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Japanese bronze of an elephant
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Osaka Castle (大阪城)
£420Osaka Castle (大阪城)
Born in Kobe 1923, Yuzaburo started studying woodblock print making with his father when he was eight years old. At the age of nineteen, his skill was such that he exhibited at the 11th Nihon Hanga Kyōkai (Japan Print Association) exhibition, winning a first prize, but it was not until he graduated from Kwansei Gakuin University in 1947, an education that was interrupted by the 1942 wartime Student Mobilization Order., that he became a full-time print maker. After the death of his father in 1965, Yūzaburō was to go on to become a leader in the creative print genre (sosaku hanga) in the Kansai region. was a member of Japan Print Association and a member of Kokuga Association£420 -
Tenjin Festival (天神祭)
£420Tenjin Festival (天神祭)
Born in Kobe 1923, Yuzaburo started studying woodblock print making with his father when he was eight years old. At the age of nineteen, his skill was such that he exhibited at the 11th Nihon Hanga Kyōkai (Japan Print Association) exhibition, winning a first prize, but it was not until he graduated from Kwansei Gakuin University in 1947, an education that was interrupted by the 1942 wartime Student Mobilization Order., that he became a full-time print maker. After the death of his father in 1965, Yūzaburō was to go on to become a leader in the creative print genre (sosaku hanga) in the Kansai region. was a member of Japan Print Association and a member of Kokuga Association£420
Featured Items
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Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800