5 items found
Page 1 of 1
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Regency Portland stone chimneypiece
£8,500Regency Portland stone chimneypiece
with single reed to the shelf, the reeded frieze flanked by roundels above unusual framed and reeded jambs.£8,500 -
Early nineteenth century Regency fireplace,
£5,250Early nineteenth century Regency fireplace,
with cushion mould tablet to the centre, with reeded frieze and jambs. Shelf a later replacement.£5,250 -
Regency slate bull’s eye roundel fireplace
£4,250Regency slate bull’s eye roundel fireplace
with boldly fluted frieze and jambs, with convex moulded corner blocks.£4,250 -
An early nineteenth century giltwood convex wall mirror,
£1,200An early nineteenth century giltwood convex wall mirror,
the convex plate within reeded ebonised sight and cavetto mould gilt-pine frame, ribbon tied to edge, with carved foliate crest; the gilding thin with old wear down to the gesso ground,£1,200 -
A Victorian pine chapel fire surround,
£925A Victorian pine chapel fire surround,
the rectangular shelf with chamfered moulding above the gothic inspired lobed corbels and the plain frieze and jambs with stop-chamfered details,
£925
Featured Items
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The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800