6 items found
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King George V Silver Jubilee – George Charlton
£6,500King George V Silver Jubilee – George Charlton
A signed, oil on canvas view of the Royal procession along the Embankment during the Silver Jubilee of King George V in 1935. The 1902 State Landau carrying the King and Queen Mary is shown passing between the steps of the City of London School and the River Thames. This stretch of the Thames, originally known as Blackfriars Reach, was renamed King’s Reach in honour of the Sovereign in his Jubilee Year. The form of Joseph Cubitt’s historic Blackfriars Railway Bridge of 1864 (demolished 1985) can just be made out between the road bridge of 1869 and the rail bridge of 1886 by John Wolfe Barry and Henry Marc Brunel. The scholars of the City of London School can be seen waving and craning to catch a glimpse of the Royal couple as the carriage processes from St Pauls Cathedral to Buckingham Palace. The City of London School departed this site at Blackfriars in 1984 and the former school building now houses the British and European headquarters of the Financiers J.P. Morgan.£6,500 -
An English portland stone keystone carved with a portrait of a Plantagenet king
£860An English portland stone keystone carved with a portrait of a Plantagenet king
the bearded king with full beard and flowing locks and wearing a crown, weathered and mouth drilled for a spout,£860 -
The Marriage of Queen Victoria
£80The Marriage of Queen Victoria
Original colour framed Chromolithograph showing the marriage of Queen Victoria to Prince Albert of Saxe Coburg & Gotha in the year 1846. Plate IV of a set issued by the Illustrated London News Diamond Jubilee Portrait Collection.£80 -
The Marriage of Queen Victoria
£80The Marriage of Queen Victoria
Original colour framed Chromolithograph showing the marriage of Queen Victoria to Prince Albert of Saxe Coburg & Gotha in the year 1846.£80 -
Band sawn English oak boards,
£70 + VAT per sq mBand sawn English oak boards,
Solid band sawn English brown oak boards, with rough, course square edge. With chesnut brown hues and a rough texture underfoot that responds well to a light sanding and waxed finish. End of run, 10 sqm remaining.£70 + VAT per sq m -
A plaster cast of an Egyptian head,
£18
Featured Items
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Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800