10 items found
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“Erin”: an early Victorian stoneware statue personifying Ireland – in tribute to poet Thomas Moore
POA“Erin”: an early Victorian stoneware statue personifying Ireland – in tribute to poet Thomas Moore
the lifesize female figure with a shamrock diadem, scantily dressed - her dress fallen to her hips and her long hair falling to her waist; her weight borne on her right leg, she leans against an ivy-covered stump on which her harp is supported, her right arm reaches-up to pluck the strings, a portrait medallion of the poet hangs from the stumpPOA -
A very large late Victorian stoneware campana urn
£14,250A very large late Victorian stoneware campana urn
the semi-lobed campana urn with loop and elven mask handles and vine-leaf tendrils modelled in relief under the spreading rim, raised on a socle foot, above a square section pedestal, bearing the maker's mark "Doulton Lambeth" to each element,£14,250 -
A pair of early Victorian stoneware garden urns
£10,400A pair of early Victorian stoneware garden urns
each semi-lobed campana urn with loop and mask handles and raised on a socle foot, above a square section pedestal with a relief-cast wreath to one side, bearing the maker's mark to each element,£10,400 -
An Impressive mid-Victorian stoneware garden urn
£8,900An Impressive mid-Victorian stoneware garden urn
the bulbous tazza with an everted rim raised on a socle foot, above a square section pedestal with a relief-cast wreath to each side, bearing the maker's mark to each element,£8,900 -
A rare series of eight early Victorian stoneware bracket-consoles for a balustrade
£5,600 the eightA rare series of eight early Victorian stoneware bracket-consoles for a balustrade
each console comprising a pierced panel of strapwork, with mirrored foliate forms,£5,600 the eight -
A substantial Victorian carved sandstone garden urn
£4,250A substantial Victorian carved sandstone garden urn
the semi-lobed vase body with moulded rim and carved ring handles to each side, roughly hewn within, raised on a generous socle foot and a square section plinth£4,250 -
A pair of early Victorian stoneware garden pedestals
£1,600A pair of early Victorian stoneware garden pedestals
each rectangular plinth with a wreath cast to each side, each stamped with the makers mark£1,600 -
A small English neo-classical stoneware anthemion roof finial
£895A small English neo-classical stoneware anthemion roof finial
delicately modelled with a mask of Mercury, sporting his trademark winged cap, set within the splayed lobes of an anthemion, a pair of pineapple finials and an opposed pair of scrolls below, fragments of old paint,£895 -
A Victorian stoneware garden urn
£875A Victorian stoneware garden urn
of semi-fluted campana form, the everted rim with stiff-leaf mouldings above the vase-shaped body bearing an applied motif of crown and ostrich feathers, raised on a fluted socle£875 -
A late Victorian stoneware garden urn
£795
Featured Items
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Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800