10 items found
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Fine and intricately worked wrought iron fire screen
£2,200Fine and intricately worked wrought iron fire screen
Scottish, in the manner of Sir Robert Lorimer, the central decorative panel with repeating scrolls interwoven with foliage and thistles backed by mesh.£2,200 -
A George III style engraved steel and cast iron fire basket,
£1,425A George III style engraved steel and cast iron fire basket,
the rectangular back-plate above the railed basket with serpentine bars urn finial surmounts and a pierced apron, raised on outswept baluster supports,£1,425 -
A Victorian cast iron tiled “Parson’s grate”,
£1,180A Victorian cast iron tiled “Parson’s grate”,
the facade cast with diapered cross-hatchings in relief, interspersed with various polyform "mon", each incorporating geometric flowerheads, the reeded border framing the rectangular aperture above the reeded rails and flanked with a pair of tiled reflector plates (no firebrick salvaged as is usual with Jeckyll stoves),£1,180 -
An early Victorian brass and polished steel fireplace fender,
£795An early Victorian brass and polished steel fireplace fender,
the square sided fender with a moulded band of ornament, raised on lion's paw feet and with fire-hook standards to each end,£795 -
A Victorian cast iron “Parson’s grate”,
£675A Victorian cast iron “Parson’s grate”,
the facade cast with diapered cross-hatchings in relief, interspersed with various polyform "mon", each incorporating Japanese inspired naturalistic plant forms and blossoming boughs, the reeded border framing the rectangular aperture with pierced fretwork to the corners above the wavy reeded rails (no firebrick salvaged as is usual with Jeckyll stoves),£675 -
An English decorative wrought iron fire grate
£660An English decorative wrought iron fire grate
the circular backplate fronted by the elliptic basket with swan-neck finials and held aloft on a conjoined support with C-scroll ornament and splaying to out-stretched feet,£660 -
A Country House gilt-painted steel nursery fender
£470A Country House gilt-painted steel nursery fender
formatted as a pair of gates within a frame, each leaf wrought as a lattice with rosettes ornamenting the intersections, secured with a double latch£470 -
A ‘Dutch’ style cast-iron fireback,
£425A ‘Dutch’ style cast-iron fireback,
the rectangular plate with an ornate pointed top, cast in relief with a mounted cavalier gentleman doffing his hat to a turbaned donor of bagged coinage,£425 -
A Country House steel log fork,
£385 -
A late Victorian brass fireplace fender,
£275
Featured Items
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Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600