11 items found
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Set of late Victorian door furniture,
£1,450Set of late Victorian door furniture,
consisting of thirteen knobs, thirteen fingerplates, and nine escutcheons. Dimensions: Door knobs: 7.5 cm high x 6 cm wide, Fingerplates: 32 cm high x 8.5 cm wide x 0.5 cm deep Escutcheons: 4.8 cm high x 2.5 cm wide x 0.5 cm deep£1,450 -
Set of Victorian pressed brass finger plates
£550 the setSet of Victorian pressed brass finger plates
eleven to the set, with bead and reel mouldings.£550 the set -
Set of early Victorian pressed brass finger-plates
£550 -
Set of early nineteenth century pierced brass finger-plates
£500 the setSet of early nineteenth century pierced brass finger-plates
one very slightly longer than the others, ten in total.£500 the set -
Set of antique ‘Hopes’ bronze finger plates
£450 the set -
Set of Edwardian brass fingerplates
£400 the set -
Set of five reeded brass finger plates
£300 the set -
Pair of Victorian finger plates
£150Pair of Victorian finger plates
gilt-brass, cast with flower-heads and meandering foliage, c.1880£150 -
Victorian brass finger plates
£150 -
Pair of Victorian brass finger plates
£100 the pair -
Early twentieth century finger plates
£45 each
Featured Items
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The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500