24 items found
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Fifty-four antique manganese Delft tiles, Dutch, Ninetieth century
£2,500 the setFifty-four antique manganese Delft tiles, Dutch, Ninetieth century
The square tiles all of similar thickness, all decorated with strikingly hand painted manganese fired design, depicting stylised open Dutch tulips in vases. The repeat pattern ideal for kitchen or bathroom splash backs, or to incorporate into fireplaces.£2,500 the set -
Set of seven framed antique Dutch Delft tiles. Late Eighteenth century
£490 set of sevenSet of seven framed antique Dutch Delft tiles. Late Eighteenth century
Each having moulded wooden frames, the tiles with fired manganese decoration each depicting Dutch landscape and seascape scenes of Dutch barges, windmill, harbour's and churches. Sold as a set.£490 set of seven -
Four hand painted delft tiles,
£220 the set,Four hand painted delft tiles,
typical blue and white tin glazed with rural scenes, slight losses commensurate with age,£220 the set, -
Four hand painted delft tiles,
£220 the set,Four hand painted delft tiles,
typical blue and white tin glazed with rural scenes, slight losses commensurate with age,£220 the set, -
Large Ankara pattern wall charger
£200Large Ankara pattern wall charger
decorated by Charlotte Rhead and produced by Crown Ducal. Signed C. Rhead with pattern number 5983.£200 -
Two Good Blue and White Delft tiles,
£150 the pairTwo Good Blue and White Delft tiles,
The nineteenth century tiles typical in their blue and white decoration are executed with more detail than is usually seen on such tiles. Both having scenes that incorporate seascapes, boats, churches and harbours with slipways. Both painted within roundels with angular decoration to each corner.£150 the pair -
Doulton Lambeth Harvest Ware jug
£125 -
Doulton Lambeth Harvest Ware jug
£125Doulton Lambeth Harvest Ware jug
stoneware with patinated silver rim, with hallmarks to the silver and green glaze to the body£125 -
A Small Blue and White transfer printed gold fish bowl.
£120A Small Blue and White transfer printed gold fish bowl.
The late nineteenth century European made porcelain bowl, produced to mimic a Chinese gold fish bowl. The wide rim designed to stop fish escaping, is decorated with blue flower heads, above a bulbous body decorated with layered flower designs. The mark on the base in the form of a simple windmill could indicate the piece was produced in Holland.£120 -
Pair of Polychrome Delft tiles, late ninetieth century
£110 the pairPair of Polychrome Delft tiles, late ninetieth century
Both tiles with the same hand painted geometric patterns in lime green, canary yellow and manganese purple. Each centred by different Dutch inspired landscape scenes, one with a canal, lift bridge and town scene, the other with townscape possible a harbour with church spires, boats and an angler in the forefront.£110 the pair -
Doulton Lambeth Harvest Ware jug
£95Doulton Lambeth Harvest Ware jug
stoneware with patinated silver rim, with hallmarks to the silver and further impressed backstamps to the base, with green glaze to the body£95 -
A Staffordshire Crown Prince “flatback”
£95 -
A Staffordshire Robin Hood “flatback” spill-vase,
£95A Staffordshire Robin Hood “flatback” spill-vase,
the flamboyantly attired pair supporting the central vase,£95 -
Framed antique Polychrome Delft tile. Dutch, late Eighteenth early Nineteenth century
£65Framed antique Polychrome Delft tile. Dutch, late Eighteenth early Nineteenth century
Moulded wooden frame with a polychrome delft tile within, the tile is decorated with two figures in period dress holding crosses aloft. The even crazing and patterns to each corner add to this pleasing period tile.£65 -
Antique Delft tile in manganese
£65Antique Delft tile in manganese
the tile with fired manganese decoration each depicting Dutch landscape and seascape scene of Dutch barges, windmill, harbour and church, within a roundel, with stylised flowers to each corner.£65 -
Doulton Lambeth Harvest Ware jug,
£65Doulton Lambeth Harvest Ware jug,
silver rimmed stoneware, with hallmarks to the silver and further impressed stamps to the base£65 -
Doulton Lambeth Harvest Ware jug,
£65Doulton Lambeth Harvest Ware jug,
silver rimmed stoneware, with hallmarks to the silver and further impressed stamps to the base£65 -
Doulton Lambeth Harvest Ware jug
£65Doulton Lambeth Harvest Ware jug
stoneware body with line-engraved silver rim, with hallmarks to the silver and further impressed stamps to the base£65 -
Doulton Lambeth Harvest Ware jug
£65Doulton Lambeth Harvest Ware jug
silver rimmed stoneware, with hallmarks to the silver and further impressed stamps to the base£65 -
Set of three cream and blue fired tiles
£60 set of threeSet of three cream and blue fired tiles
Both tiles with a pleasing crazed surface, each centred by a star burst design surrounded by four fleur- de -lys, which in turn is fielded by stylised trumpet shaped flower in a diamond form, all decoration carried out in strong cobalt blue glaze.£60 set of three -
A hand painted delft tile
£55A hand painted delft tile
blue and white tin glazed painted with a rural scene, slight losses commensurate with age,£55 -
Doulton Lambeth Harvest Ware jug
£45Doulton Lambeth Harvest Ware jug
stoneware with silver rim, with hallmarks to the silver and further impressed stamps to the base, small chip to the inside of the rim.£45 -
Antique Delft tile
£40Antique Delft tile
The blue and white delft tile, centred by diamond shaped pattern with three stylised flowers in bloom, with a further four stylised tulips to each corner.£40 -
Manganese Antique Delft tile. Dutch Late Eighteenth century
£25Manganese Antique Delft tile. Dutch Late Eighteenth century
the manganese tile with central diamond design flower and further flowers to each corner. Please note that the tile has been repaired at some stage.£25
Featured Items
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Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800