68 items found
Page 1 of 1
-
Views of the Architecture of the Heavens, by John Nichol
£250 eachViews of the Architecture of the Heavens, by John Nichol
John Pringle Nichol who, a Scottish Romantic astronomer, educator, and social reformer, who produced popular science books between 1846 and 1850. As the 5th Regius Professor of Astronomy at the University of Edinburgh , influenced the building of a large observatory beyond the city on Horselethill, paid for by the local citizens. In 1841, it was saved from financial collapse by the University. Part of the difficulties had arisen through Nichol's extravagance in purchasing unnecessarily expensive equipment. Eventually, Horselethill Observatory was kept in operation for 100 years. Nichol was a prolific writer and populariser of Astronomy; his books Contemplations on the Solar System and Views of the Architecture of the Heavens, the latter expanding on the Nebular Hypothesis, and one describing the discovery of Neptune£250 each -
Views of the Architecture of the Heavens, by John Nichol
£250 eachViews of the Architecture of the Heavens, by John Nichol
John Pringle Nichol who, a Scottish Romantic astronomer, educator, and social reformer, who produced popular science books between 1846 and 1850. As the 5th Regius Professor of Astronomy at the University of Edinburgh , influenced the building of a large observatory beyond the city on Horselethill, paid for by the local citizens. In 1841, it was saved from financial collapse by the University. Part of the difficulties had arisen through Nichol's extravagance in purchasing unnecessarily expensive equipment. Eventually, Horselethill Observatory was kept in operation for 100 years. Nichol was a prolific writer and populariser of Astronomy; his books Contemplations on the Solar System and Views of the Architecture of the Heavens, the latter expanding on the Nebular Hypothesis, and one describing the discovery of Neptune£250 each -
Views of the Architecture of the Heavens, by John Nichol
£250 eachViews of the Architecture of the Heavens, by John Nichol
John Pringle Nichol who, a Scottish Romantic astronomer, educator, and social reformer, who produced popular science books between 1846 and 1850. As the 5th Regius Professor of Astronomy at the University of Edinburgh , influenced the building of a large observatory beyond the city on Horselethill, paid for by the local citizens. In 1841, it was saved from financial collapse by the University. Part of the difficulties had arisen through Nichol's extravagance in purchasing unnecessarily expensive equipment. Eventually, Horselethill Observatory was kept in operation for 100 years. Nichol was a prolific writer and populariser of Astronomy; his books Contemplations on the Solar System and Views of the Architecture of the Heavens, the latter expanding on the Nebular Hypothesis, and one describing the discovery of Neptune£250 each -
Views of the Architecture of the Heavens, by John Nichol
£250 eachViews of the Architecture of the Heavens, by John Nichol
John Pringle Nichol who, a Scottish Romantic astronomer, educator, and social reformer, who produced popular science books between 1846 and 1850. As the 5th Regius Professor of Astronomy at the University of Edinburgh , influenced the building of a large observatory beyond the city on Horselethill, paid for by the local citizens. In 1841, it was saved from financial collapse by the University. Part of the difficulties had arisen through Nichol's extravagance in purchasing unnecessarily expensive equipment. Eventually, Horselethill Observatory was kept in operation for 100 years. Nichol was a prolific writer and populariser of Astronomy; his books Contemplations on the Solar System and Views of the Architecture of the Heavens, the latter expanding on the Nebular Hypothesis, and one describing the discovery of Neptune£250 each -
Views of the Architecture of the Heavens, by John Nichol
£250 eachViews of the Architecture of the Heavens, by John Nichol
John Pringle Nichol who, a Scottish Romantic astronomer, educator, and social reformer, who produced popular science books between 1846 and 1850. As the 5th Regius Professor of Astronomy at the University of Edinburgh , influenced the building of a large observatory beyond the city on Horselethill, paid for by the local citizens. In 1841, it was saved from financial collapse by the University. Part of the difficulties had arisen through Nichol's extravagance in purchasing unnecessarily expensive equipment. Eventually, Horselethill Observatory was kept in operation for 100 years. Nichol was a prolific writer and populariser of Astronomy; his books Contemplations on the Solar System and Views of the Architecture of the Heavens, the latter expanding on the Nebular Hypothesis, and one describing the discovery of Neptune£250 each -
Views of the Architecture of the Heavens, by John Nichol
£250 eachViews of the Architecture of the Heavens, by John Nichol
John Pringle Nichol who, a Scottish Romantic astronomer, educator, and social reformer, who produced popular science books between 1846 and 1850. As the 5th Regius Professor of Astronomy at the University of Edinburgh , influenced the building of a large observatory beyond the city on Horselethill, paid for by the local citizens. In 1841, it was saved from financial collapse by the University. Part of the difficulties had arisen through Nichol's extravagance in purchasing unnecessarily expensive equipment. Eventually, Horselethill Observatory was kept in operation for 100 years. Nichol was a prolific writer and populariser of Astronomy; his books Contemplations on the Solar System and Views of the Architecture of the Heavens, the latter expanding on the Nebular Hypothesis, and one describing the discovery of Neptune£250 each -
Views of the Architecture of the Heavens, by John Nichol
£250 eachViews of the Architecture of the Heavens, by John Nichol
John Pringle Nichol who, a Scottish Romantic astronomer, educator, and social reformer, who produced popular science books between 1846 and 1850. As the 5th Regius Professor of Astronomy at the University of Edinburgh , influenced the building of a large observatory beyond the city on Horselethill, paid for by the local citizens. In 1841, it was saved from financial collapse by the University. Part of the difficulties had arisen through Nichol's extravagance in purchasing unnecessarily expensive equipment. Eventually, Horselethill Observatory was kept in operation for 100 years. Nichol was a prolific writer and populariser of Astronomy; his books Contemplations on the Solar System and Views of the Architecture of the Heavens, the latter expanding on the Nebular Hypothesis, and one describing the discovery of Neptune£250 each -
Views of the Architecture of the Heavens, by John Nichol
£250 eachViews of the Architecture of the Heavens, by John Nichol
John Pringle Nichol who, a Scottish Romantic astronomer, educator, and social reformer, who produced popular science books between 1846 and 1850. As the 5th Regius Professor of Astronomy at the University of Edinburgh , influenced the building of a large observatory beyond the city on Horselethill, paid for by the local citizens. In 1841, it was saved from financial collapse by the University. Part of the difficulties had arisen through Nichol's extravagance in purchasing unnecessarily expensive equipment. Eventually, Horselethill Observatory was kept in operation for 100 years. Nichol was a prolific writer and populariser of Astronomy; his books Contemplations on the Solar System and Views of the Architecture of the Heavens, the latter expanding on the Nebular Hypothesis, and one describing the discovery of Neptune£250 each -
Views of the Architecture of the Heavens, by John Nichol
£250 eachViews of the Architecture of the Heavens, by John Nichol
John Pringle Nichol who, a Scottish Romantic astronomer, educator, and social reformer, who produced popular science books between 1846 and 1850. As the 5th Regius Professor of Astronomy at the University of Edinburgh , influenced the building of a large observatory beyond the city on Horselethill, paid for by the local citizens. In 1841, it was saved from financial collapse by the University. Part of the difficulties had arisen through Nichol's extravagance in purchasing unnecessarily expensive equipment. Eventually, Horselethill Observatory was kept in operation for 100 years. Nichol was a prolific writer and populariser of Astronomy; his books Contemplations on the Solar System and Views of the Architecture of the Heavens, the latter expanding on the Nebular Hypothesis, and one describing the discovery of Neptune£250 each -
Views of the Architecture of the Heavens, by John Nichol
£250 eachViews of the Architecture of the Heavens, by John Nichol
John Pringle Nichol who, a Scottish Romantic astronomer, educator, and social reformer, who produced popular science books between 1846 and 1850. As the 5th Regius Professor of Astronomy at the University of Edinburgh , influenced the building of a large observatory beyond the city on Horselethill, paid for by the local citizens. In 1841, it was saved from financial collapse by the University. Part of the difficulties had arisen through Nichol's extravagance in purchasing unnecessarily expensive equipment. Eventually, Horselethill Observatory was kept in operation for 100 years. Nichol was a prolific writer and populariser of Astronomy; his books Contemplations on the Solar System and Views of the Architecture of the Heavens, the latter expanding on the Nebular Hypothesis, and one describing the discovery of Neptune£250 each -
Views of the Architecture of the Heavens, by John Nichol
£250 eachViews of the Architecture of the Heavens, by John Nichol
John Pringle Nichol who, a Scottish Romantic astronomer, educator, and social reformer, who produced popular science books between 1846 and 1850. As the 5th Regius Professor of Astronomy at the University of Edinburgh , influenced the building of a large observatory beyond the city on Horselethill, paid for by the local citizens. In 1841, it was saved from financial collapse by the University. Part of the difficulties had arisen through Nichol's extravagance in purchasing unnecessarily expensive equipment. Eventually, Horselethill Observatory was kept in operation for 100 years. Nichol was a prolific writer and populariser of Astronomy; his books Contemplations on the Solar System and Views of the Architecture of the Heavens, the latter expanding on the Nebular Hypothesis, and one describing the discovery of Neptune£250 each -
Views of the Architecture of the Heavens, by John Nichol
£250 eachViews of the Architecture of the Heavens, by John Nichol
John Pringle Nichol who, a Scottish Romantic astronomer, educator, and social reformer, who produced popular science books between 1846 and 1850. As the 5th Regius Professor of Astronomy at the University of Edinburgh , influenced the building of a large observatory beyond the city on Horselethill, paid for by the local citizens. In 1841, it was saved from financial collapse by the University. Part of the difficulties had arisen through Nichol's extravagance in purchasing unnecessarily expensive equipment. Eventually, Horselethill Observatory was kept in operation for 100 years. Nichol was a prolific writer and populariser of Astronomy; his books Contemplations on the Solar System and Views of the Architecture of the Heavens, the latter expanding on the Nebular Hypothesis, and one describing the discovery of Neptune£250 each -
Views of the Architecture of the Heavens, by John Nichol
£250 eachViews of the Architecture of the Heavens, by John Nichol
John Pringle Nichol who, a Scottish Romantic astronomer, educator, and social reformer, who produced popular science books between 1846 and 1850. As the 5th Regius Professor of Astronomy at the University of Edinburgh , influenced the building of a large observatory beyond the city on Horselethill, paid for by the local citizens. In 1841, it was saved from financial collapse by the University. Part of the difficulties had arisen through Nichol's extravagance in purchasing unnecessarily expensive equipment. Eventually, Horselethill Observatory was kept in operation for 100 years. Nichol was a prolific writer and populariser of Astronomy; his books Contemplations on the Solar System and Views of the Architecture of the Heavens, the latter expanding on the Nebular Hypothesis, and one describing the discovery of Neptune£250 each -
Views of the Architecture of the Heavens, by John Nichol
£250 eachViews of the Architecture of the Heavens, by John Nichol
John Pringle Nichol who, a Scottish Romantic astronomer, educator, and social reformer, who produced popular science books between 1846 and 1850. As the 5th Regius Professor of Astronomy at the University of Edinburgh , influenced the building of a large observatory beyond the city on Horselethill, paid for by the local citizens. In 1841, it was saved from financial collapse by the University. Part of the difficulties had arisen through Nichol's extravagance in purchasing unnecessarily expensive equipment. Eventually, Horselethill Observatory was kept in operation for 100 years. Nichol was a prolific writer and populariser of Astronomy; his books Contemplations on the Solar System and Views of the Architecture of the Heavens, the latter expanding on the Nebular Hypothesis, and one describing the discovery of Neptune£250 each -
Views of the Architecture of the Heavens, by John Nichol
£250 eachViews of the Architecture of the Heavens, by John Nichol
John Pringle Nichol who, a Scottish Romantic astronomer, educator, and social reformer, who produced popular science books between 1846 and 1850. As the 5th Regius Professor of Astronomy at the University of Edinburgh , influenced the building of a large observatory beyond the city on Horselethill, paid for by the local citizens. In 1841, it was saved from financial collapse by the University. Part of the difficulties had arisen through Nichol's extravagance in purchasing unnecessarily expensive equipment. Eventually, Horselethill Observatory was kept in operation for 100 years. Nichol was a prolific writer and populariser of Astronomy; his books Contemplations on the Solar System and Views of the Architecture of the Heavens, the latter expanding on the Nebular Hypothesis, and one describing the discovery of Neptune£250 each -
Views of the Architecture of the Heavens, by John Nichol
£250 eachViews of the Architecture of the Heavens, by John Nichol
John Pringle Nichol who, a Scottish Romantic astronomer, educator, and social reformer, who produced popular science books between 1846 and 1850. As the 5th Regius Professor of Astronomy at the University of Edinburgh , influenced the building of a large observatory beyond the city on Horselethill, paid for by the local citizens. In 1841, it was saved from financial collapse by the University. Part of the difficulties had arisen through Nichol's extravagance in purchasing unnecessarily expensive equipment. Eventually, Horselethill Observatory was kept in operation for 100 years. Nichol was a prolific writer and populariser of Astronomy; his books Contemplations on the Solar System and Views of the Architecture of the Heavens, the latter expanding on the Nebular Hypothesis, and one describing the discovery of Neptune£250 each -
Views of the Architecture of the Heavens, by John Nichol
£250 eachViews of the Architecture of the Heavens, by John Nichol
John Pringle Nichol who, a Scottish Romantic astronomer, educator, and social reformer, who produced popular science books between 1846 and 1850. As the 5th Regius Professor of Astronomy at the University of Edinburgh , influenced the building of a large observatory beyond the city on Horselethill, paid for by the local citizens. In 1841, it was saved from financial collapse by the University. Part of the difficulties had arisen through Nichol's extravagance in purchasing unnecessarily expensive equipment. Eventually, Horselethill Observatory was kept in operation for 100 years. Nichol was a prolific writer and populariser of Astronomy; his books Contemplations on the Solar System and Views of the Architecture of the Heavens, the latter expanding on the Nebular Hypothesis, and one describing the discovery of Neptune£250 each -
Views of the Architecture of the Heavens, by John Nichol
£250 eachViews of the Architecture of the Heavens, by John Nichol
John Pringle Nichol who, a Scottish Romantic astronomer, educator, and social reformer, who produced popular science books between 1846 and 1850. As the 5th Regius Professor of Astronomy at the University of Edinburgh , influenced the building of a large observatory beyond the city on Horselethill, paid for by the local citizens. In 1841, it was saved from financial collapse by the University. Part of the difficulties had arisen through Nichol's extravagance in purchasing unnecessarily expensive equipment. Eventually, Horselethill Observatory was kept in operation for 100 years. Nichol was a prolific writer and populariser of Astronomy; his books Contemplations on the Solar System and Views of the Architecture of the Heavens, the latter expanding on the Nebular Hypothesis, and one describing the discovery of Neptune£250 each -
Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Johnstonella Catharina’,
£220Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Johnstonella Catharina’,
Living in London, Gosse's prodigious hobby of publishing work on his observations resulted in a breakdown from overwork. He was advised to go and live in the country and moved to Devon in 1853 where he wrote 'A naturalist's rambles on the Devonshire coast' The book successfully popularised the science of marine biology, but his reputation as a serious scientist later suffered with the publication of 'Omphalo' in which he refuted developmental theory, aiming to reconcile geology with the Bible's account of creation.£220 -
Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Balanophylia Regia, Saphenia Titania’,
£220Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Balanophylia Regia, Saphenia Titania’,
Living in London, Gosse's prodigious hobby of publishing work on his observations resulted in a breakdown from overwork. He was advised to go and live in the country and moved to Devon in 1853 where he wrote 'A naturalist's rambles on the Devonshire coast' The book successfully popularised the science of marine biology, but his reputation as a serious scientist later suffered with the publication of 'Omphalo' in which he refuted developmental theory, aiming to reconcile geology with the Bible's account of creation.£220 -
Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Chrysaora Cyclonota’,
£220Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Chrysaora Cyclonota’,
Living in London, Gosse's prodigious hobby of publishing work on his observations resulted in a breakdown from overwork. He was advised to go and live in the country and moved to Devon in 1853 where he wrote 'A naturalist's rambles on the Devonshire coast' The book successfully popularised the science of marine biology, but his reputation as a serious scientist later suffered with the publication of 'Omphalo' in which he refuted developmental theory, aiming to reconcile geology with the Bible's account of creation.£220 -
Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Alcyonium Digitatum, Eye of Parten’,
£220Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Alcyonium Digitatum, Eye of Parten’,
Living in London, Gosse's prodigious hobby of publishing work on his observations resulted in a breakdown from overwork. He was advised to go and live in the country and moved to Devon in 1853 where he wrote 'A naturalist's rambles on the Devonshire coast' The book successfully popularised the science of marine biology, but his reputation as a serious scientist later suffered with the publication of 'Omphalo' in which he refuted developmental theory, aiming to reconcile geology with the Bible's account of creation.£220 -
Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Coryne Staurdial, Noctiluca Miliaris’,’,
£220Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Coryne Staurdial, Noctiluca Miliaris’,’,
Living in London, Gosse's prodigious hobby of publishing work on his observations resulted in a breakdown from overwork. He was advised to go and live in the country and moved to Devon in 1853 where he wrote 'A naturalist's rambles on the Devonshire coast' The book successfully popularised the science of marine biology, but his reputation as a serious scientist later suffered with the publication of 'Omphalo' in which he refuted developmental theory, aiming to reconcile geology with the Bible's account of creation.£220 -
Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Caryophyllia Smithii’,
£220Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. ‘Caryophyllia Smithii’,
Living in London, Gosse's prodigious hobby of publishing work on his observations resulted in a breakdown from overwork. He was advised to go and live in the country and moved to Devon in 1853 where he wrote 'A naturalist's rambles on the Devonshire coast' The book successfully popularised the science of marine biology, but his reputation as a serious scientist later suffered with the publication of 'Omphalo' in which he refuted developmental theory, aiming to reconcile geology with the Bible's account of creation.£220 -
Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. Thaumantias Corynetes,
£220Naturalist Rambles on the Devonshire Coast, by Philip Henry Gosse. Thaumantias Corynetes,
Living in London, Gosse's prodigious hobby of publishing work on his observations resulted in a breakdown from overwork. He was advised to go and live in the country and moved to Devon in 1853 where he wrote 'A naturalist's rambles on the Devonshire coast' The book successfully popularised the science of marine biology, but his reputation as a serious scientist later suffered with the publication of 'Omphalo' in which he refuted developmental theory, aiming to reconcile geology with the Bible's account of creation.£220 -
Cahiers D’Art 1953
£220Cahiers D’Art 1953
Cahiers D’Art was a journal, founded by the art critic Christian Zervos, in Paris at 14, rue du Dragon. It was published from 1926 to 1960, with a wartime interruption 1941 to 1943. Zervos was a Greek-French art historian, critic, collector, writer and publisher. The journal was noted for the quality of its articles and illustrations which unusually promoted Modern Art from all over the world rather than just Europe.£220 -
Cahiers D’Art 1953
£220Cahiers D’Art 1953
Cahiers D’Art was a journal, founded by the art critic Christian Zervos, in Paris at 14, rue du Dragon. It was published from 1926 to 1960, with a wartime interruption 1941 to 1943. Zervos was a Greek-French art historian, critic, collector, writer and publisher. The journal was noted for the quality of its articles and illustrations which unusually promoted Modern Art from all over the world rather than just Europe.£220 -
Cahiers D’Art 1953
£220Cahiers D’Art 1953
Cahiers D’Art was a journal, founded by the art critic Christian Zervos, in Paris at 14, rue du Dragon. It was published from 1926 to 1960, with a wartime interruption 1941 to 1943. Zervos was a Greek-French art historian, critic, collector, writer and publisher. The journal was noted for the quality of its articles and illustrations which unusually promoted Modern Art from all over the world rather than just Europe.£220 -
Cahiers D’Art 1953
£220Cahiers D’Art 1953
Cahiers D’Art was a journal, founded by the art critic Christian Zervos, in Paris at 14, rue du Dragon. It was published from 1926 to 1960, with a wartime interruption 1941 to 1943. Zervos was a Greek-French art historian, critic, collector, writer and publisher. The journal was noted for the quality of its articles and illustrations which unusually promoted Modern Art from all over the world rather than just Europe.£220 -
Cahiers D’Art 1953
£220Cahiers D’Art 1953
Cahiers D’Art was a journal, founded by the art critic Christian Zervos, in Paris at 14, rue du Dragon. It was published from 1926 to 1960, with a wartime interruption 1941 to 1943. Zervos was a Greek-French art historian, critic, collector, writer and publisher. The journal was noted for the quality of its articles and illustrations which unusually promoted Modern Art from all over the world rather than just Europe.£220 -
Cahiers D’Art 1953
£220Cahiers D’Art 1953
Cahiers D’Art was a journal, founded by the art critic Christian Zervos, in Paris at 14, rue du Dragon. It was published from 1926 to 1960, with a wartime interruption 1941 to 1943. Zervos was a Greek-French art historian, critic, collector, writer and publisher. The journal was noted for the quality of its articles and illustrations which unusually promoted Modern Art from all over the world rather than just Europe.£220 -
Woodcuts by Eric Fitch Dalglish,
£150 eachWoodcuts by Eric Fitch Dalglish,
Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.£150 each -
Woodcuts by Eric Fitch Dalglish,
£150 eachWoodcuts by Eric Fitch Dalglish,
Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.£150 each -
Woodcuts by Eric Fitch Dalglish,
£150 eachWoodcuts by Eric Fitch Dalglish,
Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.£150 each -
Woodcuts by Eric Fitch Dalglish,
£150 eachWoodcuts by Eric Fitch Dalglish,
Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.£150 each -
Woodcuts by Eric Fitch Dalglish,
£150 eachWoodcuts by Eric Fitch Dalglish,
Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.£150 each -
Woodcuts by Eric Fitch Dalglish,
£150 eachWoodcuts by Eric Fitch Dalglish,
Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.£150 each -
Woodcuts by Eric Fitch Dalglish,
£150 eachWoodcuts by Eric Fitch Dalglish,
Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.£150 each -
Woodcuts by Eric Fitch Dalglish,
£150 eachWoodcuts by Eric Fitch Dalglish,
Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.£150 each -
Woodcuts by Eric Fitch Dalglish,
£150 eachWoodcuts by Eric Fitch Dalglish,
Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.£150 each -
Woodcuts by Eric Fitch Dalglish,
£150 eachWoodcuts by Eric Fitch Dalglish,
Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.£150 each -
Woodcuts by Eric Fitch Dalglish
£150 eachWoodcuts by Eric Fitch Dalglish
Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.£150 each -
Woodcuts by Eric Fitch Dalglish
£150 eachWoodcuts by Eric Fitch Dalglish
Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.£150 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each -
Londres Secret et Ses Fantomes, lithographs published 1946
£140 eachLondres Secret et Ses Fantomes, lithographs published 1946
Serges was a Circus Chronicler, Graphic Artist, Painter and Radio Broadcaster. Although, a born and bred Parisian he had a great affection for London, a city to which he dedicated this work. They show alongside the well-known landmarks, the seamy underbelly of prostitutes, pub singers, seamen and drunks. Mounted and framed in natural oak.£140 each
Featured Items
-
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200