23 items found
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Early nineteenth century Flemish Baroque giltwood marginal mirror,
£12,750Early nineteenth century Flemish Baroque giltwood marginal mirror,
the extravagant foliate and acanthine cresting with subsidiary verre eglomisé mirrors backed with red and gold foils, the bevelled mirror-plate in gilt border and with further marginal plates decorated in a conforming manner.£12,750 -
Large mid-nineteenth century gilt mantel-mirror,
£8,500Large mid-nineteenth century gilt mantel-mirror,
with elaborate feather, cabochon and foliate cresting in the Rococo style, the frame with trails of foliage, flowers and acanthus fronds surrounding original plate-glass mirror.£8,500 -
Large nineteenth century Rococo giltwood console table,
£8,250Large nineteenth century Rococo giltwood console table,
with shaped and moulded Carrara marble top, the table boldly carved with c and s scrolls, trails and festoons of foliage and a cabochon to the centre. on scrolled feet. English c.1850.£8,250 -
Regency parcel-gilt overmantel mirror
£6,500Regency parcel-gilt overmantel mirror
the cavetto-mould frieze with stiffleaf ornament above plate flanked by fluted Ionic pilasters with paterae to the base, the mirror old but likely a replacement.£6,500 -
Large antique Kentian wall mirror
£6,500Large antique Kentian wall mirror
the labrequin frame carved in deep-relief, with square corner blocks and old plate glass. Likely mahogany with remnants of old gilt finish.£6,500 -
Large Antique French parcel-gilt mirror
£5,250Large Antique French parcel-gilt mirror
.with elaborate central cresting issuing foliate swags, original foxed plate.£5,250 -
Italian giltwood chandelier
£4,500Italian giltwood chandelier
mid to late nineteenth century in the Baroque manner, re-wired and PAT tested.£4,500 -
Regency gilded convex mirror
£3,250Regency gilded convex mirror
surmounted by cresting of an eagle perched and poised on rocks, the circular frame with balls and delicate lambrequin mould, a generous reeded and ebonised slip within and surrounding the original convex mirror-plate.£3,250 -
Nineteenth century overmantel mirror,
£3,000Nineteenth century overmantel mirror,
giltwood and composition, the frame elaborately formed of vines laden with grapes, surmounted by foliate cresting, with some losses to the composition, the plate-glass with heavy foxing.£3,000 -
Regency giltwood convex mirror,
£2,800Regency giltwood convex mirror,
having a well carved eagle on a rocky outcrop above interlocking leaf and scrolls leading to detailed circular frame including giltwood ball decoration, reeded ebonised slip and foxed mirror plate.£2,800 -
Antique French gilt overmantel mirror,
£2,000Antique French gilt overmantel mirror,
the frame surrounding lightly foxed original plate glass.£2,000 -
Regency convex mirror
£1,650Regency convex mirror
the gilded frame with spheres and reeded ebonised slip, surrounding foxed mirror plate.£1,650 -
Giltwood pier mirror
£1,500Giltwood pier mirror
the cushion moulded frame with foliate bosses, the gilding pleasingly worn, with original plate-glass.£1,500 -
Early nineteenth century gilt framed pier mirror,
£1,250Early nineteenth century gilt framed pier mirror,
with coloured engraving after 'Shipwreck' by Peter Monamy (1681 - 1749) set above the original plate.£1,250 -
Nineteenth century gilt convex mirror
£1,250Nineteenth century gilt convex mirror
the concave moulded frame with ebonised and reeded slip within.£1,250 -
Regency giltwood pier mirror,
£1,250 -
Small Regency gilt convex mirror
£1,200Small Regency gilt convex mirror
surmounted by eagle, with ebonsied slip surrounding the frame£1,200 -
Acanthine carved gilt pelmet
£950 -
Pair of twentieth century gilt brackets
£850 -
Pair of twentieth century gilt wall brackets
£850 -
Nineteenth century Florentine giltwood mirror
£750Nineteenth century Florentine giltwood mirror
the frame composed of scrolling acanthus, with later plate-glass£750 -
Pair of gilt candle sconces
£750 -
Pair of twentieth century giltwood cornucopia
£600
Featured Items
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Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800