3 items found
Page 1 of 1
-
Nineteenth century carved mahogany chest
£6,500Nineteenth century carved mahogany chest
the front centred by a cartouche composed of c-scrolls and foliage, flanked by foliate panels, the sides with large lacquered brass carry handles and further foliate panels, on blind fret-cut trellis frieze with rectangular paterae to each corner, above rocaille apron, exuberantly carved throughout in choice timber, some minor losses.£6,500 -
A bank of Victorian mahogany and stained pine apothecary drawers
£3,700A bank of Victorian mahogany and stained pine apothecary drawers
with two rows of nine small drawers above two rows of six medium, all above a trio of fall-front lockers, each drawer applied with reversed painted and parcel gilded glass name labels (a number later replacements) and centred with a faceted glass knob,£3,700 -
A set of four glazed mahogany Chemist cabinets
£1,400 the setA set of four glazed mahogany Chemist cabinets
comprising a pair of wall cabinets, one mirror backed, with brackets for narrow shelves, and a pair of what were originally fall-top counter-top cabinets, one now mirror backed and both adapted for use as wall cabinets with the same internal shelf brackets applied (can be used in either format)£1,400 the set
Featured Items
-
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800