10 items found
Page 1 of 1
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A George III verde antica inlaid statuary marble chimneypiece
£33,200A George III verde antica inlaid statuary marble chimneypiece
the rectangular breakfront shelf, with inset corners and a beaded moulding, above the frieze with fluted inlay and oval patera and centred with a rectangular plaque carved in relief with a resting Baccante, the seated figure with his thyrsus angled on his shoulder, and flanked with end-blocks carved in relief with grape-filled urns, the jambs also inlaid with flutes and raised on block feet,£33,200 -
A William IV Bardiglio marble chimneypiece,
£7,850A William IV Bardiglio marble chimneypiece,
the rectangular shelf above a pointed arched aperture flanked by flat-pilaster jambs and raised on block feet,£7,850 -
An English grey marble bolection moulded chimneypiece
£6,400An English grey marble bolection moulded chimneypiece
moulded with an ogee section to the lintel and jambs and raised on block feet£6,400 -
An English carrara marble chimneypiece
£6,125An English carrara marble chimneypiece
the rectangular shelf with canted corners and under-moulding above the plain frieze and jambs, with a bead running around the aperture and raised on block feet, together with a heavily moulded curb fender en suite£6,125 -
A fine English carved pine and limewood chimneypiece
£4,650A fine English carved pine and limewood chimneypiece
the rectangular shelf with registers of dentil and lambrequin mouldings above the beautifully cut frieze detailed with three pirs of opposed dolphins amid scrollwork, all raised on stop-fluted columnar jambs with ionic capitals and a block foot,£4,650 -
An early Victorian Painswick limestone chimneypiece
£4,200An early Victorian Painswick limestone chimneypiece
the rectangular shelf raised on plain pilaster jambs with moulded caps and square footblocks, the plain frieze with ovolo mould continuing to the interior jamb returns, some wear and restorations,£4,200 -
A George III carved pine chimneypiece
£3,850A George III carved pine chimneypiece
the rectangular shelf with beautifully carved layers of ornament incorporating bands of dentil, lambrequin and other mouldings, above a frieze ornamented in deep relief with scrolling foliate carvings and centred by a tablet applied with a ribbon-tied swag of roses, raised on panelled jambs cut with arched fielded panels, raised on block feet,£3,850 -
A Gothic Revival Bath stone chimneypiece,
£3,500A Gothic Revival Bath stone chimneypiece,
the pitched-top rectangular shelf over the plain lintel with arched recess, raised on plain jambs, stop-chamfering to the edges; iron eyelets in the jambs for anchoring a tall fender remain,£3,500 -
An Edwardian carved pine fire surround,
£1,875An Edwardian carved pine fire surround,
the rectangular shelf above a plain frieze centred by a tablet applied with a beautifully carved tazza in relief, raised on eared jambs, the whole boxed-out with later deep returns,£1,875 -
A Victorian pine chapel fire surround,
£925A Victorian pine chapel fire surround,
the rectangular shelf with chamfered moulding above the gothic inspired lobed corbels and the plain frieze and jambs with stop-chamfered details,
£925
Featured Items
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Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600