48 items found
Page 1 of 1
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Late nineteenth century gilt-brass rim lock
£1,150Late nineteenth century gilt-brass rim lock
English, in the French Louis XV style, the handle sprung, with keep and original keys (x2)£1,150 -
George IV brass table lamp base,
£800George IV brass table lamp base,
modelled as a tapered triangular column, with anthemion to each side and hairy paw feet, on plinth base, converted from gas and re-wired.£800 -
Set of Victorian pressed brass finger plates
£550 the setSet of Victorian pressed brass finger plates
eleven to the set, with bead and reel mouldings.£550 the set -
Set of early Victorian pressed brass finger-plates
£550 -
Set of early nineteenth century pierced brass finger-plates
£500 the setSet of early nineteenth century pierced brass finger-plates
one very slightly longer than the others, ten in total.£500 the set -
Set of antique ‘Hopes’ bronze finger plates
£450 the set -
Victorian brass door knocker
£450Victorian brass door knocker
with elegant repeating guilloche design to the rapper and door-plate£450 -
William Tonks and Sons brass door knocker,
£425 -
William Tonks and Sons door knocker
£425William Tonks and Sons door knocker
cast in brass, mid-Victorian, with various marks impressed to the reverse£425 -
Set of Victorian gilt-lacquered brass drawer pulls or cabinet handles
£400 the setSet of Victorian gilt-lacquered brass drawer pulls or cabinet handles
the shaped and gadrooned back-plates, with scrolled handle.£400 the set -
Pair of early twentieth century bronze centre pulls
£400 the pair -
Late Georgian brass door knocker
£400 -
Mid-Victorian brass looped door-knocker
£400 -
Brass model of a rearing horse,
£400 -
Gothic Revival brass door knocker
£375 -
Pair of large Victorian brass ‘Parliament’ hinges
£350 -
‘A. Kenrick & Sons’ brass door knocker No. 427
£350 -
William Tonks and Sons brass door plates,
£350 -
Front door centre ring pull
£325 -
Victorian brass deadlock
£300 -
Set of brass ropetwist finger plates
£300 the set of sevenSet of brass ropetwist finger plates
seven in the set, late Victorian or Edwardian, c.1900£300 the set of seven -
Early Victorian brass bell pull
£300 -
Victorian brass door knocker
£300 -
Antique William Tonks & Sons brass door knocker,
£300 -
Substantial late Victorian bronze night chain
£300 -
Brass Art Nouveau door knocker
£280 -
Set of Victorian pierced brass finger-plates
£250 the set of sevenSet of Victorian pierced brass finger-plates
some retaining the original gilt-lacquer, two smaller (17.5cm height)£250 the set of seven -
Victorian rococo gilt-brass bell push
£250 -
Victorian brass bell pull
£250 -
Antique rectangular link chain,
£250 -
Early twentieth century bronze door centre pull
£200 -
Antique rose brass Suffolk latch
£200 -
Early twentieth century octagonal door centre pull
£200 -
Pair of large Victorian pierced hinges
£200 the pair -
Large Victorian brass night chain
£200 -
Victorian brass table lamp
£190Victorian brass table lamp
glazed, originally a lantern and later converted to electricity (n.b. will not work if hung).£190 -
Pair of early nineteenth century brass candlesticks
£180 the pair -
Early twentieth century bronze centre pulls
£175 each -
An English nickel-plated brass 6″ door bolt
£145 -
An English brass 6″ door bolt
£125 -
Pair of Victorian brass finger plates
£100 the pair -
Set of three Victorian escutcheons
£100 the set of three -
1920s brass lozenge door handles
£100 -
Nineteenth century neo-classical brass finger plate
£75 -
Nineteenth century French finger plate
£75 -
Pair of Victorian shield escutcheons
£75 the pair -
Edwardian house numbers ’50’
£70 -
Early twentieth century finger plates
£45 each
Featured Items
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Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600