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Large George III wrought iron fire grate
£14,500Large George III wrought iron fire grate
the standards formed of elegant urn-topped pierced obelisks standing on a group of Tuscan columns, united by pierced and engraved shaped apron, of unusually large size. Blacking or polishing can be arranged, if deemed necessary.£14,500 -
Eighteenth century steel and iron firegrate
£6,000Eighteenth century steel and iron firegrate
the serpentine railed basket with tapered teeth above pierced apron with bands of beading to the top and bottom, the standards turned and tapered to the top, engraved, tapered and chamfered to the base.£6,000 -
Large bronze and iron urn grate
£3,500Large bronze and iron urn grate
the rim of the urn shaped basket with bronze bead detail and scrolled handles to either side, the plinth base with applied ram's head and swag decoration.£3,500 -
Victorian cast iron and brass fire grate,
£3,250Victorian cast iron and brass fire grate,
with female mask to the back-plate, the basket framed with brass foliage and surmounted by urn finials.£3,250 -
Early nineteenth century cast iron coal grate
£2,750Early nineteenth century cast iron coal grate
the shaped back-plate centred by anthemion, the reeded and railed basket with finials to either side and raised on ball and claw feet, all on plinth base.£2,750 -
Nineteenth century cast iron coal grate
£2,500Nineteenth century cast iron coal grate
the handles formed as scrolled serpents, the urn grate with swagged pelmets flanking oval paterae, on plinth base.£2,500 -
Small Art Nouveau cast iron fire basket
£2,200 -
An old English wrought iron kitchen inglenook fire-basket,
£1,200An old English wrought iron kitchen inglenook fire-basket,
the railed basket-front with an articulated drop-front trivet bar, secured with a retaining hook, the right cheek incorporating a cogged spit-turning mechanism (operational),£1,200
Featured Items
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Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each