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Set of mid-twentieth century patinated brass door knobs,
£750 the set of 7 -
A Regency style cast bronze mortise set
£130 the pairA Regency style cast bronze mortise set
black/brown patina with reeded detailing, for use with mortise or rim locks,£130 the pair -
Cast iron ‘Kenrick & Sons’ door centre pull,
£95 -
A pair of nickel plated door knobs
£85 per pair -
A pair of brass ‘Regency’ door knobs
£75 per pairA pair of brass ‘Regency’ door knobs
the moulded bulbous grip, with an engineered rose concealing secret screws,£75 per pair -
A pair of ebonised wood ‘Beehive’ door knobs,
£65 per pairA pair of ebonised wood ‘Beehive’ door knobs,
the reeded grip and rose, linked by a standard gauge spindle,£65 per pair -
A pair of nickel plated oval door knobs
£60 per pairA pair of nickel plated oval door knobs
the ovoid grip and circular rose, linked with a standard gauge spindle,£60 per pair -
A pair of spherical nickel plated door knobs,
£60 per pairA pair of spherical nickel plated door knobs,
the spherical grip mounted on a circular rose,£60 per pair -
A pair of oval brass door knobs
£55 per pairA pair of oval brass door knobs
the ovoid grip and circular rose, linked with a standard gauge spindle,£55 per pair
Featured Items
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Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
£600Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600