14 items found
Page 1 of 1
-
Nineteenth century carved mahogany chest
£6,500Nineteenth century carved mahogany chest
the front centred by a cartouche composed of c-scrolls and foliage, flanked by foliate panels, the sides with large lacquered brass carry handles and further foliate panels, on blind fret-cut trellis frieze with rectangular paterae to each corner, above rocaille apron, exuberantly carved throughout in choice timber, some minor losses.£6,500 -
Nineteenth century mahogany cabinet,
£950Nineteenth century mahogany cabinet,
with reeded cornice and pulvinated frieze above glazed doors flanked by reeded pilasters, the ebonised interior with adjustable shelves.£950 -
An English glazed pitch pine bookcase,
£875An English glazed pitch pine bookcase,
the top section with a pair of glazed doors with adjustable timber shelves within, the deeper lower section a folio cupboard with a pair of panelled doors,£875 -
A pair of early Spanish walnut and tooled leather chairs,
£680 the pairA pair of early Spanish walnut and tooled leather chairs,
the back tooled and parcel-gilt and secured with metal disks, the arm rests over-scrolled, united by ornate panelled front stretcher piece, the faded and worn over-stuffed leather seat ornamented with later tasseled fringes,£680 the pair -
An English yew and elm wood Windsor chair,
£675An English yew and elm wood Windsor chair,
with bent wood top-rail and arm rests, linked by a pierced splat and raised on spindles, the principle spindles turned and knopped, the legs similar and linked with crinoline stretchers,£675 -
A mid Victorian oak and elm Windsor chair,
£525A mid Victorian oak and elm Windsor chair,
with bent wood top-rail and arm rests, linked by a pierced splat and raised on spindles, the principle spindles turned and knopped, the legs similar and linked with crinoline stretchers,£525 -
A low mid Victorian oak, elm and ash Windsor chair,
£425A low mid Victorian oak, elm and ash Windsor chair,
with bent wood top-rail and arm rests, linked by a pierced splat and raised on spindles, the legs linked with H-stretchers,£425 -
Piranesi, Diverse maniere d’adornare i cammini ed ogni altra parte degli edifizi desunte dall’architettura egizia, Etrusca e Greca,
£200Piranesi, Diverse maniere d’adornare i cammini ed ogni altra parte degli edifizi desunte dall’architettura egizia, Etrusca e Greca,
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Piranesi, Designs for furniture, 1769
£200Piranesi, Designs for furniture, 1769
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Piranesi, Designs for furniture, 1769
£200Piranesi, Designs for furniture, 1769
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Piranesi, Designs for furniture, 1769
£200Piranesi, Designs for furniture, 1769
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Brass oval door knobs,
£55 a pair
Featured Items
-
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800