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George III inlaid Statuary marble fireplace
£18,500George III inlaid Statuary marble fireplace
the moulded breakfront shelf above central tablet depicting Diana the Huntress and her dog, set within oval panel with winged putti to either side, this relief flanked by Tinos marbled inlaid flutes and corner blocks showing the Young Bacchus, the Brocatello marble jambs with pilasters inlaid with further Tinos flutes, on block feet. Late eighteenth century, restored.£18,500 -
Early twentieth century Grey Petitor bolection fire surround,
£9,500 -
Nineteenth century French Breche fireplace,
£7,500Nineteenth century French Breche fireplace,
the panelled frieze centred by foliate boss, the paterae corner-blocks above stop-fluted console jambs, on block feet.£7,500 -
William IV Black Belgian marble fireplace,
£4,500William IV Black Belgian marble fireplace,
the frieze flanked by jambs headed by stylised lotus leaf corbels, on block feet.£4,500 -
Nineteenth century French Pompadour fireplace,
£4,500Nineteenth century French Pompadour fireplace,
carved in Spanish Brocatello marble, the moulded and shaped shelf above panelled frieze on canted volute jambs.£4,500 -
Regency slate bull’s eye roundel fireplace
£4,250Regency slate bull’s eye roundel fireplace
with boldly fluted frieze and jambs, with convex moulded corner blocks.£4,250 -
English Regency marble fireplace,
£3,800English Regency marble fireplace,
of understated design, the rectangular shelf above plain frieze and jambs, with convex roundel corner-blocks, all in well figured Carrara marble with attractive dry surface.£3,800 -
Elegant early twentieth century Statuary marble neo-classical fire surround,
£2,250Elegant early twentieth century Statuary marble neo-classical fire surround,
the lambrequin moulded rectangular shelf above frieze decorated with classical tazza and swags, flanked by urn corner-clocks, the jambs with conforming bellflower decoration, on footblocks, c.1920.£2,250 -
1970s carved oak fire surround
£1,750 -
Regency style Carrara marble bullseye chimneypiece
£1,450Regency style Carrara marble bullseye chimneypiece
the rectangular shelf above cushion moulded frieze flanked by bullseye roundels, the conforming jambs on square footblocks. Opening width 90.5cm x height 90.5cm, each jamb 17cm in width (opening with some room for adjustment as required). Example shown for illustrative purposes only, please note that being a natural material the marble may differ in figuration/veining.£1,450
Featured Items
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The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
The Sun by André Masson, Verve Vol. 1 / No. 2.
£600The Sun by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600