6 items found
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Pair of French Empire parcel-gilt bronze candelabra
£4,800Pair of French Empire parcel-gilt bronze candelabra
finely cast with flame finial to the centre of five arms clasped with male masks, the reeded and tapered column shaft with urn finial, on triform base with hairy paw feet.£4,800 -
French Louis XVI style hallway lantern,
£4,750French Louis XVI style hallway lantern,
cast and gilt-lacquered bronze with curved glazing panels, re-wired and PAT tested. Ceiling hook/rose required.£4,750 -
Nineteenth century French Empire Turquin marble chimneypiece
£4,500Nineteenth century French Empire Turquin marble chimneypiece
the deep moulded shelf supported by volute jambs with paw feet, on footblocks.£4,500 -
Large Empire style gilt brass and glass wall lights,
£2,500 the pairLarge Empire style gilt brass and glass wall lights,
the stiff leaf crown suspended with trails of beads, the central ring with applied paterae and three scrolled arms, with further light fittings within. Eight available.£2,500 the pair -
Pair of Napoleon III green glazed and ormolu mounted two branch candelabra,
£950 the pairPair of Napoleon III green glazed and ormolu mounted two branch candelabra,
each having a central torchiere finial issuing two stylised naturalistic inspired scroll branches, terminating with candle holders decorated with lotus leaf details mounted on a pedestal shaped porcelain base, decorated with gold leaf painted Empire inspired Eagle and laurel leaf details, on a square base.£950 the pair -
Early nineteenth century brass spread eagle,
£300Early nineteenth century brass spread eagle,
the well cast spread eagle perched upon a rocky outcrop with a snake in its talons. The eagle was possible from an Empire period standard, the eagle was an iconic symbol used during the Napoleonic period£300
Featured Items
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The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800