17 items found
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A Regency “sarcophagus” cast iron and brass hob grate
£5,250A Regency “sarcophagus” cast iron and brass hob grate
the pointed backplate cast in relief with leafy ornament, the railed basket topped with spikes and flanked by pilaster fronted hobs cast with acanthine clasps and raised on lion-paw feet above a plinth base,£5,250 -
Nineteenth century engraved steel and iron fire grate,
£5,250Nineteenth century engraved steel and iron fire grate,
with pierced serpentine fret and bold urn finials.£5,250 -
George IV cast iron register grate,
£3,000George IV cast iron register grate,
the cushion moulded frame with brass flowerhead paterae corner-blocks, the ribbed cheeks flanking bowed grate bars with delicate fret-cut apron below£3,000 -
An early George III cast iron hob grate
£1,950An early George III cast iron hob grate
the rectangular backplate above the bowed railed basket with a pierced steel apron, the panelled hob-fronts with guilloche borders cast in relief with pineapples,£1,950 -
A late George III cast iron hob grate
£1,880A late George III cast iron hob grate
the rectangular backplate (later) above the bowed railed basket with a fluted apron, each side of the panelled stove front ornamented in relief with a classical column topped with a lidded urn,£1,880 -
A nicely cast late George III cast iron hob grate
£1,750A nicely cast late George III cast iron hob grate
the backplate with foliate crestings above the bowed railed basket with an apron cast with fruiting vines, the hob-fronts modelled as pilasters with guilloche wreaths, the cheeks with lambrequin bordered panels,£1,750 -
A George III style engraved steel and cast iron fire basket,
£1,425A George III style engraved steel and cast iron fire basket,
the rectangular back-plate above the railed basket with serpentine bars urn finial surmounts and a pierced apron, raised on outswept baluster supports,£1,425 -
An Arts and Crafts wrought iron fire basket
£1,175An Arts and Crafts wrought iron fire basket
the small backplate with heart shaped finials above the shaped railed basket integrating standards with knopped surmounts,£1,175 -
A small Regency gothick cast iron hob grate
£1,150A small Regency gothick cast iron hob grate
the rectangular backplate, probably later, cast with repeating foliate loops above the railed basket flanked by hob-fronts cast with lancet-arched recesses, the apron pierced with quatrefoils above the aperture cast as a Tudor arch,£1,150 -
A late Victorian cast iron firegrate
£925A late Victorian cast iron firegrate
the arched backplate centred with a sunflower boss, the railed basket with knopped central bar and topped with ball finials, raised on baluster supports,£925 -
An early Victorian brass and polished steel fireplace fender,
£795An early Victorian brass and polished steel fireplace fender,
the square sided fender with a moulded band of ornament, raised on lion's paw feet and with fire-hook standards to each end,£795 -
An English decorative wrought iron fire grate
£660An English decorative wrought iron fire grate
the circular backplate fronted by the elliptic basket with swan-neck finials and held aloft on a conjoined support with C-scroll ornament and splaying to out-stretched feet,£660 -
A late George III cast iron hob grate,
£440A late George III cast iron hob grate,
the rectangular reeded backplate and railed basket flanked by narrow hobs, the hob fronts and apron cast in relief with raised foliate ornament,£440 -
A ‘Dutch’ style cast-iron fireback,
£425A ‘Dutch’ style cast-iron fireback,
the rectangular plate with an ornate pointed top, cast in relief with a mounted cavalier gentleman doffing his hat to a turbaned donor of bagged coinage,£425 -
A Country House steel log fork,
£385 -
A late George III cast iron hob grate,
£325A late George III cast iron hob grate,
the railed basket flanked by narrow hobs, the hob fronts and apron cast in relief with acanthine strapwork ornament,£325 -
A late Victorian brass fireplace fender,
£275
Featured Items
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Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600