6 items found
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A rare George III pine and composition doorcase
£14,250A rare George III pine and composition doorcase
the triangular pediment with reeded soffit, dentil mouldings and repeated ogee brackets, the endblocks applied with painted composition relief-cast urn motifs, raised on fluted columns with reeded capitals and square footblocks; the back-board cut with an arched aperture,£14,250 -
A set of four English pine and composition decorative overdoors
£2,250 per pair (two pairs available)A set of four English pine and composition decorative overdoors
each with a lambrequin cornice and egg-and-dart mouldings, above an oak-leaf torus frieze centred with a floral swagged tablet,£2,250 per pair (two pairs available) -
A French parcel gilt painted pine entranceway
£1,800A French parcel gilt painted pine entranceway
the pair of doors with raised and fielded panels ornamented with composition relief scrollwork and roundels together with an overdoor panel en suite, the overdoor decorated in relief with a field of scrollwork centred with an urn and opposed songbirds, the reverse of the doors white painted, the reverse of the overdoor blind,£1,800 -
A pair of old English sandstone staddle stones,
£1,400 the pair,A pair of old English sandstone staddle stones,
deep domed tops on tapered square section bases, good weathering and lichen,£1,400 the pair, -
A pair of French oak pilasters
£860A pair of French oak pilasters
each attached column - half an octagon in section - with a plain capital, and delicately carved reeds with scroll terminii running the length of the stem, raised on a moulded foot,£860 -
A high Victorian cast iron bootscraper
£285A high Victorian cast iron bootscraper
the shaped base with scrolled rim beneath the scraper supported by opposing winged griffins,£285
Featured Items
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Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800