19 items found
Page 1 of 1
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Fine English eight light crystal chandelier,
£40,000Fine English eight light crystal chandelier,
with generous tiered hobnail cut corona above sectional baluster stem, the conforming hobnail cut bowl and receiver issuing eight notched scrolled arms with van dyke drip pans, hung overall with chains of faceted beads and pendants, with cut-glass terminal, re-wired and PAT tested. 37kg.£40,000 -
A French gilt-brass and cut-glass twelve-light chandelier,
£3,950A French gilt-brass and cut-glass twelve-light chandelier,
the baluster stem issuing two tiers of scrolled arms, well-cast with acanthine detailing, the sconces - with lobed glass drip-pans hung with prismatic drops, the whole hung with faceted glass drops, terminating with a cluster of grapes,£3,950 -
A French brass and cut-class nine-light birdcage chandelier,
£3,000A French brass and cut-class nine-light birdcage chandelier,
the open tri-form framework of shaped square-section bar around a central glass finial, each armature supporting a glass finial, with three scrolled arms to each interval supporting drip-pan sconces, hung over-all with faceted glass drops, terminating with a glass sphere drop,£3,000 -
An English stained glass church overdoor fanlight window,
£2,250An English stained glass church overdoor fanlight window,
the demi-lune panel glazed with leaded rectangles of polychrome glass, centred by a lozenge depicting the holy cup within a starburst, in a hardwood frame,£2,250 -
Art Nouveau style tripartite mirrored panel
£1,100Art Nouveau style tripartite mirrored panel
each panel with sinuous and foliate decoration, with 'H & Co' framed in each pane to the top.£1,100 -
A pair of Victorian pub etched-glass window panels,
£800 the pair, unframedA pair of Victorian pub etched-glass window panels,
each plate glass rectangle with an arched top - clear not obscured glass - and etched with a pattern of scrolling foliate ornament, a central scallop, and displaying birds (opposed), unframed£800 the pair, unframed -
Victorian brass and glass lamp base
£750Victorian brass and glass lamp base
the opaline glass shaft with spiral twist blue line decoration, re-wired and PAT tested. Sold without shade.£750 -
Cut glass hallway pendant light,
£450 -
Gilt metal wire work and filigree sugar bowl, Ninetieth century.
£350Gilt metal wire work and filigree sugar bowl, Ninetieth century.
The shaped wire worked handle, leading to a rim above curved frieze incorporating stylized wire work fan lights and scrolls centre by applied diamond shaped decoration. Three open panels with swags to top, are raised on tapered wire worked legs with further flatten scroll feet. The metal appears to have a gilded finish with a Bristol blue glass liner£350 -
1920s hallway pendant light
£3501920s hallway pendant light
with chrome plated gallery, the moulded shade acid-etched and with cut decoration. Re-wired.£350 -
Nineteenth century glass globe pendant light,
£300Nineteenth century glass globe pendant light,
with brass gallery, chain, and ceiling rose. Re-wired.£300 -
Pair of twentieth century mirrors
£250 the pair -
Early twentieth century holophane pendant light,
£220Early twentieth century holophane pendant light,
with brass gallery, chain, and ceiling rose. Re-wired.£220 -
Edwardian ‘Holophane’ glass pendant light,
£200 -
Early twentieth century moulded glass pendant light,
£200Early twentieth century moulded glass pendant light,
with brass gallery and ceiling rose, re-wired.£200 -
Edwardian cut glass water pitcher,
£125 -
Bohemian art glass vase,
£45 -
Red bubble glass ashtray,
£30 -
Modern glass starburst escutcheons,
£10 each
Featured Items
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The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500