17 items found
Page 1 of 1
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Nineteenth century Continental gilt-brass lantern
£5,000Nineteenth century Continental gilt-brass lantern
the rococo ceiling gallery with three ornate chains, the body with three glazed panels enclosing light fitment, the body with trellis work and foliage. Re-wired and PAT tested.£5,000 -
French Louis XVI style hallway lantern,
£4,750French Louis XVI style hallway lantern,
cast and gilt-lacquered bronze with curved glazing panels, re-wired and PAT tested. Ceiling hook/rose required.£4,750 -
Large mid-twentieth century Italian gilt-metal lantern
£4,500Large mid-twentieth century Italian gilt-metal lantern
with four light fitment within the glazed body, re-wired and PAT tested.£4,500 -
Nineteenth century brass hallway lantern
£4,000Nineteenth century brass hallway lantern
each bracket with greek key scroll to the top and terminating in an anthemion mount, the frame with evidence of old worn gilt-lacquered surface, fine quality casting throughout and in remarkably original condition, re-wired and PAT tested.£4,000 -
Large eighteenth century style brass hall lantern,
£3,500Large eighteenth century style brass hall lantern,
with knopped and shaped brackets supporting the bevel glass glazed hexagonal body, with eight light suspended fitment within.£3,500 -
An English gilt brass and steel hexagonal hall lantern
£2,980An English gilt brass and steel hexagonal hall lantern
the exuberantly scrolled corona and terminus with a the glazed body with curved concave panes etched with foliate ornament,£2,980 -
Nineteenth century patinated brass hall lantern
£2,200Nineteenth century patinated brass hall lantern
glazed and with single internal light fitment, each side with scallop shell and foliate cresting. Re-wired£2,200 -
Nineteenth century converted gas lantern,
£1,750Nineteenth century converted gas lantern,
with gothic fretwork banding above and below the tapered body. Now wired for electricity.£1,750 -
Early twentieth century hall lantern
£1,750Early twentieth century hall lantern
with well-worn nickel (?) plated finish, with cylindrical etched and cut glass shade surrounding the single light fitment.£1,750 -
French early twentieth century style glazed lantern,
£1,500French early twentieth century style glazed lantern,
of typical form with spun top above tapered body, with four light fitting within, all painted dark green.£1,500 -
Hexagonal brass hall lantern,
£1,350 -
Wrought iron lantern,
£1,200 -
Canary Wharf floor lantern
£1,200 -
Serpentine glazed brass hall lanterns
£1,100 eachSerpentine glazed brass hall lanterns
with three light fitment within, re-wired and PAT tested.£1,100 each -
One lantern
£650 eachOne lantern
Having a raised four sided roof leading to stepped frieze above tapered sections with tinted Perspex glazing, shaped finial to base.£650 each -
Victorian brass table lamp
£190Victorian brass table lamp
glazed, originally a lantern and later converted to electricity (n.b. will not work if hung).£190 -
An English wrought iron portico lantern
£185An English wrought iron portico lantern
the cylindrical cage body, not glazed, ornamented with fleur-de-lys finials, rings and spikes,£185
Featured Items
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Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600