14 items found
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Liberty’s Arts and Crafts ‘Stronza’ Orkney Chair
£1,750Liberty’s Arts and Crafts ‘Stronza’ Orkney Chair
pine, seagrass and rush, Scottish c.1900, previously owned by film director (Victor) Gareth Gundry.£1,750 -
Regency faux bamboo armchair,
£950 -
George II style elbow chair
£950George II style elbow chair
the well-drawn, dense mahogany frame with generous drop-in seat upholstered in cut velvet fabric by Pierre Frey.£950 -
A British cast iron vine pattern garden seat
£895A British cast iron vine pattern garden seat
the back cast as a curved network of vine-leaves and grapes above the circular seat pierced as a geometric grille and raised on a trio of cabriole shaped vine-leaf supports linked with a tri-form stretcher,£895 -
Late eighteenth century children’s chair,
£800 -
An English yew and elm wood Windsor chair,
£675An English yew and elm wood Windsor chair,
with bent wood top-rail and arm rests, linked by a pierced splat and raised on spindles, the principle spindles turned and knopped, the legs similar and linked with crinoline stretchers,£675 -
A mid Victorian oak and elm Windsor chair,
£525A mid Victorian oak and elm Windsor chair,
with bent wood top-rail and arm rests, linked by a pierced splat and raised on spindles, the principle spindles turned and knopped, the legs similar and linked with crinoline stretchers,£525 -
An English high-backed oak, ash and elm Windsor chair,
£470An English high-backed oak, ash and elm Windsor chair,
the hooped back centred with a pierced splat, above the curved arm-rail and dished seat, raised on turned legs linked with an H-stretcher,£470 -
Late nineteenth century Canadian piano stool,
£450Late nineteenth century Canadian piano stool,
turned hardwood with iron and glass ball and claw feet, height adjustable, stamped 'Thomas Woodstock Organ Co., Ont. Canada'.£450 -
A low mid Victorian oak, elm and ash Windsor chair,
£425A low mid Victorian oak, elm and ash Windsor chair,
with bent wood top-rail and arm rests, linked by a pierced splat and raised on spindles, the legs linked with H-stretchers,£425 -
Oxford pattern Windsor armchair
£300 -
Shoe shine chair
£280Shoe shine chair
The mahogany chair having a square raised padded back and tapered seat, padded arms, eight stretchers support the square tapered legs. A foot plate with non-slip tape to base. Mid twentieth century.£280 -
Shoe Shine Chair
£280Shoe Shine Chair
The mahogany chair having a square raised padded back and tapered seat, padded arms, eight stretchers support the square tapered legs. A foot plate to base. Mid twentieth century.£280 -
Shoe Shine Chair
£250Shoe Shine Chair
The hard wood frame made up of the shaped and padded concave back, leading to padded shaped arms and stuff over seat, supported on square legs, stretchers and foot plate. Mid twentieth century.£250
Featured Items
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Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500