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George IV Ashburton marble fireplace
£7,500George IV Ashburton marble fireplace
the shelf supported by twin corbels either side of the moulded frieze, the jambs each with conforming mouldings, on square footblocks.£7,500 -
A Regency bardiglio marble chimneypiece,
£6,000A Regency bardiglio marble chimneypiece,
the rectangular shelf, bead mould to the lower edge, pencil mould to the upper, over cushion mould jambs and frieze united by 'bullseye' roundel end blocks, raised on rectangular foot blocks,£6,000 -
A narrow Regency Devonian marble chimneypiece,
£3,300A narrow Regency Devonian marble chimneypiece,
The rectangular shelf over cushion mould frieze with central moulded tablet, the cushion mould jambs raised on square foot-blocks and topped with bullseye roundel end-blocks; repairs to the shelf,£3,300 -
George IV cast iron register grate,
£3,000George IV cast iron register grate,
the cushion moulded frame with brass flowerhead paterae corner-blocks, the ribbed cheeks flanking bowed grate bars with delicate fret-cut apron below£3,000 -
Nineteenth century Sabicu library table
£2,200Nineteenth century Sabicu library table
of unusual configuration and size, with oppositing drawers to the short sides of the rectangular top, the tapered and turned column with decorative band moulding supported by quatreform base, the scroll feet with castors.£2,200 -
An early nineteenth century giltwood convex wall mirror,
£1,200An early nineteenth century giltwood convex wall mirror,
the convex plate within reeded ebonised sight and cavetto mould gilt-pine frame, ribbon tied to edge, with carved foliate crest; the gilding thin with old wear down to the gesso ground,£1,200 -
George IV brass table lamp base,
£800George IV brass table lamp base,
modelled as a tapered triangular column, with anthemion to each side and hairy paw feet, on plinth base, converted from gas and re-wired.£800 -
George IV silver six section toast rack,
£520
Featured Items
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The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800