12 items found
Page 1 of 1
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Regency Ashburton marble fireplace
£6,500Regency Ashburton marble fireplace
with cushion moulded frieze and jambs, the corner-blocks with bull's-eye roundels, on square footblocks, realised in well figured Devonian limestone with good varied colouration.£6,500 -
Early nineteenth century Carrara marble fireplace
£4,800Early nineteenth century Carrara marble fireplace
with plain shelf above unusually moulded frieze and jambs, with well-defined bull's-eye roundels, on block feet.£4,800 -
Elegant Regency Carrara marble fireplace
£4,750Elegant Regency Carrara marble fireplace
with reeded shelf above finely moulded roundel corner-blocks, the frieze and jambs reeded, on block feet.£4,750 -
Regency bull’s-eye roundel chimneypiece
£4,500 -
Nineteenth century Carrara marble roundel fireplace,
£4,500Nineteenth century Carrara marble roundel fireplace,
of simple plain form with deep-undercut roundel corner-blocks£4,500 -
Regency slate bull’s eye roundel fireplace
£4,250Regency slate bull’s eye roundel fireplace
with boldly fluted frieze and jambs, with convex moulded corner blocks.£4,250 -
Regency Carrara bullseye fireplace
£4,250 -
English Regency marble fireplace,
£3,800English Regency marble fireplace,
of understated design, the rectangular shelf above plain frieze and jambs, with convex roundel corner-blocks, all in well figured Carrara marble with attractive dry surface.£3,800 -
Early nineteenth century Regency slate fireplace
£3,750Early nineteenth century Regency slate fireplace
the plain shelf above confidently moulded frieze and jambs, with convex roundel end-blocks.£3,750 -
Regency slate fireplace
£3,500Regency slate fireplace
the cushion moulded frieze centred by plain plaque and flanked by convex roundel corner-blocks, the jambs with conforming moulding, on square footblocks.£3,500 -
Regency style Carrara marble bullseye chimneypiece
£1,450Regency style Carrara marble bullseye chimneypiece
the rectangular shelf above cushion moulded frieze flanked by bullseye roundels, the conforming jambs on square footblocks. Opening width 90.5cm x height 90.5cm, each jamb 17cm in width (opening with some room for adjustment as required). Example shown for illustrative purposes only, please note that being a natural material the marble may differ in figuration/veining.£1,450 -
A Victorian pine chapel fire surround,
£925A Victorian pine chapel fire surround,
the rectangular shelf with chamfered moulding above the gothic inspired lobed corbels and the plain frieze and jambs with stop-chamfered details,
£925
Featured Items
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The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.
£600The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
£600Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600