12 items found
Page 1 of 1
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Pair of French Louis XV style ormolu chenets,
£3,800Pair of French Louis XV style ormolu chenets,
each with sphinx on a c-scroll rococo base, one holding a cat, the other a monkey.£3,800 -
A rare English double-ended wrought-iron andiron,
£2,650A rare English double-ended wrought-iron andiron,
the singular rectangular-section billet bar terminating with a spear standard to each end, each pointed finial pierced with an eye suspending a spit-ring, each stem with apotropaic markings and three pairs of scrolls, the bar pegged in order to attach the pair of arched supports,£2,650 -
Pair of French nineteenth century gilt-bronze chenets,
£2,400Pair of French nineteenth century gilt-bronze chenets,
the flaming urn finials with inset medallions depicting Hadrian and Trajan,£2,400 -
Pair of French gilt-brass chenets in the Rococo manner
£1,450 -
Pair of nineteenth century French gilt-metal chenets
£1,450Pair of nineteenth century French gilt-metal chenets
in the Rococo manner, stamped to the reverse.£1,450 -
Louis XVI style gilt bronze and iron chenet,
£950 -
Pair of French nineteenth century chenets,
£900Pair of French nineteenth century chenets,
exceptionally cast and chased brass, with wrought iron stand to the rear.£900 -
A pair of large English wrought-iron andirons,
£780A pair of large English wrought-iron andirons,
the bladed swan-neck up-stands with large button finials,£780 -
A pair of English cast and wrought iron andirons
£610A pair of English cast and wrought iron andirons
the tall dogs topped with Tudor Rose disc finials atop forged standards on arched supports and square section billet-bars,£610 -
A pair of wrought-iron cresset top fire dogs,
£540A pair of wrought-iron cresset top fire dogs,
the cresset tops of twisted bar on up-stands with adjustable spit rests,£540 -
A pair of English steel and wrought iron andirons
£325A pair of English steel and wrought iron andirons
the bracket standards each supporting a cresset top,£325 -
A pair of English cast iron fire dogs
£120A pair of English cast iron fire dogs
the tall pierced standards raised on spreading supports and square section billet-bars,£120
Featured Items
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Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600