3 items found
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Impessive Louis XVI limestone chimneypiece,
£16,500Impessive Louis XVI limestone chimneypiece,
having a stepped carved cornice, leading to the trumeau section centred by carved frame, flanked by long carved panels above the deep mantle decorated with further panelled detail centred by a stylized cartouche raised on curved jambs with carved panels on shaped foot blocks. Price includes restoration to the cornice and patching in on left hand side of the trumeau. Removed from a property on Belgrave Square, London.£16,500 -
George IV Derbyshire limestone fireplace,
£4,400George IV Derbyshire limestone fireplace,
the frieze with plain shelf on deep-moulded jambs and square footblocks. Opening width 91.5 cm x 101.5 cm high, outside jamb to jamb width 146 cm.£4,400 -
A Gothic Revival Bath stone chimneypiece,
£3,500A Gothic Revival Bath stone chimneypiece,
the pitched-top rectangular shelf over the plain lintel with arched recess, raised on plain jambs, stop-chamfering to the edges; iron eyelets in the jambs for anchoring a tall fender remain,£3,500
Featured Items
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Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800