14 items found
Page 1 of 1
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Fine Victorian ‘Perry & Co’ glass chandelier
£40,000Fine Victorian ‘Perry & Co’ glass chandelier
the cut-baluster shaft issuing ten s-scroll wrythen arms, each arm with drip pan hung with pendants and swags of beads, the overall design embellished throughout by finely executed wheel-cut decoration.£40,000 -
Fine English eight light crystal chandelier,
£40,000Fine English eight light crystal chandelier,
with generous tiered hobnail cut corona above sectional baluster stem, the conforming hobnail cut bowl and receiver issuing eight notched scrolled arms with van dyke drip pans, hung overall with chains of faceted beads and pendants, with cut-glass terminal, re-wired and PAT tested. 37kg.£40,000 -
Eighteen branch cut glass chandelier,
£5,000Eighteen branch cut glass chandelier,
having an inverted cut glass dish decorated with glass teardrops, leading to decorative stem section consisting of shaped balusters and blown spheres engineered with criss-cross motifs above large decorative bowl containing two tiers of cut glass branches, each branch having drip pans with further glass teardrops, festoons of faceted glass decoration suspended between larger lower tier branches, further teardrop decoration to bowl, terminating with cut glass drop.£5,000 -
Large Dutch style brass chandelier,
£4,500Large Dutch style brass chandelier,
twenty-four light, the baluster stem with vase to the middle issuing three tiers of arms, PAT tested. 40kg. Two dents to the lowest sphere. A match to stock #s 79282 & 79283.£4,500 -
Large twenty-four light chandelier,
£4,500Large twenty-four light chandelier,
with elaborate scrolled arms being issued from central ring, with chain and ceiling rose. Late twentieth century.£4,500 -
William IV style patinated bronze and gilt-lacquered brass Colza form three light chandelier,
£4,000William IV style patinated bronze and gilt-lacquered brass Colza form three light chandelier,
with foliate ceiling-rose, the body with central suspended from three chains, each light fitment with bulbous frosted glass shade.£4,000 -
Two substantial thirty-two light Flemish style brass chandeliers,
£4,000 eachTwo substantial thirty-two light Flemish style brass chandeliers,
in the early eighteenth century style, re-wired and PAT tested, twentieth century.£4,000 each -
A French gilt-brass and cut-glass twelve-light chandelier,
£3,950A French gilt-brass and cut-glass twelve-light chandelier,
the baluster stem issuing two tiers of scrolled arms, well-cast with acanthine detailing, the sconces - with lobed glass drip-pans hung with prismatic drops, the whole hung with faceted glass drops, terminating with a cluster of grapes,£3,950 -
A French brass and cut-class nine-light birdcage chandelier,
£3,000A French brass and cut-class nine-light birdcage chandelier,
the open tri-form framework of shaped square-section bar around a central glass finial, each armature supporting a glass finial, with three scrolled arms to each interval supporting drip-pan sconces, hung over-all with faceted glass drops, terminating with a glass sphere drop,£3,000 -
Elegant antique French rock crystal parcel-gilt chandelier
£2,750Elegant antique French rock crystal parcel-gilt chandelier
later wired for electricity, the frame hung with teardrop pendants. Re-wired and PAT tested, takes 'MES' bulbs.£2,750 -
Pair of Victorian brass three light chandeliers,
£2,400 the pairPair of Victorian brass three light chandeliers,
the central stem issuing three arched arms, each with frilly Vaseline shade, re-wired and PAT tested.£2,400 the pair -
Six branch brass chandeliers
£975 each -
Dutch style brass chandeliers,
£950 each -
Three large ecclesiastical iron ring chandeliers
£800 eachThree large ecclesiastical iron ring chandeliers
with frosted glass shades. Re-wired and PAT tested.£800 each
Featured Items
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Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600