23 items found
Page 1 of 1
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French Louis XVI style hallway lantern,
£4,750French Louis XVI style hallway lantern,
cast and gilt-lacquered bronze with curved glazing panels, re-wired and PAT tested. Ceiling hook/rose required.£4,750 -
A pair of English cast iron and tole peint post-mounted pier-top lanterns
£3,850A pair of English cast iron and tole peint post-mounted pier-top lanterns
each rectangular lantern with a convex sheet steel top and pointed finial, raised on a wrought-iron scrolled chair-iron and baluster-shaped post, with a square foot,£3,850 -
Large eighteenth century style brass hall lantern,
£3,500Large eighteenth century style brass hall lantern,
with knopped and shaped brackets supporting the bevel glass glazed hexagonal body, with eight light suspended fitment within.£3,500 -
An English gilt brass and steel hexagonal hall lantern
£2,980An English gilt brass and steel hexagonal hall lantern
the exuberantly scrolled corona and terminus with a the glazed body with curved concave panes etched with foliate ornament,£2,980 -
Nineteenth century patinated brass hall lantern
£2,200Nineteenth century patinated brass hall lantern
glazed and with single internal light fitment, each side with scallop shell and foliate cresting. Currently ceiling mounted but a suitable hook could replace the current fitting for suspension with a chain.£2,200 -
Nineteenth century converted gas lantern,
£1,750Nineteenth century converted gas lantern,
with gothic fretwork banding above and below the tapered body. Now wired for electricity.£1,750 -
Early twentieth century hall lantern
£1,750Early twentieth century hall lantern
with well-worn nickel (?) plated finish, with cylindrical etched and cut glass shade surrounding the single light fitment.£1,750 -
French early twentieth century style glazed lantern,
£1,500French early twentieth century style glazed lantern,
of typical form with spun top above tapered body, with four light fitting within, all painted dark green.£1,500 -
Georgian style brass lantern
£1,450Georgian style brass lantern
of hexagonal form with six light internal fitment, re-wired and PAT tested.£1,450 -
Hexagonal brass hall lantern,
£1,350 -
Serpentine glazed brass hall lantern
£1,250Serpentine glazed brass hall lantern
with three light fitment, re-wired and PAT tested, a slightly larger version of #79376.£1,250 -
Wrought iron lantern,
£1,200 -
Canary Wharf floor lantern
£1,200 -
Early twentieth century brass and cut glass lantern,
£1,150Early twentieth century brass and cut glass lantern,
minor chip to the glass shade - see last photo. Re-wired and PAT tested.£1,150 -
Brass Rococo hallway lantern
£1,100 -
Serpentine glazed brass hall lantern
£1,100 eachSerpentine glazed brass hall lantern
with three light fitment within, re-wired and PAT tested.£1,100 each -
Arts and Crafts porch lantern,
£900 -
Cylindrical brass lantern,
£850 -
Small brass hallway lantern,
£850Small brass hallway lantern,
with serpentine glass glazing, re-wired and PAT tested. With ceiling rose£850 -
Two lanterns
£650 eachTwo lanterns
Having a raised four sided roof leading to stepped frieze above tapered sections with tinted Perspex glazing, shaped finial to base. Slightly different style available, see stock no. 79064 A, last photo shows the two styles together.£650 each -
Two lanterns
£650 eachTwo lanterns
Having a raised four sided roof leading to stepped frieze above tapered sections with tinted Perspex glazing, shaped finial to base. Slightly different style available, see stock no. 79064 B, last photo shows the two styles together.£650 each -
Victorian brass table lamp
£190Victorian brass table lamp
glazed, originally a lantern and later converted to electricity (n.b. will not work if hung).£190
Featured Items
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Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800