8 items found
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A very large French copper cheese-maker’s bowl
£9,850A very large French copper cheese-maker’s bowl
the large vat, circular in plan and with rivets around its circumference, an attractive verde-gris patina and a flat-topped everted rim,£9,850 -
A large French copper cheese-maker’s bowl
£7,850A large French copper cheese-maker’s bowl
the large vat, circular in plan and with an attractive verde-gris patina and a flat-topped everted rim,£7,850 -
A terracotta pithos
£1,220A terracotta pithos
the bulbous tapered jar with twin handles and narrow neck, held in a wrought circlet on three spiked supports,£1,220 -
A terracotta pithos
£990A terracotta pithos
the bulbous tapered jar with twin handles and narrow neck (restorations), held in a wrought circlet on three scrolled supports,£990 -
A terracotta wide-necked amphora
£375A terracotta wide-necked amphora
the bulbous jar with four handles and thumbed ornament, on a flat base£375 -
A terracotta wide-necked amphora
£325 -
A glazed terracotta wide-necked amphora
£295 -
A Carrara marble slab cut with a decorative aperture
£295A Carrara marble slab cut with a decorative aperture
the rectangle cut with a circular aperture with four pointed indices,£295
Featured Items
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The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800