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Pair of gilt bronze wall sconces,
£1,650 the pair -
Three pairs of Louis XVI style wall lights,
£1,150 a pair -
Three pairs of Louis XVI style wall sconces,
£1,150 a pairThree pairs of Louis XVI style wall sconces,
the ribbon tied wall-plates centred by oval paterae with eagle mounts. Re-wired and PAT tested.£1,150 a pair -
Late nineteenth century gilt-brass rim lock
£1,150Late nineteenth century gilt-brass rim lock
English, in the French Louis XV style, the handle sprung, with keep and original keys (x2)£1,150 -
Pair of Louis XVI style wall lights,
£850 the pairPair of Louis XVI style wall lights,
with female masks to each arm, re-wired and PAT tested.£850 the pair -
Pair of Louis XVI style wall sconces,
£850 the pairPair of Louis XVI style wall sconces,
with urn finial atop tapered and fluted mount, re-wired and PAT tested.£850 the pair -
Set of three large William IV gilt-brass coat hooks
£600 the set -
Set of three William IV gilt-brass coat hooks
£500 the set -
Set of Victorian gilt-lacquered brass drawer pulls or cabinet handles
£400 the setSet of Victorian gilt-lacquered brass drawer pulls or cabinet handles
the shaped and gadrooned back-plates, with scrolled handle.£400 the set -
Pair of nineteenth century gilt-brass candlesticks
£280 the pairPair of nineteenth century gilt-brass candlesticks
with engraved decoration, with removable nozzles.£280 the pair -
Victorian rococo gilt-brass bell push
£250 -
Pair of gilt-brass and porcelain coat hooks
£180 the pair -
William IV gilt-brass coat hook
£160 -
Pair of Victorian finger plates
£150Pair of Victorian finger plates
gilt-brass, cast with flower-heads and meandering foliage, c.1880£150 -
Gilt-brass escutcheon
£30 -
Gilt-brass foliate cupboard knobs
£25 each
Featured Items
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Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800