6 items found
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Two late Victorian parcel-gilt wrought iron signs
£12,500 eachTwo late Victorian parcel-gilt wrought iron signs
restored and painted in a mid-Brunswick green gloss paint, with oil-gilt lettering and foliate highlights£12,500 each -
Late nineteenth century French butcher’s shop-front gateway.
£6,500Late nineteenth century French butcher’s shop-front gateway.
with fixed panels either side of hinged gates, with embossed label, 'MAISON JULES MARESCHAL, F.STUPFFEL S.EUR, INSTALLATION DE BOUCHERIES, RUE D'ALLEMAGNE 185 (DANS) L'IMPASSE, PARIS'£6,500 -
A unique run of very early English cast-iron railway parapet railing
£5,000 the lotA unique run of very early English cast-iron railway parapet railing
comprising six stanchions, three each of large and small - alternating, decorated with recessed panels and linked with two cast iron rails running through them; very heavily sand-cast, old paint, the rails cut for removal,£5,000 the lot -
A run of French parcel-gilt wrought-iron parapet railings,
£2,240A run of French parcel-gilt wrought-iron parapet railings,
in two long sections, each centred with a circlet - one retaining a "D.M.C" monogramme - and flanked with scrollwork panels, finials along the top edge,£2,240 -
A run of late Victorian cast and wrought-iron railings,
£1,950 the lot (13m)A run of late Victorian cast and wrought-iron railings,
comprising seven leaves of well-forged railing panels, each fifth upright a square section post with incised geometric ornament and diagonal braces, the knee-rail with dog-bars,£1,950 the lot (13m) -
A run of George II style cast and wrought-iron railings,
£1,200A run of George II style cast and wrought-iron railings,
comprising a dozen lyre-shaped bracket spindles bolted into two lengths of balustrade railing,£1,200
Featured Items
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Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800