15 items found
Page 1 of 1
-
A set of fifteen pairs of Victorian brass oval door knobs
£1,600 the setA set of fifteen pairs of Victorian brass oval door knobs
each pair comprising two knobs linked with a steel spindle, the ovoid grip on a waisted neck and disc rose-plate pierced with three drill-holes,£1,600 the set -
Set of rose brass door knobs,
£385 the set -
A set of three pairs of Victorian brass oval door knobs
£320 the setA set of three pairs of Victorian brass oval door knobs
each pair comprising two knobs linked with a steel spindle, the ovoid grip on a waisted neck and disc rose-plate pierced with four drill-holes,£320 the set -
Brass lion’s mask door centre-pull
£250 -
Early twentieth century octagonal door centre pull
£200 -
Brass and oak centre door pull
£150 -
A Regency style cast bronze mortise set
£130 the pairA Regency style cast bronze mortise set
black/brown patina with reeded detailing, for use with mortise or rim locks,£130 the pair -
1920s rose brass door knobs,
£125 a pair -
A pair of nickel plated door knobs
£85 per pair -
A pair of ebonised wood ‘Beehive’ door knobs,
£65 per pairA pair of ebonised wood ‘Beehive’ door knobs,
the reeded grip and rose, linked by a standard gauge spindle,£65 per pair -
A pair of nickel plated oval door knobs
£60 per pairA pair of nickel plated oval door knobs
the ovoid grip and circular rose, linked with a standard gauge spindle,£60 per pair -
A pair of spherical nickel plated door knobs,
£60 per pairA pair of spherical nickel plated door knobs,
the spherical grip mounted on a circular rose,£60 per pair -
A pair of oval brass door knobs
£55 per pairA pair of oval brass door knobs
the ovoid grip and circular rose, linked with a standard gauge spindle,£55 per pair -
A brass hat and coat hook
£9 each -
A cast iron hat and coat hook
£7 each
Featured Items
-
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800