14 items found
Page 1 of 1
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An Italian marble statue of a shepherd boy with his sheep
£9,600An Italian marble statue of a shepherd boy with his sheep
the young boy standing against a naturalistic tree-stump proffering a treat to the lamb, a fleece hung as a cloak, and a water-gourd slung over his shoulder - his crook lacking,£9,600 -
A pair of English carved limestone Ionic order capitals with associated columnar stem-sections and feet
£5,600A pair of English carved limestone Ionic order capitals with associated columnar stem-sections and feet
each with a Roman Ionic order capital, with spirally carved volutes, raised on cylindrical "drums" from the stem and a torus moulded foot, heavily weathered£5,600 -
A Victorian statuary marble figure of Cupid
£5,250A Victorian statuary marble figure of Cupid
the young putto modelled on a stylised rock with his right index finger held to his lips, his quiver at his side, raised on a circular plinth,£5,250 -
Nineteenth century Italian bronze model of Seated Hermes
£3,800Nineteenth century Italian bronze model of Seated Hermes
stamped 'GIORGIO SOMMER FOUNDRY, NAPLES', set on marble plinth base.£3,800 -
Continental figure of Cupid after a model by Étienne Maurice Falconet,
£2,800Continental figure of Cupid after a model by Étienne Maurice Falconet,
cupid is modelled sat on a stylised cloud with his right finger held to his lips, his full quiver at his feet. Some loses to feet. Unsigned. Plaster with terracotta finish.£2,800 -
A pair of Victorian cast iron Tuscan order columns
£2,750 the pairA pair of Victorian cast iron Tuscan order columns
each with a square top and base-plate, torus casting to the head and foot and the stem with entasis, old paint patina,£2,750 the pair -
Pair of bronze statues Mercury and Fortuna,
£1,500 the pair -
Bronze model of Diana the Huntress
£1,500Bronze model of Diana the Huntress
French c.1900, after the original by Jean-Antoine Houdon (1741-1828)£1,500 -
An English composition stone figure of “Summer”
£865An English composition stone figure of “Summer”
the standing putto, holding a sheaf of wheat to his shoulder, his sickle lying at his feet,£865 -
An English composition stone figure of “Autumn”
£865An English composition stone figure of “Autumn”
the standing putto, his knee resting on a Halloween pumpkin, holding aloft a fruit filled bowl,£865 -
Early Nineteenth Century Nude Study,
£750Early Nineteenth Century Nude Study,
An early nineteenth century framed charcoal life-study of a kneeling male figure. A muscular figure is shown full length and semi-seated in the Epitrapezios pose recalling the Seated Herakles of Lysippus, mentioned by the Roman poets Martial and Statius, a copy of which is held in the Metropolitan Museum of Art in New York.£750 -
Early Nineteenth Century Nude Study,
£750Early Nineteenth Century Nude Study,
An early nineteenth century framed charcoal life-study of a male figure. The muscular figure is shown full length and front-on, contraposto, with arm upraised in a pose recollecting the Laocoon or Michaelangelo's Punishment of Tityus, now in the Royal Collecion.£750 -
Early Nineteenth Century Nude Study,
£750Early Nineteenth Century Nude Study,
An early nineteenth century framed charcoal life-study of a kneeling male figure. The muscular figure is shown full length and front-on in a serpentine pose recalling the Laocoon and Michaelangelo's Punishment of Titus, now in the Royal Collecion.£750 -
A large English brass columnar table lamp
£530A large English brass columnar table lamp
the ribbed stem headed with a Corinthian Order capital, raised on a torus foot and stepped plinth base, wired for electricity,£530
Featured Items
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Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800