17 items found
Page 1 of 1
-
Set of late Victorian door furniture,
£1,450Set of late Victorian door furniture,
consisting of thirteen knobs, thirteen fingerplates, and nine escutcheons. Dimensions: Door knobs: 7.5 cm high x 6 cm wide, Fingerplates: 32 cm high x 8.5 cm wide x 0.5 cm deep Escutcheons: 4.8 cm high x 2.5 cm wide x 0.5 cm deep£1,450 -
Six large pressed brass escutcheons
£150 the set of six -
Set of three Victorian escutcheons
£100 the set of three -
Set of six oval brass escutcheons,
£75 the set -
Pair of pressed brass escutcheons
£50 the pair -
Victorian beehive escutcheon
£35 -
Victorian beehive escutcheon
£35 -
Victorian beehive escutcheon
£35 -
Victorian beehive escutcheon
£35 -
Victorian beehive escutcheon
£35 -
Victorian beehive escutcheon
£35 -
Art Deco escutcheons
£30 each -
Slim brass beehive escutcheons
£30 each -
Bronze Art Deco escutcheon
£30 -
Twentieth century brass beehive escutcheons
£25 each -
Brass beehive escutcheons
£25 each -
Mahogany and brass escutcheons
£20 each
Featured Items
-
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800