8 items found
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A very large George III cast iron fireback
£2,235A very large George III cast iron fireback
the rectangular plate with a moulded border and bearing the name "NICHOLAS DANON" and the date "1780" in an ornate script, flanked by a pair of balusters,£2,235 -
A substantial French cast iron fireback
£1,720A substantial French cast iron fireback
the rectangular plate depicting a goddess visiting Hephaistos, the forge around them set within rocaille-work and scrolls,£1,720 -
A George III style engraved steel and cast iron fire basket,
£1,425A George III style engraved steel and cast iron fire basket,
the rectangular back-plate above the railed basket with serpentine bars urn finial surmounts and a pierced apron, raised on outswept baluster supports,£1,425 -
An early Victorian brass and polished steel fireplace fender,
£795An early Victorian brass and polished steel fireplace fender,
the square sided fender with a moulded band of ornament, raised on lion's paw feet and with fire-hook standards to each end,£795 -
An English decorative wrought iron fire grate
£660An English decorative wrought iron fire grate
the circular backplate fronted by the elliptic basket with swan-neck finials and held aloft on a conjoined support with C-scroll ornament and splaying to out-stretched feet,£660 -
A ‘Dutch’ style cast-iron fireback,
£425A ‘Dutch’ style cast-iron fireback,
the rectangular plate with an ornate pointed top, cast in relief with a mounted cavalier gentleman doffing his hat to a turbaned donor of bagged coinage,£425 -
A Country House steel log fork,
£385 -
A late Victorian brass fireplace fender,
£275
Featured Items
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The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800