: P01309 L
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Gascon’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 L
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Parthenais’,

    £300 each Stock code: P01309 K
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Parthenais’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 K
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache Bretonne’,

    £300 each Stock code: P01309 J
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    Original lithographs of Cattle Breeds published 1862, ‘Vache Bretonne’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 J
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Garonnais’,

    £300 each Stock code: P01309 I
    Add to Wishlist

    Original lithographs of Cattle Breeds published 1862, ‘Taureau Garonnais’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 I
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Limousin’,

    £300 each Stock code: P01309 H
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Limousin’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 H
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau D’Aubrac’,

    £300 each Stock code: P01309 G
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau D’Aubrac’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 G
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Breton’,

    £300 each Stock code: P01309 F
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Breton’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 F
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache D’Aubrac’,

    £300 each Stock code: P01309 E
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    Original lithographs of Cattle Breeds published 1862, ‘Vache D’Aubrac’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 E
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache Mancelle’,

    £300 each Stock code: P01309 D
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    Original lithographs of Cattle Breeds published 1862, ‘Vache Mancelle’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 D
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau de Salers’,

    £300 each Stock code: P01309 C
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau de Salers’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 C
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Vache D’Oberhasli’,

    £300 each Stock code: P01309 B
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    Original lithographs of Cattle Breeds published 1862, ‘Vache D’Oberhasli’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 B
    £300 each
  • Original lithographs of Cattle Breeds published 1862, ‘Taureau Landais’,

    £300 each Stock code: P01309 A
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    Original lithographs of Cattle Breeds published 1862, ‘Taureau Landais’,

    Printed by Lemercier of Paris.
    Dimensions: 45cm (17¾") High, 53cm (20¾") Wide, 2.5cm (1") Deep
    Stock code: P01309 A
    £300 each
  • This England

    £300 Stock code: AD1617
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    This England

    Framed and mounted, coloured lithograph by the Anglo-Polish draughtsman and expressionist painter Feliks Topolski showing Winston Churchill and Clement Atlee on The Mall. The work forms part of the post war Prints for Schools series. The purpose of Prints for Schools was to provide schools and other public institutions with examples of work by good artists at a low cost. The lithographs were all of uniform size so that they could be interchangeable in a single frame or group of frames to allow them to be rotated. The contributing artists were chosen by a committee chaired by the art historian Herbert Read.    
    Dimensions: 69cm (27¼") High, 94cm (37") Wide, 1.5cm (0½") Deep
    Stock code: AD1617
    £300
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 35
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    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 35
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 34
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 34
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 33
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 33
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 31
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 31
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 30
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 30
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 29
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 29
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 28
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 44cm (17¼") High, 39cm (15¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 28
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 26
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44.02cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 26
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 25
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44.02cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 25
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 22
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 44cm (17¼") High, 39cm (15¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 22
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 21
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 44cm (17¼") High, 39cm (15¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 21
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 20
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 44cm (17¼") High, 39cm (15¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 20
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 19
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 44cm (17¼") High, 39cm (15¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 19
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 18
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 44cm (17¼") High, 39cm (15¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 18
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 17
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 17
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 16
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 44cm (17¼") High, 39cm (15¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 16
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 15
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 15
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 14
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 14
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 12
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 39cm (15¼") High, 44cm (17¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 12
    £300 each
  • Cahiers D’Art, Dessins de Matisse

    £300 each Stock code: P01277 9
    Add to Wishlist

    Cahiers D’Art, Dessins de Matisse

    Cahiers d'Art is a French artistic and literary journal originally founded in 1926 by Christian Zervos, a Greek philosopher, editor. Born in 1889 in Argostoli on the Greek island of Cephalonia he was brought up in Alexandria, Egypt, finally moving to Paris in 1922. In 1924 Zervos joined the publishing firm Editions Morancé writing art articles for the magazine L'Art d'aujourd '. As an editor, he met many of the artists about whom the magazine wrote: Henri Matisse, Georges Braque, Ferdinand Léger, and Pablo Picasso. He left Morancé in 1926 to found his own journal Cahiers d'art becoming simultaneously publisher, director, model maker, chief editor and main editor. Each issue balanced primitive arts with the modern and contemporary arts and articles by art critics with more literary and poetic texts. According to Zervos, the interest in prehistoric, ancient and extra-European arts was necessary to get a glimpse of contemporary art. It was Zervos who took on the enormous task of documenting all the works of Pablo Picasso into a33-volume catalogue raisonnée, published between 1932 and 1978. One of his deepest wishes was to build up with Cahiers d’Art the visual archives of the artists he considered important. Zervos married Yvonne Marion who ran an art gallery, Galerie du Dragon, next to the location of her husband's shop, the rue Dragon on the left bank of Paris. Madame Zervos became an integral part of her husband's accomplishment and assembling their art collection. Initially published from 1926 to 1960 Cahiers d'Art still exists today after Swedish collector Staffan Ahrenberg purchased the publication and relaunched it in October 2012.
    Dimensions: 44cm (17¼") High, 39cm (15¼") Wide, 2.5cm (1") Deep
    Stock code: P01277 9
    £300 each
  • Picasso, Verve 1954

    £295 Stock code: P01181 W
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    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 W
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 X
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    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 X
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 V
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    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 V
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 U
    Add to Wishlist

    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 U
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 Q
    Add to Wishlist

    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 Q
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 P
    Add to Wishlist

    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 P
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 N
    Add to Wishlist

    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 N
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 M
    Add to Wishlist

    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 M
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 J
    Add to Wishlist

    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 J
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 H
    Add to Wishlist

    Picasso, Verve 1954

    Original heliograuvre print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 H
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 G
    Add to Wishlist

    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 G
    £295
  • Picasso, Verve 1954

    £295 Stock code: P01181 E
    Add to Wishlist

    Picasso, Verve 1954

    Original héliogravure print from Verve Vol. VIII, No 29/30 printed by the Master Printers Draeger Frères in 1954. Framed in black with a cream mount.
    Dimensions: 41cm (16¼") High, 51cm (20") Wide, 2cm (0¾") Deep
    Stock code: P01181 E
    £295
  • A Successful First Speech,

    £270 Stock code: AD1562 19
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    A Successful First Speech,

    Framed chromolithograph by SPY (Sir Leslie Ward) picturing Mr Fredrick Edwin Smith, later 1st Earl of Birkenhead, MP for Liverpool Walton and boon companion of Sir Winston Churchill until his early death. The subtitle, 'Moab is my Washpot', is from psalm 108 and is a proverbial declaration of total triumph over vanquished foes. F.E Smith is famed in Parliamentary history for his maiden speech in the House, known as 'I Warn The Government', described by the late Paul Johnson as "without question the most famous maiden speech in history, quite unprecedented, and never equalled since." In it he accused the Liberal government of arrogance, dishonesty and heavy handedness after their landslide victory at the election of 1906. He managed to catch David Lloyd George in a clear untruth and won the begrudging admiration of all sides of the house. He declared, in response to a suggestion by Lloyd George to the churches of Wales that the Tories wanted to 'introduce slavery to the hills of Wales' that: "I have no means of judging how heaven will deal with persons who think it decent to make such suggestions. The distinction drawn by the Right Hon. Gentleman is more worthy of the county court than of the Treasury Bench." He then went on famously to declare: "I venture to warn the government that the people of this country will neither forget nor forgive a party which, in the heyday of its triumph, denies to the infant Parliament of the Empire one jot or tittle of that ancient liberty of speech which our predecessors in this House vindicated for themselves at the point of the sword." He was a, according to the ONDB a 'champion of hard-drinking patriotic men' in the face of the temperance movement before his early death of cirrhosis of the liver.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 19
    £270
  • La Mosca Roja, Spanish political poster.

    £250 Stock code: AD1654
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    La Mosca Roja, Spanish political poster.

    A framed Spanish political poster depicting a moustachoied figure, possibly Fransisco Serrano, 1st Duke of La Torre. He is shown dressed in harlequinade and mounted on a white hare proffering a scroll of reactionary and traditionalist demands while dark smoke, containing 'grand hopes' escapes from a breach in his skull. Cannons point out from behind his ears and The Pope is secreted between his eyes. Printed in Barcelona in the 1880s.
    Dimensions: 1cm (0½") Wide
    Stock code: AD1654
    £250
  • La Mosca Roja, ‘La Caminito de Moscou’

    £250 Stock code: AD1653
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    La Mosca Roja, ‘La Caminito de Moscou’

    A framed chromolithographic Spanish political cartoon of the 1880s showing a heavily armed figure walking through a minefield towards the domes and towers of the Moscow Kremlin with a bag of Seville oranges on his hip. A cloud of disembodied demonic heads are ranged in a wintry sky while the word 'Nihilism' is written in smoke across the heavens. In 1881 Tsar Alexander II had been assassinated in St Petersburg by the Revolutionary Socialist and Nihilist secret society, Zemlya i volya.  
    Dimensions: 1cm (0½") Wide
    Stock code: AD1653
    £250
  • Tess,

    £250 Stock code: AD1562 32
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    Tess,

    Framed Chromolithograph by Spy (Leslie Ward) depicting Thomas Hardy, novelist author, poet and architect. Writer of controversial and socially engaged novels such as Tess if the D'urbervilles, Jude the Obscure and popular classics such as Far from the Madding Crowd and The Mayor of Casterbridge. He lived to be appointed to the Order of Merit and his ashes are interred in Poets Corner, Westminster Abbey.  
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 32
    £250

Featured Items

  • The Sun by André Masson, Verve Vol. 1 / No. 2.

    £600 Stock code: P01272 B
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    The Sun by André Masson, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 B
    £600
  • Printemps by Marc Chagall, Verve Vol. 1 / No. 3.

    £800 Stock code: P01274 A
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    Printemps by Marc Chagall, Verve Vol. 1 / No. 3.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01274 A
    £800
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 O
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    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 O
    £175 each
  • The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 C
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    The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01270 C
    £600