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Set of six 1920s oak dining chairs,
£5,000Set of six 1920s oak dining chairs,
with drop-in rush seats. comprising two armchairs and four side chairs, with ivorine label to the underside. Dimensions: Armchair: 58.5 cm wide x 92.5 cm high x 41.5 cm seat depth Seat: 44.5 cm wide x 87.5 cm high x 37 cm seat depth£5,000 -
Matched pair of French Empire side chairs,
£1,200Matched pair of French Empire side chairs,
The dark stained soft wood framed side chairs, each having a central anthemion design to top rail, flanked by horizonal volutes, one chair has wreath details the other with flower designs. The flower heads and stylized anthemion motifs continue to the s-c scroll padded arms that issue from the stuffed leather backs. The stuffed ample leather seat with shaped and carved aprons, supported on sabre back legs and carved legs to the front. French circa 1810.£1,200 -
Pair of nineteenth century faux-bamboo side chairs,
£975 the pairPair of nineteenth century faux-bamboo side chairs,
turned beechwood with caned seat panels, with cushions.£975 the pair -
Pair of buttoned back Gainsborough chairs,
£900 the pairPair of buttoned back Gainsborough chairs,
with faux-leather upholstery and stained beechwood frame.£900 the pair -
A pair of early Spanish walnut and tooled leather chairs,
£680 the pairA pair of early Spanish walnut and tooled leather chairs,
the back tooled and parcel-gilt and secured with metal disks, the arm rests over-scrolled, united by ornate panelled front stretcher piece, the faded and worn over-stuffed leather seat ornamented with later tasseled fringes,£680 the pair -
An English yew and elm wood Windsor chair,
£675An English yew and elm wood Windsor chair,
with bent wood top-rail and arm rests, linked by a pierced splat and raised on spindles, the principle spindles turned and knopped, the legs similar and linked with crinoline stretchers,£675 -
A pair of early eighteenth century oak side chairs,
£600A pair of early eighteenth century oak side chairs,
the cupid's bow top rail and raised and fielded back panel over the box stretcher seats with bobbin and baluster turned fore-timbers, dowel joined, seats rebuilt; condition commensurate with age, but sound overall,£600 -
A mid Victorian oak and elm Windsor chair,
£525A mid Victorian oak and elm Windsor chair,
with bent wood top-rail and arm rests, linked by a pierced splat and raised on spindles, the principle spindles turned and knopped, the legs similar and linked with crinoline stretchers,£525 -
An English high-backed oak, ash and elm Windsor chair,
£470An English high-backed oak, ash and elm Windsor chair,
the hooped back centred with a pierced splat, above the curved arm-rail and dished seat, raised on turned legs linked with an H-stretcher,£470 -
A low mid Victorian oak, elm and ash Windsor chair,
£425A low mid Victorian oak, elm and ash Windsor chair,
with bent wood top-rail and arm rests, linked by a pierced splat and raised on spindles, the legs linked with H-stretchers,£425 -
Oxford pattern Windsor armchair
£300 -
Shoe shine chair
£280Shoe shine chair
The mahogany chair having a square raised padded back and tapered seat, padded arms, eight stretchers support the square tapered legs. A foot plate with non-slip tape to base. Mid twentieth century.£280 -
Shoe Shine Chair
£280Shoe Shine Chair
The mahogany chair having a square raised padded back and tapered seat, padded arms, eight stretchers support the square tapered legs. A foot plate to base. Mid twentieth century.£280 -
Shoe Shine Chair
£250Shoe Shine Chair
The hard wood frame made up of the shaped and padded concave back, leading to padded shaped arms and stuff over seat, supported on square legs, stretchers and foot plate. Mid twentieth century.£250 -
1960s German dining chairs by Adam Stegner for Flöttoto,
£125 each1960s German dining chairs by Adam Stegner for Flöttoto,
pagwood on chrome plated tubular legs£125 each
Featured Items
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The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
£600Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800