11 items found
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Osaka Castle (大阪城)
£420Osaka Castle (大阪城)
Born in Kobe 1923, Yuzaburo started studying woodblock print making with his father when he was eight years old. At the age of nineteen, his skill was such that he exhibited at the 11th Nihon Hanga Kyōkai (Japan Print Association) exhibition, winning a first prize, but it was not until he graduated from Kwansei Gakuin University in 1947, an education that was interrupted by the 1942 wartime Student Mobilization Order., that he became a full-time print maker. After the death of his father in 1965, Yūzaburō was to go on to become a leader in the creative print genre (sosaku hanga) in the Kansai region. was a member of Japan Print Association and a member of Kokuga Association£420 -
Tenjin Festival (天神祭)
£420Tenjin Festival (天神祭)
Born in Kobe 1923, Yuzaburo started studying woodblock print making with his father when he was eight years old. At the age of nineteen, his skill was such that he exhibited at the 11th Nihon Hanga Kyōkai (Japan Print Association) exhibition, winning a first prize, but it was not until he graduated from Kwansei Gakuin University in 1947, an education that was interrupted by the 1942 wartime Student Mobilization Order., that he became a full-time print maker. After the death of his father in 1965, Yūzaburō was to go on to become a leader in the creative print genre (sosaku hanga) in the Kansai region. was a member of Japan Print Association and a member of Kokuga Association£420 -
“Twelve Months of Flowers September Senju Chrysanthemum “Chienai Nakamura Suzaku”by Toyohara Kunichika
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Bandō Kakitsu I, an actor by Baido Kunimasa
£350Bandō Kakitsu I, an actor by Baido Kunimasa
R/H section of a triptych depicting the actor Bandō Kakitsu I playing a karinto merchant in the play Chitose-za shin kyogen Tsuki shiraha bonji horimono.£350 -
Samurai Warlord, Hatakeyama Shigetada by Utagawa Kunimune
£350Samurai Warlord, Hatakeyama Shigetada by Utagawa Kunimune
Hatakeyama Shigetada, was a warrior of the early Kamakura Period (1185-1333) famed for his virtue and bravery.£350 -
Pedicure by Torii Kiyohiro
£350Pedicure by Torii Kiyohiro
Produced by of the leading artists of the era of two-colour 'benizurie' prints, where the works are printed in pink (beni) and green, a style that peaked in the early 1740s.£350 -
Yaoya oshichi meshitsukai o Hatsu by Utagawa Kunisada
£350Yaoya oshichi meshitsukai o Hatsu by Utagawa Kunisada
Yaoya Oshichi was a daughter of the greengrocer Tarobei, who lived in the Hongō neighborhood of Edo at the beginning of the Edo period. She was burned at the stake for attempting to commit arson. The story became the subject of joruri puppet plays.£350 -
An actor from Chushingura by Utagawa Kunisada
£350An actor from Chushingura by Utagawa Kunisada
Chushingura, was Japan’s most popular kabuki play, with its origins in an event of organized mob violence in 1702, its a complex story of unquestioning loyalty, revenge, conflict, love, and punishment.£350 -
Kataoka Nizaemon VIII as Karigane Kon’ya Bunshichi by Utagawa Kunisada I (Toyokuni III)
£350Kataoka Nizaemon VIII as Karigane Kon’ya Bunshichi by Utagawa Kunisada I (Toyokuni III)
This print originally formed the R/H side from a triptych of the play, Eiyû Koko ni Yorimasa£350 -
A girl reading poetry by Toyohara Chikanobu
£350A girl reading poetry by Toyohara Chikanobu
This print originally formed the R/H side of a triptych.£350 -
A scene from ’47 Ronin’ a Japanese Samurai Tale, 1852, after Utagawa Fusatane (active 1854-1889)
£350A scene from ’47 Ronin’ a Japanese Samurai Tale, 1852, after Utagawa Fusatane (active 1854-1889)
This print vividly depicts the famous night attack of 47 ronin, or masterless samurai, on the house of Moronao.£350
Featured Items
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Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800