14 items found
Page 1 of 1
-
Large twenty-four light chandelier,
£4,500Large twenty-four light chandelier,
with elaborate scrolled arms being issued from central ring, with chain and ceiling rose. Late twentieth century.£4,500 -
Pair of elaborate Louis XVI gilt-bronze wall appliques
£3,500 the pairPair of elaborate Louis XVI gilt-bronze wall appliques
in the style of celebrated eighteenth century French bronzier Lucien François Feuchere, the bodies suspended from tied ribbons, the central stems with flaming urns, issuing a pair of rose flower clasped branches, re-wired and PAT tested.£3,500 the pair -
Pair of gilt bronze wall sconces,
£1,650 the pair -
French Baroque gilt brass chandelier,
£1,200French Baroque gilt brass chandelier,
Patinated brass, five branch chandelier in the French Baroque taste, the main baluster stem having four putti masks above shields, leading to s c scroll branches, above frieze of interlocking leaves, terminating with stylized pineapple finial. French 20th century.£1,200 -
Three pairs of Louis XVI style wall lights,
£1,150 a pair -
Pair of Louis XVI style wall sconces,
£850 the pairPair of Louis XVI style wall sconces,
with urn finial atop tapered and fluted mount, re-wired and PAT tested.£850 the pair -
Three French Rococo three-light appliques,
£750 each -
Set of three large William IV gilt-brass coat hooks
£600 the set -
Pair of nineteenth century gilt-brass candlesticks
£280 the pairPair of nineteenth century gilt-brass candlesticks
with engraved decoration, with removable nozzles.£280 the pair -
Victorian rococo gilt-brass bell push
£250 -
William IV gilt-brass coat hook
£160 -
Gilt-brass escutcheon
£30
Featured Items
-
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600